Young conductor Omer Meir Wellber, Musical Director of Valencia’s Palau de les Arts, scores a triumph with Tchaikovsky’s “Eugene Onegin” in Mariusz Trelinski’s timeless production. Polish filmmaker and stage directo Trelinski has created a series of dream-like, surrealist tableaux of great suggestive beauty. The clear lines of the production (premiered at Warsaw’s Teatr Wielki) are finely echoed by the slender musical design of Omer Meir Wellber – “A miracle of poetry” (Frankfurter Allgemeine Zeitung). The superb young cast is headed by Artur Ruzinski as Onegin and Kristine Opolais as Tatyana.
Falstaff
Topping the cast of this Zurich production is one of the world’s most acclaimed Falstaff performers of his time, Ambrogio Maestri. His powerful voice, acting skills, stage presence and nimble lightness blend together magnificently. At the head of the Zurich Opera Orchestra is its principal conductor Daniele Gatti. Under his baton, Verdi’s commedia lirica – based on Shakespeare’s “The Merry Wives of Windsor” – is a fireworks of high spirits. Adding to the merriment is a cast of outstanding singers including Barbara Frittoli and Yvonne Naef, as well as Javier Camarena and Eva Liebau.
Tannhäuser
This exciting and compelling modern-day adaptation of Richard Wagner’s fable of love and redemption features one of the great Wagner singers of our time in the lead role, Peter Seiffert. As a nimble, youthful-voiced Tannhäuser, he plays alongside Petra Maria Schnitzer as Elisabeth. As the goddess of love, Elisabeth’s counterpart Venus is portrayed by the stunning Béatrice Uria-Monzon. Displaying particular vigor and dynamism is Günther Groissböck as Hermann, here in the guise of an art dealer. Sebastian Weigle, the Liceu’s principal conductor, gives a performance that is ‘full of vitality and visibly inspired’, as the Spanish daily ABC wrote.
Die Entführung aus dem Serail
Barcelona’s Teatre del Liceu presents Mozart’s singspiel in an elegant production by Christof Loy with a splendid cast of top stars headed by coloratura soprano Diana Damrau in her debut at Spain’s largest and most distinguished opera house. Damrau’s “charismatic stage presence announced… that we were in the presence of a great singer”, wrote Opera News. Starring along with Damrau are Olga Peretyatko, Christoph Strehl, Norbert Ernst and Franz-Josef Selig. Christof Loy portrays Konstanze and Blonde as having developed profound feelings of respect, admiration and even love for their captors.
Ariadne auf Naxos
Hugo von Hofmannsthal called ‘Ariadne auf Naxos’, which he created in close collaboration with Richard Strauss, one of the ‘most delicate of structures’. Indeed, in its complexity, the work truly does represent something utterly unique. Emily Magee and Roberto Saccà are radiant in their role debuts as Ariadne and Bacchus, just as Elena Mosuc’s Zerbinetta is incomparably dazzling and Michelle Breedt’s Composer profoundly touching. Christoph von Dohnányi, one of the great Strauss interpreters of our time, probes the depths of the incredibly finely-spun score with an elegant feel for sound, and ensures a perfect balance between operetta-like lightness and a tragic operatic tone.
Fidelio
‘Translucence, transparency, warmth’ are the qualities identified by Bernard Haitink as necessary for an ideal sound performance of Beethoven’s only opera, and all are present in this fantastic recording of Katharina Thalbach’s new production for Opernhaus Zurich. Haitink conducts the Zurich Opera Orchestra in a magnificent performance in which Leonore Overture No. 3 provides an interlude between the two scenes of the second act, following a tradition started by Gustav Mahler. German soprano Melanie Diener, in the role of Leonore, leads a brilliant cast including Alfred Muff as Rocco, Roberto Saccà as Florestan, Sandra Trattnigg as Marzelline and Christoph Strehl as Jaquino.
Parsifal
It was in Zurich that Richard Wagner, as he himself noted, obtained the inspiration for ‘Parsifal’ in 1857. And it was the Zurich Opera which, in 1913, was the first opera house outside of Bayreuth that was allowed to perform the work. On the occasion of the 150th anniversary of Wagner’s ‘stroke of genius’, we can once again experience ‘the purest Wagner bliss’, as the Neue Zürcher Zeitung put it, thanks to Hans Hollmann’s production and Bernard Haitink’s inspired conducting of the Zurich Opernorchester.
Tosca
Puccini’s verismo masterpiece demands a trio of vocal soloists of stellar quality. This Munich Festival production of “Tosca” meets all expectations. The great Finnish soprano Karita Mattila infuses her Tosca with passion and controlled intensity. As her lover Cavaradossi, Jonas Kaufmann once again confirms his status as one of the leading tenors of our time, and Juha Uusitalo’s evil Scarpia brims with dark menace.
The Passenger
Continuing its tradition of unearthing little-known 20th-century operas, the Bregenz Festival presented the first staged production of Polish- Russian composer Mieczyslaw Weinberg’s “The Passenger” in 2010. Written in 1967/68, the opera relates the chance meeting of a former concentration camp guard and one of her former inmates on an ocean liner years after the war. Bringing the work to vibrant life are the Wiener Symphoniker under Teodor Currentzis; topping the cast are Michelle Breedt and Elena Kelessidi. The work is well served by David Pountney’s stage direction and Johan Engels’ two-level set, with the ocean liner above and the concentration camp below.
Carmen
Stealing the show of this “Carmen” production is Anna Netrebko as Micaela, who gives the role a strikingly authentic touch. The lead role is sung and acted with a panther-like grace by Bulgarian mezzo Nadia Krasteva. She and her equally dazzling fellow leads Massimo Giordano as Don José and Ildebrando D’Arcangelo as Escamillo infuse this revival of Franco Zeffirelli’s 1978 production with drama and irrepressible life. Imparting his own personal stamp on the music is the young Latvian conductor Andris Nelsons, who leads the Orchestra of the Wiener Staatsoper with contagious passion and fresh, brisk tempi.