Chi-chi Nwanoku CBE, the double-bassist and founder of the extraordinary Chineke! Orchestra, explores the remarkable and tragic story of Samuel Coleridge-Taylor – one of the greatest composers of the early 20th century (born 1875, died 1912). “He was brilliant, he was British, and he was black.” She asks why he’s been forgotten and questions the ongoing lack of diversity in the world of classical music. World-renowned for his choral work ‘The Song of Hiawatha’, Coleridge-Taylor – a contemporary of Elgar, Holst, and Vaughan-Williams – also enjoyed fame in America for his arrangements of negro spirituals, and was invited to the White House in 1904 by President Theodore Roosevelt – a rare honour for a man of colour so soon after the abolition of slavery in the USA.
John Neumeier – A Life for the Dance
On different levels, the film approaches one of the greatest choreographers of our time: John Neumeier. The film is about his work and about Neumeier personally. Friends and companions share their views and Neumeier’s husband also gives private insights. The joint trip with Neumeier to Chicago and Milwaukee is a journey to his very beginnings and shows the roots and the source of his work up to today. We learn about the path and career of John Neumeier and draw a portrait of a great dancer, a wonderful teacher and a person deeply rooted in art and religion. Complementing the floating camera in the recording of Neumeier’s ballet choreographies during rehearsals, we show current artistic work that captures movement and dance, aesthetics and expression, humanity and commitment to others in an authentic and aesthetic way.
Hope on the Road – Hollywood
World famous violinist Daniel Hope follows the westward journey made to Los Angeles by Jewish artists, many fleeing the Nazis following the outbreak of World War II. Its consequences are seen as seismic for the development of Hollywood, while also defining the musical language of cinema. Erich Korngold (The Adventures of Robin Hood), Franz Waxman (Sunset Boulevard), Miklos Rozsa (Ben Hur) amongst others, had travelled to the west coast of America with little choice – they were avoiding Jewish persecution – but they would go on to shape cinematic music as an art form. Hollywood of that time was newly invigorated by the birth of talking picture, and music moved from something used to distract audience from the silences of the movies, to becoming a key creative element that worked around dialogue. It began to be used to shape and charge emotion, the blueprint of this was created during this turbulent time. In addition to meeting composers of today influenced by the early emigre artists, it is also a chance for Daniel Hope to perform some of this music during his travels, which takes him to the house of writer Thomas Mann, the exile archives of the University of California and the old MGM soundstage where classics like Ben Hur and Gone with the Wind were recorded.
Cosmos Ligeti
The documentary film explores the Austrian-Hungarian composer Györgyi Ligeti, whose sound-intensive choral and orchestral works, influenced by other sciences and cultures, shaped the music of the 20th century like no other. The composer also became known by Stanley Kubrick, who used Ligeti’s compositions in the films 2001: A SPACE ODYSSEY, SHINING and EYES WIDE SHUT. The film aims to make the cosmos of Ligeti tangible and to get closer to the always curious and very demanding man Ligeti, who broke the boundaries of music and interpretation. In addition to many companions, Kubrick’s producer and brother-in-law Jan Harlan appears in the film alongside the pianist Cathy Krier.
Bryn Terfel – Songs of the Sea
The Welsh bass-baritone Sir Bryn Terfel takes us to his home country Wales in his new project “Songs of the Sea”. The wildly romantic coast is the starting point for a musical journey through Wales, England, Ireland, New Zealand and French Brittany. We experience Bryn in authentic locations, such as in a historic church, in a pub and on the cliffs of the Atlantic. With friends and companions like the Welsh instrumental ensemble Calan and other guests, he sings and plays hits like “What Shall We Do With The Drunken Sailor”, “Wellerman”, but also very authentic songs from the life of sailors. The musical performance is framed by Bryn’s explanations of the history of these shanties and sea songs, the deprived Welsh life, the emigration story to the New World and his own 57-year biography.
