Schumann at Pier2 is not a usual concert film, it shows the 4 Symphonies of Schumann from a new perspective. Stars of the film are the conductor Paavo Järvi and the Deutsche Kammerphilharmonie Bremen and it´s filmed at „Pier2“, a former dockyard in the harbour of Bremen. Where usually pop and rock concerts take place, the orchestra and the conductor work on Schumann´s 4 Symphonies and present it to a young audience. Beside the 4 Symphonies, a 98-minutes music film with Paavo Järvi, Schumann at Pier 2, is part of the 3 DVD-set. This documentary explains the whole idea behind the project and it contains footage from rehearsals, comments from Paavo Järvi about the symphonies and the interpretation, biographical information about R. Schumann and footage of musicians who explain and play key themes.
“Järvis Schumann is most notably extremly exciting, performed with a lot of enthusiasm.“ Fono Forum
„Since their great Beethoven-Cycle Paavo Järvi and the „Deutsche Kammerphilharmonie“ are one of the top ensembles.“ Crescendo
Schumann at Pier2 is not a usual documentary, it explains the whole idea behind the project and it contains footage from rehearsals, comments from Paavo Järvi about the symphonies and the interpretation, biographical information about R. Schumann and footage of musicians who explain and play key themes and more. Stars of the film are the conductor Paavo Järvi and the Deutsche Kammerphilharmonie Bremen and it´s filmed at „Pier2“, a former dockyard in the harbour of Bremen.
“Järvis Schumann is most notably extremly exciting, performed with a lot of enthusiasm.“ Fono Forum
„Since their great Beethoven-Cycle Paavo Järvi and the „Deutsche Kammerphilharmonie“ are one of the top ensembles.“ Crescendo
Schumann at Pier2 is not a usual concert film, it shows the 4 Symphonies of Schumann from a new perspective. Stars of the film are the conductor Paavo Järvi and the Deutsche Kammerphilharmonie Bremen and it´s filmed at „Pier2“, a former dockyard in the harbour of Bremen. Where usually pop and rock concerts take place, the orchestra and the conductor work on Schumann´s 4 Symphonies and present it to a young audience. Beside the 4 Symphonies, a 98-minutes music film with Paavo Järvi, Schumann at Pier 2, is part of the 3 DVD-set. This documentary explains the whole idea behind the project and it contains footage from rehearsals, comments from Paavo Järvi about the symphonies and the interpretation, biographical information about R. Schumann and footage of musicians who explain and play key themes.
“Järvis Schumann is most notably extremly exciting, performed with a lot of enthusiasm.“ Fono Forum
„Since their great Beethoven-Cycle Paavo Järvi and the „Deutsche Kammerphilharmonie“ are one of the top ensembles.“ Crescendo
After their internationally acclaimed Beethoven cycle, Paavo Järvi and the Deutsche Kammerphilharmonie Bremen now present their vision of Schumann’s four symphonies. As the press wrote: “The dream team under Järvi has just landed another major coup”. In addition to the live recordings of the concerts, the production also features a documentary which portrays the origin and development of the project. “We want to show ourselves as we make music”, says Järvi. Reflecting the
ensemble’s pedagogical mission to make classical music accessible to the young, the production took place at the popular venue “Pier 2”. —– Lengths: SYMPHONIES: Symph. No. 1: 35′ / No. 2: 41′ / No. 3 36′ / No. 34′; DOCUMENTARY “Schumann at pier2” directed by Christian Berger, 90′ or 2 x 45′ (Cat. no. A055134940000)
37-year old Mexican conductor Alondra de la Parra just made history by being appointed the first female conductor and music director of the Queensland Symphony Orchestra, one of Australia’s three largest Orchestras. In 2004 she became the first Mexican woman to conduct in New York and in 2014, she led the Orchestre de Paris. Clearly breaking barriers is standard fare for Alondra. As a guest conductor she has led more than 70 renowned orchestras worldwid. She has done multidisciplinary collaborations with various actors and filmmakers and keeps on working on educational programs. The documentary traces the multiple facets of Alondra’s life, accompanies her on her binational tours and gives insight into Alondra’s interesting family. Her latest appointment as the Queensland Symphony Orchestra’s Music Director (2017) marks a special point in the orchestra’s history, not only because they decided on a young woman but also because it is the first time they have ever appointed a music director. The film also captures Alondra in her home city New York, where she works on the N.Y. City based “Niños” program, one of Alondra’s numerous initiatives that express her desire to spread classical music to everyone.
In spring 2014 the Vienna Musikverein turned into a music laboratory, a recording studio and into a venue for a very exciting enounter of two seemingly very different artists: Nikolaus Harnoncourt, well-known as an intellectual musician who came to attention as a period-practice and Lang Lang, a superstar, a pianist of stunning virtuosity and freewheeling music instincts, together with the Vienna Philharmonic Orchestra record the Mozart Piano Concertos No. 17 K453 in G major and No. 24 K491 in C minor. This documentary is a revealing insight into the creative process of two of the most distinctive and influential musicians in the world today.
“The Highest Level“ explores the Berlin recording session of Lang Lang and the Berlin Philharmonic Orchestra under the baton of Sir Simon Rattle. The documentary provides insight into processes that are usually veiled: the recording of an album in a league of its own: the preparation of the musicians, the recording in the Philharmonie Berlin, the battle for the perfect sound, the mixing and balancing units during the audio post-production. It is the striking distance to the artists that makes the film an intimate experience. Lang Lang, Sir Simon Rattle, and the musicians of the Berliner Philharmoniker, but of course the audio engineers as well are taking the centre stage. The musical pieces to be recorded are Béla Bartóks Piano Concert No. 2 and Sergei Prokofiev’s Piano Concerto No. 3.
