Visionary stage director Stefano Poda continues his successful collaboration with conductor Gianandrea Noseda. He stages Puccini’s masterpiece about Princess Turandot, whose cold heart is won by her cunning suitor Prince Calaf, as “a stirring theatrical spectacle of great sensuality” (Operalounge). Grammy Award nominee Noseda at the helm of the “impeccable” orchestra of the Teatro Regio Torino impressively conducts the Italian composer’s final opera “as modern as you have rarely experienced it. Chapeau!” (Operalounge)
Verdi, Otello
Enthusiastically celebrated by audience and critics: The new production of Verdi’s Otello from the Palau de les Arts “Reina Sofía” in Valencia is featuring one of best casts one can imagine for this opera: American tenor Gregory Kunde as Otello, Italian soprano Maria Agresta as Desdemona and Spanish baritone Carlos Álvarez as Iago. On the rostrum: Zubin Metha. Stage by Davide Livermore, artistic director of the “Centro de perfeccionamiento Placido Domingo” of the Palau de les Arts.
Rossini Festival Pesaro: L’Italiana in Algeri
Rossini’s first masterpiece, L’italiana in Algeri, from the prestigious Rossini Festival in Pesaro in a new production staged by Italian director Davide Livermore.
Rossini Festival Pesaro: Guillaume Tell
“The Rossini Festival supplied brilliant solutions” to the challenges of Rossini’s rarely performed work composed in the style of French “grand” opera. On the rostrum Gianfranco Mariotti, graduate of Pesaro’s Rossini Conservatory and one of the the world’s most sought after conductors for this repertoire, and “may be the only one person more appreciated in Pesaro than Juan Diego Flórez,” who performs the role of Arnold Melchtal in this production. (Opera Today)
Don Pasquale
“Don Pasquale” is, along with “L’elisir d’amore” and “La fille du régiment,” one of the three musical comedies by Gaetano Donizetti (1797–1848) that still rank highly in today’s operatic repertoire. In this production “full of energy and with a stellar cast” (La Repubblica), the celebrated Italian comedian, actor, writer and cabaretist Antonio Albanese brings all of his wit and spirit into play. He judiciously combines a bittersweet depiction of amorous relations and the liberating laughter that brings us back down to earth!
Die Feuersnot
From Wagner to Strauss: Unitel opens the Richard Strauss year 2014 with the first ever video recording of Strauss’ early one act opera Feuersnot, the master’s answer to Richard Wagner’s idea of “redemption through love”. The new production from the Teatro Massimo in Palermo, one of the most prestigious opera houses in Europe, is led by Italian conductor Gabriele Ferro.
Verdi, Un Ballo in Maschera
The 2014 Festival of the Arena di Verona is opened by the new stage design of the Verdi’s opera Un ballo in maschera by one of Italy’s great directors, Pier Luigi Pizzi, and conducted by Andrea Battistoni, a rising young talent in the intenational classical music scene.
Aureliano in Palmira
Since 1980 Pesaro, the Italian town at the Adriatic Sea, is celebrating its most famous son: Gioachino Rossini. Besides the well known and famous works of the master, in the intimate setting of the Teatro Rossini also the creations which fell into oblivion were performed. In 2014 “Aureliano in Palmira” was for the very first time part of the festival’s repertoire: a great work about love, war jealousy, loyalty and magnanimity.
Faust
By placing a giant black ring centre-stage that casts an ominous shadow over the singers and dominates the action, director, set and costume designer Stefano Poda has moved the storyline of the restless searcher Faust, to an abstract, seemingly futuristic hall, thereby ensuring that the most fascinating stage moments are not due only to sophisticated lighting. Thanks to the excellent and enthusiastic cast, Poda deftly guides the opera to triumph. Charles Castronovo in the title role is especially convincing, with his brilliant acting and mellifluous singing. Russian bass Ildar Abdrazakov – a regular in all major opera houses around the world – stars as the demonic Méphistophélès. As the innocent young girl Marguerite we see Moldovan soprano Irina Lungu, who demonstrates her ability with crystal-clear timbre.
La gazzetta
The event that takes place annually in Rossini’s birthplace, praised by press and public for its witty stagings even of Rossini’s less well known works, has landed on its feet: with La gazzetta, the Rossini Opera Festival has triumphed once again! The Orchestra del Teatro Comunale di Bologna responded splendidly to the young Italian conductor Enrique Mazzola: as “one of the most gifted artists of his generation, he is not only a faithful interpreter of the score, he sends the orchestra of the Teatro di Bologna – and his
audience too – into a veritable Rossini delirium” (Deutschlandfunk). Director Marco Carniti stages his colourful production in the Paris of the 1950s, in a well-judged distillation of Rossini’s ironic social criticism: “the direction of Marco Carniti has intelligently focused on the ironic dimension of a somewhat confused libretto” (Huffington Post). Nicola
Alaimo embodies the nouveau-riche Don Pomponio Storione in every muscle: “he has confirmed his admirable dramatic qualities, with evidence of an unsuspected physical agility” (Huffington Post). Pesaro debutante Hasmik Torosyan stands out as Lisetta (Deutschlandfunk).