Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein focuses on Impressionism in music, discussing the methods and styles of Debussy and Ravel. He conducts three movements from “La Mer” and the final dance of “Daphnis et Chloé.”

Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein discusses the different forms melody can take, including tune, theme, motive, melodic line and musical phrase. He illustrates by conducting the orchestra in excerpts from Tchaikovsky, Wagner, Mozart, Hindemith and Brahms.

Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein discusses “the two ingredients that give music its special Latin flavor: rhythm and color.” Excerpts include Bernstein’s own symphonic dances from “West Side Story.”

Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein discusses the mixing of jazz and symphonic music, with performances and readings to illustrate. The program ends with Larry Austin’s “Improvisations for orchestra and jazz soloists.”

Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein describes the three-part sonata form, and exemplifies it by singing the Beatles’ “And I love her.” Veronica Tyler sings Micaela’s aria from Bizet’s “Carmen” and Bernstein conducts the Philharmonic in the first movement of Mozart’s “Jupiter” Symphony.

Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein explains what musical intervals are and discusses their relationship to harmony, melody and inversion. After analysis, the first movement of Symphony No. 4 by Brahms is performed. The discussion continues, focusing on major and minor seconds.

Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein explains that the duty of the orchestra is to reproduce faithfully the notes and instructions of the composer. The main focus is the first half of Haydn’s Symphony No. 88. The opening music is deliberately played incorrectly and errors are pointed out.