Accompanied by a luxurious team of professionals, consisting of the renowned stage director Peter Stein, his stage designer Ferdinand Wöger and conductor Ádám Fischer, Teatro alla Scala presents with Mozart’s Zauberflöte a production where orchestra, chorus, soloists as well as outfitters all consisted of students of the Academia Teatro alla Scala, the educational institution aimed to train the young talents, founded by the Teatro alla Scala in 2001. The result was more than stunning and an instant success with the audience of the ten sold out performances at La Scala, which is famous for its more than critical loggionisti. According to Die Presse, Fischer “gets the best out of the Academy Orchestra with delicate execution and humane phrasing” while the Frankfurter Allgemeine Zeitung praises Fatma Said as Pamina and Yasmin Özkan as Queen of the Night.
Fierrabras
Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness.
The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.
Die Zauberflöte
Accompanied by a luxurious team of professionals,led by renowned stage director Peter Stein and conductor Ádám Fischer, a number of international young singers were given the opportunity to introduce themselves to the public of La Scala in an extremely high level setting. The result was an instant success, not only with the audience of La Scala, which is famous for its more than critical loggionisti, but also with the television audience, where the live broadcast reached record breaking viewing rates. According to Die Presse Fischer “gets the best out of the Accademia Orchestra with delicate execution and humane phrasing” while the Frankfurter Allgemeine Zeitung praises “the high number of promising young voices”, including the “radiantly brilliant Newcomer Fatma Said as Pamina and Yasmin Özkan as a flawlessly great Queen of the Night”.