Montezuma

Including: Preussisches Märchen // Montezuma // Die tote Stadt // Die Gespenstersonate / Oedipus

For ist 100th anniversary the Deutsche Oper Berlin is featured in a special edition of live recordings that were produced since the beginnings of television broadcasts from the opera house. Following the first DVD collection with recordings from the 1960s, this special edition box contains

operas from the 1970s and 1980s – treasures in colour featuring great opera singers, stage directors and contemporary composers.

Die heimliche Ehe

Staged by Gustav Rudolf Sellner, conducted by Lorin Maazel, with costumes by Filippo Sanjust and performed by the six soloists with consummate vocal elegance, Cimarosa’s “Die heimliche Ehe” (Il matrimonio segreto / The Secret Marriage) offers unalloyed pleasure, triggering a kind of ecstasy with ist combination of delicacy and opulence and ist refined humour. It brings out Cimarosa’s musical mastery – but also the visual impact of the opera. Sung in German.

Orpheus in der Unterwelt

“Orpheus in der Unterwelt” (Orphée aux Enfers), Offenbach’s satirical answer to

Gluck’s “Orfeo”, was premiered in Paris 1858 and portrays society as amoral, the upper class as lax and indifferent to all and public opinion in charge of both.

In the early 1980s legendary director Götz Friedrich created his own contemporary version of the operetta at the Deutsche Oper Berlin, in German, filled with allusions to the contemporary cultural scene and society in general. Starring a large cast of renowned artists – singers and actors – Orpheus’ odyssey to the Olympic Gods and to the Underworld, in order to save his wife, receives a new face – away from Paris in the 19th century and to bourgeois West-Berlin. The performance stars Julia Migenes Johnson, Donald Grobe, Astrid Varnay and George Shirley, to name but a few. Jesús López Cobos has the musical direction in this production.

Medea

Marlis Petersen, Michaela Selinger, Elisabeth Kulman, Michael Roider, and Adrian Erod star in this Vienna State Opera production of the Reimann opera conducted by Michale Boder and directed by Marco Arturo Marelli.

Silla

Handel’s opera Silla is probably the most enigmatic and unknown of all his operas. The production at the Kanagawa Prefectural Music Hall, however, is not only a rare occasion, but also the world premiere of the full-stage version. Tadashi Miroku’s production is inspired by traditional Kabuki theatre, known for its highly stylised performances and often glamorous costumes and make-up. Fabio Biondi conducts “his” Europa Galante, an internationally renowned and award-winning ensemble for baroque music, performing together with a magnificent cast of singers representing the world of early music, such as Vivica Genaux and Roberta Invernizzi. “More than a common orchestra, Europa Galante looks like a guitar or multi-register harp struck by Biondi’s master hand”. (Amadeus)

Die schweigsame Frau

Die schweigsame Frau (The Silent Woman), the first and only joint work by Richard Strauss and Stefan Zweig, was performed for the first time at the Staatsoper Unter den Linden. The opera embodies comic opera in a new and unexpected way, starting with the genre name, which Strauss used here for the first and only time in his career. Compositionally, it is his most progressive work. With his new production of Richard Strauss’ opera, director Jan Philipp Gloger places social issues such as loneliness and housing shortages at the centre of the opera. The superb cast brings his ideas to life with “energetic performance and balanced vocal power” (Süddeutsche Zeitung). “What Thielemann conjures up from the orchestra pit is classical cinema at its finest.” (BZ)

War and Peace

This ‘War and Peace’ will go down as a milestone in Jurowski’s tenure at the State Opera, and in Tcherniakov’s often divisive career. They rise to meet the moment, overcoming the work’s near untenability not only to argue for its place in the canon, but also to use it as a vehicle for a passionate statement against Russian nationalism.” (The New York Times) Prokofiev’s opera War and Peace is one of the monumental works in opera history and rarely performed because of its sheer violence and complexity: More than 70 characters are cast for this four-hour opera, which is based on Tolstoy’s masterpiece. With the appropriate preparation time, the Bayerische Staatsoper, one of the world’s top opera houses, has taken on this major work under the baton of its general music director Vladimir Jurowski and staged by Dmitri Tcherniakov, one of the most celebrated directors and born and raised in Russia – at the same time an expert on the subject.

Daphne

Richard Strauss’ opera Daphne, subtitled “bucolic tragedy in one act”, features lush, complex orchestrations and employs a large orchestra to convey its musical themes. The vocal writing is often highly virtuosic, showcasing the abilities of the singers in the lead roles. With Vera-Lotte Boecker – crowned “Singer of the year”, the prestigious Opernwelt Critics Award – he has found “an ideal Daphne, embodying both the youthful and the fated side of her character” (Bachtrack.com). “Thomas Guggeis conducted the admirable Staatskapelle Berlin with infinite delicacy and clarity” (La Libre Belgique). “Strong images that will have an impact for a long time to come.” (Süddeutsche Zeitung).

Jenufa

Leoš Janácek’s third opera, with its echoes of folk music from the composer’s native Moravia, was his first real success and got the name “Moravian national opera”. Besides

this, Janácek’s music has a special quality: while it explores psychological extremes leading to violence and infanticide and lays bare characters’ emotions in an unsparing manner,

no one is judged. Jenufa has a special relationship with the Staatsoper Unter den Linden: when it premiered in Berlin in 1924, its success on the German stage was assured until nowadays. “Rattle reveals a dynamic understanding of Janácek’s musical language in a reading that’s urgent, unsentimental and richly flavoured” (bachtrack.com). The FAZ described the production as “a beguiling mixture of speaking articulation and tonal roundness.”

Betrothal in a Monastery

At the Staatsoper Unter den Linden Dmitri Tcherniakov stages Prokofiev’s lyrical comic opera Betrothal in a Monastery under Daniel Barenboim’s baton. The Russian director recasts the complete opera as therapeutic role play for “Opera-Addict Anonymus”. Daniel Barenboim conducts the Staatskapelle Berlin and “the uniformly excellent cast” (Financial Times), led by Aida Garifullina, Bogdan Volkov and Stephan Rügamer among others. “Musically, this performance is a celebration in every respect”, praises BR Klassik.