Sylvia

Léo Delibes’ Sylvia, created in 1876 at the Opéra Garnier, is an absolute masterpiece for its choreographic and musical richness. Manuel Legris, star of the Paris Opera, brings to Milan a new Sylvia that will delight the audience with its sumptuous choreography. This version of Sylvia focuses primarily on heterogeneous possibilities for the development of pure dance and thus also gives a wide scope to the picturesque moments that are once again decorated in great detail by Luisa Spinatelli.

Giselle

The La Scala production of Yvette Chauvirè’s version of the unforgettable choreography by Coralli – Perrot, in a modality designed by the director of the Ballet Manuel Legris.

Le Corsaire

The version of Le Corsaire by Manuel Legris arrives at La Scala, his first revival of a nineteenth century classic, fully highlighting the intent and innovativeness of his choreographic approach and his musical and dramaturgic quest. With its clear and accessible plot, notable attention to musicality and relations among characters, the sumptuous and evocative décor and costumes by Luisa Spinatelli, it will be an occasion recombining the energy virtuosity, the lyricism and romanticism of one of the 19th century’s most adventurous and thrilling ballets d’action with the talents of the La Scala dancers.

Pablo Picasso at Pompeii – Parade & Pulcinella

Celebrating the centenary of Picasso’s visit to Italy, the Teatro Grande di Pompeii hosts two ballets with sets and costumes designed by this legendary Spanish artist. 100 Years ago, Picasso made a journey to Naples in order to work on Parade, an avant-garde ballet for the famous Ballets Russes with a libretto by Jean Cocteau, music by Erik Satie and a choreography by Léonide Massine. Three years later, Picasso and the Ballets Russes joined forces again for Stravinsky’s “Pulcinella” at the Opéra de Paris. Performance only: Length 63′ // Narrated Performance Version: Length 67′

Nijinsky – A Ballet by John Neumeier

„Nijinsky“ is the title of this „choreographic approach“ to a dance phenomenon that has been part of Neumeier‘s life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more aweinspiring and sensational quality. All three aspects – the dancer, the choreographer and the person Nijinsky – form the starting point for John Neumeier‘s latest creation. Neumeier, who as early as 1979 presented a short ballet „Vaslav“, is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: „In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made…“ and sensational quality.

Alvin Ailey American Dance Theater

You don’t just see an Ailey performance, you feel it. Experience this electrifying modern dance program that includes four audience favorites: Wayne McGregor’s sumptuous “Chroma” with a score by Jack White and Joby Talbot; Ronald K. Brown’s powerful “Grace”, with music by Duke Ellington, Roy Davis Jr., and Fela Kuti; Robert Battle’s humorous, high-flying “Takademe”; and Alvin Ailey’s beloved “Revelations” – “one of the great works of the human spirit” (New York Times) – that will rock your soul.

CARMEN.maquia and Club Havana

Ballet Hispánico, a “strong ambassador of not just Latino culture but of dance itself” (Broadway World), brings its bold and eclectic brand of contemporary dance to the screen with two audience favorites: CARMEN.maquia, an electrifying modern take on Bizet’s passionate opera choreographed by Spaniard Gustavo Ramírez Sansano, and Cuban-born Pedro Ruiz’s Club Havana, a virtuosic re-imagining of a sizzling nightclub filled with the exhilarating rhythms and colors of Havana’s golden era.

George Balanchine’s The Nutcracker

Experience the wonder of New York City Ballet’s iconic holiday classic on the big screen. In George Balanchine’s The Nutcracker™, Tchaikovsky’s beloved melodies transport the young and young at heart to a magical world where mischievous mice besiege a battalion of toy soldiers, and an onstage blizzard leads to an enchanted Land of Sweets. Balanchine’s stunning choreography shines amidst awe-inspiring set pieces, ornate costumes, and grand one-of-a-kind visual effects, like the one-ton Christmas tree that grows to an astonishing 40 feet.

Romeo & Juliet

With its passionate choreography, spine-tingling swordsmanship, and celebrated score by Sergei Prokofiev, this colorful and emotional retelling of Shakespeare’s Romeo & Juliet has packed houses around the world. Helgi Tomasson’s bravura interpretation of the Bard’s greatest tragedy “lifts Shakespeare’s complex and familiar language off the gilded pages and translates it into lucid classical choreography that is visceral, fresh, and ultimately sublime.” (Huffington Post)