The violin concertos K. 211, 216, 218 and 219 were all composed within a few months, between June and December 1775, while Mozart was in the employ of the Archbishop of Salzburg. The violin concerto No. 2 radiates a distinctly galant atmosphere reminiscent of the French style of violin playing. Dazzling and elegant, it gives the soloist luminous passages such as the minor-key melody in the first movement and the main melody of the Andante. The concluding Rondo again recalls the brilliance of the French style. After having devoted himself to Baroque music for many years, Nikolaus Harnoncourt began turning increasingly to the orchestral works of Mozart in the 1980s. Here, too, Harnoncourt’s views differed radically from those of traditional Mozart reception. For him, Mozart is “the most romantic composer of all”, his music “dramatic, dynamic, often strikingly and exceedingly emotional”. In Gidon Kremer, Harnoncourt found a partner who shared his views. The German-Russian violin virtuoso has also sought his own path in his Mozart interpretations. In 1970 the then 23-year-old virtuoso attained the first peak of his career by winning the first prize at the International Tchaikovsky Competition in Moscow. He has since become one of the most sought-after violinists in the world. It should also be noted that the Vienna Philharmonic, celebrated for its natural and graceful Mozart style, initially opposed Harnoncourt’s unconventional concepts. However, the orchestra was soon won over by the unusual stylistic approach often concertizes with Harnoncourt today.
Requiem Op.89
The music of the quintessentially Czech composer Dvorák is, above all, enjoyable and is a perennial favourite in the Romantic repertoire. This series of concerts is performed by the Prague Symphony Orchestra and Chorus and the Prague Philharmonic Choir, with three leading Czech conductors on the podium: Petr Altrichter, Jirí Belohlávek and Libor Pesek. Guest soloists include soprano Lucia Popp, alto Eva Randová, tenor Josef Protschka, bass Peter Mikulás, pianist Igor Ardasev, violinist Ivan Zenaty and cellist Mischa Maisky. VOLUME VI includes the world’s famous Requiem.
Bruckner, Symphony No.7 in E major
Sir Georg Solti (1912-1997), one of the greatest conductors of the 20th century, was a testament to the elegance and impeccable tastefulness of Central European music-making. Born in Budapest in 1912, he studied with Béla Bartók, Ernö von Dohnányi, Zoltán Kodály and Leo Weiner. In 1937, Toscanini chose him to be his assistant at the Salzburg Festival. After the war, Solti was appointed Music Director of the Bavarian State Opera. Further stations in his career were the Frankfurt Opera, the Royal Opera House Covent Garden and the London Philharmonic. Solti’s remarkable partnership with the Chicago Symphony Orchestra began in 1954, when he first led the orchestra at the Ravinia Festival. After returning to conduct the ensemble several times during the following years, he was named Music Director in 1969 and held this post for a phenomenal 22 years. He is credited with greatly extending and enhancing the orchestra’s worldwide reputation. “In Chicago he has whipped, cajoled, hammered, burnished and conjured an orchestral sound that manages to be two entirely opposite things at once. On the one hand, there is that seductive, mellow roar from the winds and brass; on the other, a meticulously controlled string tone whereby more than 60 players take on the crispness and clarity of a chamber ensemble.” (Newsweek, Oct. 19, 1987) Solti died in September 1997, just before his 85th birthday. Anton Bruckner began working on his Seventh Symphony in 1881 and completed it on 5 September 1883. The first performance was led by Arthur Nikish in Leipzig on 30 December 1884 and was a success that helped establish the composer as a major composer. The work has since become Bruckner’s most popular symphony. This recording features the Chicago Symphony under Sir Georg Solti.
L.v.Beethoven: The Complete Symphonies
As a musical highlight during the Summer Olympics 2012 in London, the West-Eastern Divan Orchestra under the baton of Daniel Barenboim performed all nine symphonies by Ludwig van Beethoven during the famous BBC Proms at the Royal Albert Hall. Also available: DOCUMENTARY “Barenboim on Beethoven: Nine Symphonies that changed the World”. A film by Michael Waldman; Cat. No. A02007374 // SYMPHONIES Lengths: No. 1 = 29′ / No. 2 = 35′ / No. 3 = 53′ / No. 4 = 39′ / No. 5 = 35′ / No. 6 = 44′ / No. 7 = 39′ / No. 8 = 30′ / No. 9 = 78′