Hope on the Road – Ireland
Daniel Hope is on a very personal journey: At the wheel of an old Morris Traveller, the internationally acclaimed violinist explores Ireland, Irish music – and the history of his family. His first stop takes Daniel Hope to medieval Kilkenny, where he meets the „Queen of the Irish Harp,“ Siobhan Armstrong. She explains to him how the harp became a symbol of resistance to foreign domination. He continues on to ocean-washed Galway on the west coast, the capital of street music. This is the home of Seán Smyth, fiddler of the band Lunasa and master of Irish folk. And, of course, there‘s Dublin, where Daniel Hope premieres a piece by the long-forgotten Irish composer Ina Boyle with the National Symphony Orchestra. The emotional highlight of the trip is the violinist‘s visit to Waterford. Here, together with his father, the writer Christopher Hope, he sets out to find the last address of his great-grandfather Danny McKenna: „Without this Danny, I might never have discovered the violin for myself. Because it was only because of him that we were entitled to an Irish passport when my father had to leave South Africa because of his opposition to the apartheid regime. And it was only because of that Irish passport that we were able to settle in London, where my mother found a job with Yehudi Menuhin, the violinist of the century.“ Daniel Hope‘s journey through Ireland thus also becomes a journey to his own roots.
Lang Lang: My Favourite Melodies
What are the main features of a touching melody? World famous pianist Lang Lang takes us to a personal journey through his favourite melodies, from Beethoven “Für Elise”, Debussy “Clair de Lune”, J.S. Bach and Johannes Brahms to the most beautiful movies’ soundtracks. Filmed in unique locations in Paris, the Chinese pianist’s performances of Disney pieces such as “The Bare Necessities” from The Jungle Book, the Beauty and the Beast’s “Theme” and The Muppet Show, to Yann Tiersen “Amélie”, are able to captivate the listener’s fantasy and awake some of the best childhood memories.
DANCE ON!
When one thinks of dance as an art form, images of seemingly endlessly flexible bodies full of beauty, strength and youth inevitably come to mind. But the impression of lightness is deceptive. Dance is hard physical work and, as in high-performance sport, the pressure to perform is high. This takes its toll. With a few exceptions, most dancers have reached their zenith at the age of forty. The duet with their own transience begins and a possible farewell from the stage becomes foreseeable. At the same time, this maturity harbours great artistic potential, for it is their enormous wealth of experience that gives many dancers their magical charisma. The film accompanies the dancers Friedemann Vogel (1st soloist, Stuttgart Ballet), Polina Semionova (prima ballerina, Staatsballett Berlin), William Moore (1st soloist, Ballett Zurich) and Gesine Moog (dancer in Dance On Ensemble, Berlin) on a piece of their journey. All four offer personal insights into their dance careers and reflect on this threshold of “transition”.
Pushing Borders
The film Set in Motion accompanies choreographers Jefta van Dinther, Milla Koistinen, and Arno Schuitemaker, who react to new beginnings after a period of stillness in works specifically put together for this film. In their performances, they represent the changeable feelings that accompany the return from isolation to closeness: from fear to overcome, from curiosity to euphoria. Carefully, they unfold a return to mutual support and trust with the unifying expressive power of contemporary dance and show how dance can also be a celebration of life and joy. The three-part work was created in cooperation with euro-scene at Kunstkraftwerk Leipzig.
Magic Moments of Music – Hélène Grimaud 9/11 in London
On 11 September 2001, the world paused. This concert at the Royal Albert Hall shows how grief and horror can be transformed into a musical moment of glory, and how music can be a means of consolation in these tragic moments. Hélène Grimaud makes her Proms debut with the Orchestre de Paris under the baton of Christoph Eschenbach. The musicians enter the stage visibly affected and discharge their anger and sadness in their playing. Hélène Grimaud succeeds in a deeply emotional interpretation of Beethoven’s 4th Piano Concerto. Her playing alternates between intensity and clarity. The wordless communication with the maestro is moving, not least after the first movement: the moved audience partially breaks into applause – Grimaud and Eschenbach cast emotional and assuring glances at each other. They know at that moment: This evening gets under your skin and will not soon be forgotten.