For the Love of Mahler presents a portrait of the famed French-American music historian Henry-Louis de La Grange, now 90. The film joins him on his annual migration from Marrakech to Paris and to Toblach in the Italian Alps, while he busily works on revising his epic four-volume biography of Gustav Mahler. How Mahler’s music inspired his life, and how Henry-Louis channeled what could have been a self-indulgent obsession into a lifetime of groundbreaking discoveries, famous friendships and award winning accomplishment, demonstrates the remarkable power of music to change lives.
Leonard Bernstein – Larger than Life
Leonard Bernstein was America’s ambassador to the world of music. He was one of the most influential musicians of the last century and inspired an entire generation with his music ensembles and symphony orchestras. An influential teacher, a brilliant conductor, a fine composer and an accomplished pianist. A man, who lived five lives and who exuded passion from every pore. This portrait by Georg Wübbolt, director of the awardwinning documentaries on Herbert von Karajan and Sir Georg Solti, covers the whole spectrum of Bernstein’s life: From his world famous TV series Young People’s Concerts to the recording of his Mahler cycle and from the West Side Story to his Chichester Psalms. The film includes interviews with Bernstein’s children as well as with friends and companions such as Stephen Sondheim, Kent Nagano and Christoph Eschenbach.
Khatia Buniatishvili in Kiev: Mussorgsky – Pictures at an Exhibition
Khatia Buniatishvili is making a guest appearance at the International Center of Culture and Arts in Kiev. The programme is the piano suite PICTURES AT AN EXHIBITION, that was written by Mussorgsky in honour of his deceased friend, the architect Victor Hartmann. Originally composed by Modest Mussorgsky for solo piano, the suite comprises 10 pictures by Hartmann illustrated in separated movements and connected by the Promenade theme that depicts an imaginary tour of an art collection. The final movement depicts an architectural design for Kiev, The Bogatyr Gates. Buniatishvilis musical promenade reveals an extraordinary thrilling interpretation, accompanied by impressions of Kiev’s cultural life including visits at artists friends and the current mayor of Kiev, the former heavyweight champion, Vitali Klitschko.
Zhu Xiao-Mei: How Bach Defeated Mao
Music, especially Bach’s music, gave this artist the strength to survive unimaginable challenges. Zhu Xiao-Mei belongs to the “Lost Generation” that endured the worst excesses of Mao’s regime: several years of “re-education”, five years in a work camp, her family destroyed, endless deprivation and political intrigue… “Zhu Xiao-Mei: How Bach defeated Mao” is a portrait of an artist whose life is inextricably tied to Mao’s disastrous Cultural Revolution. In 1980 Zhu Xia-Mei emigrated to the United States, then decided to settle in Paris in 1984. In this film for the first time after 35 years she returns as a celebrated concert pianist to her roots with a triumphal tour to modern China.
Maestras – The long journey of women to the podium
Being a female conductor means being an exception. Even today. When a woman stands on the podium she is, in most cases, somehow “the first”: the first to lead a world-class orchestra, the first to conduct the “Last Night of the Proms” in London, the first to win the German Conductor Prize. For decades, this sensational character has been tradition. At the same time it seems that the world of the maestro is now in a state of upheaval. The young Lithuanian conductor Mirga Gražinyte-Tyla, who took over the post of Andris Nelsons in Birmingham this September, said with conviction: “I really believe that something is changing now.” But why is it that there have been so few female conductors in the international music scene? To take a closer look at this phenomenon, the 53-minute film MAESTRAS follows several female conductors. This historical retrospective is supplemented by the memories of Hedy Graber. She is the daughter of Hedy Salquin, the first Swiss female conductor, who in 1955 received a letter from the Hessian Radio with the words: “Dear Mr. Salquin, although you are a woman we are addressing you with “Mr.” Moreover, we don’t have any use for you.”
