It couldn’t be more authentic: the Philharmonic Orchestra Helsinki performs all seven symphonies by Jean Sibelius live in the spectacular concert hall of the Finnish capital’s modern Music Centre — the place where almost all of them had their premieres. Over a period of approximately 25 years, Jean Sibelius composed his seven symphonies. All of them, except for the seventh, were premiered in Helsinki under the composer’s own direction. Now, more than 100 years later, a symphony cycle by the Helsinki Philharmonic Orchestra, conducted by its chief conductor Jukka-Pekka Saraste, offers a unique and moving experience.
Sibelius Symphony No. 6
It couldn’t be more authentic: the Philharmonic Orchestra Helsinki performs all seven symphonies by Jean Sibelius live in the spectacular concert hall of the Finnish capital’s modern Music Centre — the place where almost all of them had their premieres. Over a period of approximately 25 years, Jean Sibelius composed his seven symphonies. All of them, except for the seventh, were premiered in Helsinki under the composer’s own direction. Now, more than 100 years later, a symphony cycle by the Helsinki Philharmonic Orchestra, conducted by its chief conductor Jukka-Pekka Saraste, offers a unique and moving experience.
The Hives at Hurricane Festival
The Hives are a Swedish rock who´s mainstream success came with the release of the album Veni Vidi Vicious, featuring their most well-known song “Hate to Say I Told You So”. They are known for performing in ever-changing, matching black-and-white suits. The band puts emphasis on their energetic live shows, notably with lead vocalist Howlin’ Pelle Almqvist’s engaging onstage banter and his guitarist brother Nicholaus Arson’s crazy stage antics. They have been acclaimed by music critics and fans as one of the best live rock bands in current music.
Concierto de Aranjuez
A perfect summer evening in the spectacular Palau de la Música València where the Orquesta de Valencia performs Joaquín Rodrigo’s “Concierto de Aranjuez”, under the direction of chief conductor Alexander Liebreich. The soloist on the classical guitar is the internationally acclaimed and multi-award-winning Croatian guitarist Ana Vidovic – one of the most impressive classical guitarists of our time. The Spanish composer Joaquín Rodrigo was always closely associated with València – it is the city where he grew up, studied, and later married. Since its foundation 80 years ago, the Orquesta de València has also identified with the heritage of Valencian culture, its composers, and the music of its homeland. The half-hour concert is a synthesis of the most diverse elements of Spanish music. It was quickly regarded abroad as the flagship of Spanish culture – and Joaquín Rodrigo as its ambassador. Interwoven with the concert recording, the documentary part of the program takes us to the Royal Gardens in Aranjuez, where Rodrigo was inspired to write his “Concierto de Aranjuez”. In interviews with conductor Alexander Liebreich, soloist Ana Vidovic and Cecilia Rodrigo, the composer’s daughter, we learn about the genesis of the work, how it was received and what the musicians associate with it.
Alice Sara Ott: Nocturne
Dive into the beguiling world of John Field’s Nocturnes as interpreted by world-renowned pianist Alice Sara Ott. This film, directed by filmmaker and tenor Andrew Staples, immerses viewers in Alice’s imagination and her connection to Field’s music, offering a rare glimpse into the artist’s mind during the creative process. The interplay between historical venues and the custom-designed digital landscapes at Munich’s Hyperbowl LED studio creates an atmosphere where the intangible becomes vividly real, resulting in a film that is much more than just a performance; it is an exploration of a performer’s journey through the music of a neglected composer who left the world one of its most beloved musical forms: the nocturne.
Peter Gregson: Quartets
Peter Gregson has called the string quartet a “deliciously expressive medium” and his four own Quartets – a “quartet of quartets” – push the boundaries of both the medium and its expressiveness by introducing a wealth of contemporary techniques into this most traditional of forms. This filmed performance, captured in Berlin’s Meistersaal in 2022, presents selected movements from all four quartets together in a format that brings the listener closer to both the works and the music. Gregson joins a quartet of superb string players on electronics for the quartets and on his cello for a brand-new and previously unreleased version of the 3.1 Allemande from his recomposition of Bach’s Cello Suites.
