Così fan Tutte

Karl Böhm knew that the quality of his opera productions depended heavily on the choice of the right singers for each role. “When I set my mind on doing a certain opera with a certain cast, and it doesn’t work, then I become furious and throw a fit,” he once said. In this “Così” production, Böhm has gathered some of the greatest Mozart specialists of the 20th century: Gundula Janowitz, a warm, lyric soprano whose Munich “Pamina” under Knappertsbusch was one of the high points of her early career, before she went on to sing at all major opera houses as well as the Bayreuth and Salzburg Festivals; Christa Ludwig, who began singing under Karl Böhm at the Vienna State Opera in 1955, and who was later hailed as the best Mozart and Strauss mezzo-soprano of her generation; Luigi Alva, the Peruvian tenor whose light and elegant voice has made him one of the most sought-after lyrical tenors for Rossini and Mozart roles; Hermann Prey, whose rich baritone has captivated not only the opera public the world over but also lovers of the German Lied; Walter Berry, who has sung practically the entire repertoire of great Mozart bass-baritone roles at the Salzburg Festival, the Met, Covent Garden and the Vienna State Opera.

Eine Nacht in Venedig

The operetta “Eine Nacht in Venedig” (A Night in Venice) was premiered in Berlin on 2 October 1883; barely a week later the Viennese were also able to celebrate the triumph of a new work by the “Waltz King.” The music of this comic opera perfectly matches the merry, carefree mood of the action. Melodies such as “Komm in die Gondel,” “Ach, wie so herrlich zu schau’n” and “Kommt, kommt, ihr holden Frauen!” are among the high points of the operetta. The stellar cast includes such eminent singers as Anton de Ridder, Sylvia Geszty, Trudeliese Schmidt and, as Ciboletta, Julia Migenes.