After the two famous Mahler festivals in 1920 and 1995, the Royal Concertgebouw Orchestra Amsterdam is now presenting a special twoseason Mahler series, which includes ten large-scale symphonies plus ‘Das Lied von der Erde’, performed in chronological order by the world’s greatest orchestra under the direction of great conductors – all brought to life in the wonderful acoustics of the Main Hall of the Concertgebouw.
RCO: Mahler – Das Lied von der Erde
After the two famous Mahler festivals in 1920 and 1995, the Royal Concertgebouw Orchestra Amsterdam is now presenting a special twoseason Mahler series, which includes ten large-scale symphonies plus ‘Das Lied von der Erde’, performed in chronological order by the world’s greatest orchestra under the direction of great conductors – all brought to life in the wonderful acoustics of the Main Hall of the Concertgebouw.
RCO: Mahler No. 1
After the two famous Mahler festivals in 1920 and 1995, the Royal Concertgebouw Orchestra Amsterdam is now presenting a special twoseason Mahler series, which includes ten large-scale symphonies plus ‘Das Lied von der Erde’, performed in chronological order by the world’s greatest orchestra under the direction of great conductors – all brought to life in the wonderful acoustics of the Main Hall of the Concertgebouw.
Mariss Jansons conducts Richard Strauss
‘ALSO SPRACH ZARATHUSTRA’: from the symphonic poems that brought Richard Strauss worldwide fame in the 1880s and 1890s and his florid operas from the first decade of the twentieth century to the resigned metamorphosis of his final masterpieces after the Second World War. In this production, Mariss Jansons is seizing the opportunity to pay tribute with this work, considered to be one of his specialities, to that other big name from the orchestra’s early history. Also on the programme: Strauss’ METAMORPHOSEN and the SUITE FROM DER ROSENKAVALIER.
Mariss Jansons conducts Brahms’ Requiem
‘Ich will euch trösten’ (I will comfort you), sings the soprano in Brahms’s Ein deutsches Requiem. Indeed, this is music of comfort, not of lamentation. With this work, Mariss Jansons is continuing the Requiem ritual started in 2011 to allow listeners to contemplate the transience of life at the beginning of autumn. Rather than using the standard Latin mass text, however, Brahms selected his own text from the Bible. He completed the work after the death of his mother. Following the premiere, the music critic Hanslick wrote, ‘Since Bach’s Mass in B minor and Beethoven’s Missa solemnis, nothing in this vein has been written which is comparable to Brahms’s Ein deutsches Requiem.’ It was this work, which became immensely popular, that truly established Brahms as a composer.
RCO: Mariss Jansons conducts the Christmas Matinee (Kerstmatinee 2012)
‘Rarely is such a warm, captivating and smooth voice heard here in the Netherlands,’ wrote Peter van der Lint in the Dutch newspaper Trouw following the Italian bass Ferruccio Furlanetto’s last performance with the RCO, for which he garnered wide acclaim with the orchestra singing Mussorgsky’s Songs and Dances of Death on 25 August 2010. Now he returns with his favourite arias from Mozart’s Le nozze di Figaro and Don Giovanni. After the interval, a truly unique event takes place: for the very first time, a work by Anton Bruckner is performed at one of the legendary Concertgebouw Christmas Matinee’s – and what’s more, it is conducted by chief conductor Mariss Jansons. ——- Program: W.A. MOZART: ‘Madamina, il catalogo è questo’ from ‘Don Giovanni’ KV 527; ‘Non più andrai, farfallone amoroso’ from ‘Le nozze di Figaro’ KV 492; Overture to ‘Le nozze di Figaro’ // ANTON BRUCKNER: Symphony No. 7. (Cat. No. UNITEL A865500010000)