Magic Moments of Music – Arturo Benedetti Michelangeli plays Ravel
The name Arturo Benedetti Michelangeli (1920-1995) is still inextricably linked with Maurice Ravel’s Piano Concerto in G major. The way Benedetti Michelangeli articulates the trill chains, for example, is considered unique. At the same time, Benedetti Michelangeli is a great mystery: he was notorious for his numerous cancellations. The smallest discrepancies on the instrument, a small change in the room climate from rehearsal to concert were enough to cancel a performance. His reputation, as one of the greatest of his guild, is undisputed. Pianist Krystian Zimerman remembers his artistic exchange with Benedetti Michelangeli. For Pierre-Laurent Aimard, the Italian pianist is a declared source of inspiration as a magician of acoustics. Serge Celibidache, the son of Sergiu Celibidache, provides insights into the special artistic friendship of the two perfectionists. While Marina Baranova goes in search of Benedetti Michelangeli’s grand piano in Bavaria, Cord Garben, his producer, remembers the not always easy collaboration. Jazz musician Stefano Bollani, an admirer of Benedetti Michelangeli, explains how the composer Ravel was inspired by jazz music.
Messa di Gloria
The ‘Messa a quattro voci’, better known as the ‘Messa di Gloria’, is a youthful work by Giacomo Puccini for orchestra and choir as well as solo tenor and baritone. It was the Italian composer’s final project at the Istituto Musicale Pacini in Lucca and was premiered there on 12 August 1880.
The majestic Romanesque church of San Biagio in Bellinzona, the capital of the canton of Ticino and a UNESCO World Heritage Site, provides an appropriate setting for this milestone in classical music. The performance with original texts and instrumentation by Puccini offers the perfect opportunity to discover the Italian composer’s diverse compositional talent outside the world of opera.
Magic Moments of Music – The Wrath of Nina Simone
It is a special moment in the life of the world-famous singer and pianist. She has just become a mother and has joined the protests of the civil rights movement in America against racism and discrimination against the black population. She predominantly writes and sings protest songs, risking her career because her lyrics are considered controversial in America and are even boycotted in some cases. In Europe, she sees the opportunity to express herself freely and tell the stories of the oppression of black people from her homeland. Through television concerts like this one, she reaches an audience of millions. The film tells of Simone’s beginnings in music, how she transitioned from classical to jazz, and her courage and relentless fight for equality and freedom. “Tomorrow is my turn, no more doubts, no more fears,” Simone sings in a mix of resignation and defiant hope. She hopes that her voice can be part of the change in the situation of the black population in the USA in the 1960s. Pianist Gabriela Montero and singer Angélique Kidjo explain how music can be an instrument of resistance. Jazz singer Lizz Wright’s work is still strongly influenced by Nina Simone to this day. Opera singer Victoria Randem explains how important Nina Simone was for the generations after her. They all show how important civil courage, authenticity, and emotionality are on stage and how Nina Simone’s legacy continues to have an impact today.
Requiem A
Requiem A – the ‘A’ in the title stands for ‘Beginning’ (German ‚Anfang’), ‘setting off’ (Aufbruch), ‘ash’ (Asche), and ‘breathing’ (atmen). Words that describe the mourning, reconciliation and new beginnings after a time of conflict. Composer Sven Helbig wrote his Requiem A in commemoration of the 80th anniversary of Dresden’s destruction and the end of the Second World War. However, war is not at the centre of his piece; he wants to thematise the subsequent reconciliation and forgiveness. Helbig, a self-taught composer of music for choir, orchestra, and chamber ensembles and a multi-instrumentalist, has collaborated with artists such as Snoop Dog, Rammstein, and the Pet Shop Boys. The performance of Requiem A features visuals by the Icelandic film artist Máni M. Sigfusson, underscoring the Staatskapelle Dresden, the Kreuzchor Dresden, soloist René Pape, and the live electronics of Sven Helbig himself.