Continuing its tradition of unearthing little-known 20th-century operas, the Bregenz Festival presented the first staged production of Polish- Russian composer Mieczyslaw Weinberg’s “The Passenger” in 2010. Written in 1967/68, the opera relates the chance meeting of a former concentration camp guard and one of her former inmates on an ocean liner years after the war. Bringing the work to vibrant life are the Wiener Symphoniker under Teodor Currentzis; topping the cast are Michelle Breedt and Elena Kelessidi. The work is well served by David Pountney’s stage direction and Johan Engels’ two-level set, with the ocean liner above and the concentration camp below.
Die Zauberflöte
What begins like a fairy-tale turns into a whimsical fantasy halfway between magic farce and Masonic mysticism: The Magic Flute links a love story with the great questions of the Enlightenment, juxtaposes bird-catcher charm with queenly vengeance, and bewitches the listener with music that mixes cheerful melodies, lovers’ arias, show-stopping coloraturas and mysterious chorales. W. A. Mozart’s opera premiered in 1791 and is one of the most often performed operas in the world. The production on the Bregenz Festival lake stage impresses the audience with a fantastic setting framed by three dog-dragons, each of them more than twenty meters in height. “David Pounty finds stunning answers to the everlasting questions surrounding ‘The Magic Flute’. (Tagesspiegel); “The ‘play on the lake’ in Bregenz takes the audience into a fantasy world.” Salzburger Nachrichten
King Roger
“It’s hard to believe that this ‘Król Roger’ had been neglected for so long!” The prestigious “Opernwelt” was not alone in welcoming the belated rediscovery of Polish composer Karol Szymanowski’s (1882-1937) masterpiece of 1926, which resonates with echoes of Late-Romanticism and Expressionism, Richard Strauss and Richard Wagner. Presented at the Festival Hall of the Bregenz Festival in a production by festival director David Pountney, the musical rarity, a combination of opera, oratorio and mystery play, tells the story of 12th-century Sicilian King Roger, who is led astray by a mysterious shepherd who preaches a life of unrestrained hedonism. Director David Pountney delivers an uncommonly riveting production by staging the clash of virtue and immorality in a simple, archaic, yet wondrously luminous set reminiscent of an ancient Greek theater.