Nelsons conducts Mahler – Des Knaben Wunderhorn
With Gustav Mahler, laughter and tears are often closely connected. As performed by Matthias Goerne, Andris Nelsons, and the Lucerne Festival Orchestra, the songs from Des Knaben Wunderhorn showed this at the Lucerne Summer Festival in 2015. The gaiety of Rheinlegendchen is placed here with the tale of starvation in Das irdische Leben, and the satirical Fischpredigt of St. Anthony is juxtaposed with the march of the fallen soldiers in Revelge. Baritone Goerne shapes these songs with “introspection and narrative clarity”, while Nelsons “proves to be a sensitive accompanist”, according to Neue Zürcher Zeitung.
The Lost Paradise – Arvo Pärt, Robert Wilson
He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith – perhaps involuntarily – the impression of a recluse, which is attributed to him again and again: Arvo Pärt. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam’s Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Pärt. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.
Birth of a Legend – The Three Tenors
In July 1990, on the eve of the World Cup final in Italy, something happened that would change the world of classical music forever. Luciano Pavarotti, Placido Domingo and José Carreras, the three greatest tenors of their generation, appeared on stage together: the premiere of the legendary all-star formation ‘The 3 Tenors’. This historic concert in the antique Roman Baths of Caracalla marked the beginning of a new era in classical music.The ‘3 Tenors’ were more than just a musical event; they were a cultural phenomenon. Hundreds of thousands of spectators in sold-out stadiums and millions of television viewers around the world were enchanted by these extraordinary voices. The passion, dedication and virtuosity they brought to the stage made people’s hearts beat faster and tears of emotion flow. The 3 tenors changed the image of classical music, overcoming the boundaries between genres and inspiring a wide audience with the beauty and fascination of opera and classical music. This programme shows highlights from the Baths of Caracalla and also from the concerts with which the 3 Tenors celebrated triumphs around the world from 1996 onwards. With impressions from rehearsals and the tour, a variety of insights behind the scenes and statements by Luciano Pavarotti, Placido Domingo, José Carreras and the conductor Zubin Mehta, the film conveys all the magic of this classical music legend.
Abbado in Berlin – The First Year
The vote was over, and a decision had been made: Claudio Abbado was the new chief conductor of the Berliner Philharmoniker. So it was in 1989, when – for the first time – the orchestra itself decided who was to be its leader. The result was a surprise for the music world – and also for Abbado himself. This documentary from 1990 traces the first year of the new chief conductor in Berlin, the special atmosphere of new beginnings and the diverse expectations the musicians had of Herbert von Karajan’s successor. Other than this, many insights are provided into the first artistic projects of the new man at the helm, starting with the rehearsals for Mahler’s First Symphony with which he ushered in his tenure in December 1989. We are also taken behind the scenes to see among other things Abbado’s first visit to Karajan’s room – which was now to be his – and to a first birthday party with the musicians of the Berliner Philharmoniker. Of course, the members of the orchestra have their say, and tell of their hopes and what they expected of their new boss. Even today, these impressions convey the special magic that was in the air at that time.
Claudio Abbado’s inaugural concert from 1989
It was only logical that Claudio Abbado should start his tenure with the Berliner Philharmoniker in December 1989 conducting Mahler’s First Symphony. Firstly, because Abbado was even then considered one of the great Mahler conductors of his time, and secondly because this symphony by the still young composer is infused with an irresistible expression of freshness and new beginnings. Even today we can feel the special magic of this new beginning in this video document. The election of Claudio Abbado came as a surprise to the music world – not least to the conductor himself. In many ways he embodied a contrast to Herbert von Karajan who, particularly in his later years, had became ever more remote from his musicians. Claudio Abbado, however, made it clear from the outset that he was simply “Claudio” to everyone. Furthermore, he followed new musical directions; he aimed at a more transparent sound, and put an emphasis on new music – and also on Mahler who had only occasionally appeared in Philharmoniker concerts under Karajan.