Karajan conducts Debussy & Ravel

Celebrated for his intimate knowledge of the symphonic contributions of German Romanticism’s great masters, Herbert von Karajan also explored the masterpieces of French composers with the Berliner Philharmoniker in great detail. His almost-obsessive quest for sonic perfection was particularly intriguing when applied to French Impressionism, like the classic works featured here. Debussy’s La Mer depicts the magnificent land- and seascapes associated with the ocean and draws inspiration from the visual artwork of Turner and Monet, and the Suite No.2 from Ravel’s ballet Daphnis et Chloé paints its subjects so clearly that the listener can almost see them. It was the composer himself who spoke of a “choreographic symphony” bringing the love story of the shepherd and his lover to life.

Jubilee Concert – 100 Years Berliner Philharmoniker

Who better than Herbert von Karajan, the Berliner Philharmoniker’s only conductor-for-life, to celebrate the 100th anniversary in 1982 of the orchestra’s founding? In this exceptional concert, the famous Austrian maestro conducts Beethoven’s Symphony No. 3 “Eroica”, whose lively revolutionary character that perfectly suits the orchestra’s vast interpretive powers and corresponds well with the mood for the celebration of the founding of the trail-blazing orchestra a century before.

Beethoven Cycle – Symphony No. 2

Experience the captivating musical partnership of the Berliner Philharmoniker under Herbert von Karajan in this exceptional performance of Beethoven’s Symphony No. 2. Relatively obscure because of the incredible legacy of the symphonies that followed it, the Second was composed around the time when Beethoven learned that the deafness beginning to envelope him could never be cured… a dark moment captured in his Heiligenstadt Testament, an emotional letter written to his brothers in which he confided his desperation and suicidal thoughts. Dedicated to his patron, the former Mozart student Karl Lichnowsky, Beethoven’s Symphony No. 2 is shaped by the symphonic tradition founded by Mozart, whose works the younger composer greatly admired. The Second marks the end of a musical age and the dawning of a new epoque for the symphonic genre, with Beethoven’s Symphony No. 3 “Eroica” coming just around the corner…

Beethoven Cycle – Symphony No. 3 “Eroica”

The great Beethoven specialist Herbert von Karajan leads the Berliner Philharmoniker in a once-in-a-lifetime interpretation of Beethoven’s beloved Symphony No. 3. A great admirer of the young French Republic’s ideal of liberty at the turn of the 19th century, the composer initially dedicated what was called the “Bonaparte” Symphony to the diminutive French general. Unfortunately, Beethoven’s anger and disappointment at learning that the liberator had turned into an authoritarian emperor—as Victor Hugo would put it, “the Napoleon was starting to show behind the Bonaparte” (i.e. the tyrant was beginning to show through the hero)—led him to re-baptize the symphony as the “Eroica” and dedicate it to his patron, the Prince Joseph Franz von Lobkowitz. The energy of Beethoven’s heroic gesture is incarnated in a work that intrepidly breaks with its symphonic predecessors.

Beethoven Cycle – Symphony No. 4

Celebrated for his interpretations of Beethoven’s oeuvre, the great conductor Herbert von Karajan conducts the Berliner Philharmoniker in the composer’s Fourth Symphony. When Beethoven visited the summer residence of the famed Viennese musical patron Prince Lichnowsky, the Count Franz von Oppersdorff met the composer and fell under the spell of his Second Symphony. He offered Beethoven a considerable sum of money to compose a new symphony in the same joyous mood as the Second, leading to the genesis of the Symphony No. 4, which in turn was dedicated to Oppersdorff himself.

Beethoven Cycle – Symphony No. 5

“It’s very big, absolutely crazy!” cried Goethe when he heard Beethoven’s Fifth Symphony. The conductor Herbert von Karajan—a true connoisseur of Beethoven’s work—and the Berliner Philharmoniker present here an exceptional interpretation of the Symphony No. 5. Despite suffering from worsening deafness at the time of the masterpiece’s composition, Beethoven persevered and would succesfully complete his project of a large orchestral work defined by four fateful notes… as he would later explain this particular musical obsession, “this is the way that destiny knocks at the door”!

Beethoven Cycle – Symphony No. 6 “Pastoral”

In 1805, Beethoven wrote to a dear friend in anticipation of a visit to the countryside about “how delighted I shall be to ramble for a while through bushes, woods, under trees, through grass, and around rocks! No one can love the country as much as I do. For surely woods, trees, and rocks produce the echo which man desires to hear.” Just three years later, his magnificent homage to nature, the celebrated Symphony No. 6, received its premiere. Baptised as the “Pastoral” Symphony by Beethoven himself, the work comes to life in this brilliant interpretation by the great Maestro Karajan and the Berliner Philharmoniker.

Beethoven Cycle – Symphony No. 7

Incredibly popular since the day of its premiere (conducted by Beethoven himself!), the Seventh Symphony is one of the composer’s most rhythmic and dancing works. Maestro Karajan, great connoisseur of the composer’s work, and the Berliner Philharmoniker present here a truly exceptional interpretation.

Beethoven Violin Concerto

Premiered in 1806, Beethoven’s Violin Concerto in D Major paved the way for three great violin concertos of the 19th and 20th centuries: Brahms, Tchaikovsky, and Sibelius. Extremely expressive and astonishing in it emotional scope, the work nonetheless received an ambivalent response at its premiere. Renowned for his knowledge of Beethoven’s oeuvre, the conductor Herbert von Karajan and the Berliner Philharmoniker are joined by the virtuoso violinist Anne-Sophie Mutter for a masterful performance.

Pictures at an Exhibition

Experience Mussorgsky’s celebrated Pictures at an Exhibition conducted by the exceptional Herbert von Karajan leading the Berliner Philharmoniker. This world-famous work was born of sad circumstances: in 1873, the composer’s friend, the painter Victor Hartmann, died suddenly from an aneurysm at 39 years old. Shocked, Mussorgsky organized an exhibition of Hartmann’s works at the St. Petersburg Academy of Fine Arts. While the visitors viewed the artwork, the idea came to Mussorgsky to celebrate his friend in music: “sounds and ideas hung in the air, I am gulping and overeating, and can barely manage to scribble them on paper.” Composed in just a few weeks, the piece (originally for piano) would be arranged and transcribed many times before Maurice Ravel’s 1922 orchestration, which is today the most popular.