Bruckner, Symphony No.7

“Grandiose, unaffected, expansive, majestic, immovable…” – Christian Thielemann’s description of Anton Bruckner’s music vividly captures its essence and uniqueness. And he himself captures the soul of the great romantic composer in his interpretation of Bruckner’s Seventh Symphony with the Munich Philharmonic. Recorded live at the Festspielhaus Baden-Baden on 14 November 2006, the concert also features three orchestral preludes from the opera “Palestrina” by another late-romantic composer, Hans Pfitzner (A05512085 / Length: 25′)

Brahms, Ein deutsches Requiem op.45

Johannes Brahms composed his Requiem in 1865/66, shortly after the death of his mother. A profoundly moving work for soprano and baritone solo, chorus and orchestra, it is the composer’s largest single composition. No work did more to win Brahms international recognition and, after the first complete performance of the Requiem in Leipzig in 1869, he was regarded as one of the leading composers of his time. It was not the first requiem in German, but the first in which a composer pieced together his text from Bible passages in Martin Luther’s German translation. It is an intensely personal selection, which speaks to the living and seeks to offer hope and comfort. Through his subtle, almost surreal, affinity to Brahms’ unorthodox, elusive worldview, conductor Christian Thielemann has crafted a performance that places him among the best interpreters of this work, such as Maazel, Furtwängler, Karajan, Klemperer.

Salzburg Festival 2012: Zurich Ballet and the Hagen Quartet

A singular project is staged at the Salzburg Festival with the famous Felsenreitschule as a backdrop: for the first time the renowned Hagen Quartet appears at the festival accompanied by a dance company. The Swiss grand master of dance Heinz Spoerli presents three works he choreographed for his Zurich Ballet set to three of the great works of the quartet literature: Leos Janácek’s string quartet “Intimate Letters”, Antonín Dvorák’s “American Quartet” and Franz Schubert’s string quartet “The Death and the Maiden”.

Lang Lang at Schönbrunn

Lang Lang, Zubin Mehta, the Wiener Philharmoniker – the only thing that could make an outdoor orchestral concert more attractive would be a spectacular venue, such as a majestic Baroque palace. And here it is: Vienna’s Schönbrunn Palace, with its brightly lit facade on a resplendent summer evening! Held the day before the final match of the Euro 2008 football championship, this concert rallied both football fans and music lovers to Vienna’s most beautiful imperial palace. At 26, Lang Lang is already considered as one of the top pianists in the world. He made his international breakthrough at the age of 17, and has since been performing with all major orchestras and leading conductors. In this concert, the young Chinese artist – the “pop star” of the international piano elite – dazzled his way into the hearts of the audience with his rendition of Chopin’s Piano Concerto No. 2. “His mighty, lightning-fast finger acrobatics were virtuoso and technically perfect – amazing to the eyes and ears.” (Wiener Zeitung) Conductor Zubin Mehta, who had warmed up the Wiener Philharmoniker with Weber’s Oberon Overture before tackling the Chopin, led his musicians in a rousing performance of Beethoven’s Fifth Symphony after the intermission. Now crisply outlined against the dark-blue sky, Schönbrunn Palace transformed itself into an expressive backdrop for Beethoven’s dramatic symphonic masterpiece. The excitement was not over with the last chord, however, as Lang Lang returned to give several encores, including Chopin’s A-flat major Polonaise, which “roused the audience to rapturous standing ovations.” (Wiener Zeitung)

BEETHOVEN 9 – Symphony No.9 in D minor, op.125 “Choral”

In the monumental project BEETHOVEN 9, Christian Thielemann, one of the most widely recognized conductors of our time, joins forces with the prestigious Wiener Philharmoniker for their first-ever highdefinition recording of all nine symphonies by Ludwig van Beethoven.

Also available:

Overture ‘Coriolan’, Op. 62 (11’ – A045005410010),

Overture ‘Egmont’, Op. 84 (11’ – A045005410011)

BEETHOVEN 9 – Symphony No.4 in B flat major, op.60

In the monumental project BEETHOVEN 9, Christian Thielemann, one of the most widely recognized conductors of our time, joins forces with the prestigious Wiener Philharmoniker for their first-ever highdefinition recording of all nine symphonies by Ludwig van Beethoven.

Also available:

Overture ‘Coriolan’, Op. 62 (11’ – A045005410010),

Overture ‘Egmont’, Op. 84 (11’ – A045005410011)

BEETHOVEN 9 – Symphony No.3 in E flat major, p.55 “Eroica”

In the monumental project BEETHOVEN 9, Christian Thielemann, one of the most widely recognized conductors of our time, joins forces with the prestigious Wiener Philharmoniker for their first-ever highdefinition

recording of all nine symphonies by Ludwig van Beethoven.

Also available:

Overture ‘Coriolan’, Op. 62 (11’ – A045005410010),

Overture ‘Egmont’, Op. 84 (11’ – A045005410011)

BEETHOVEN 9

In the monumental project BEETHOVEN 9, Christian Thielemann, one of the most widely recognized conductors of our time, joins forces with the prestigious Wiener Philharmoniker for their first-ever highdefinition recording of all nine symphonies by Ludwig van Beethoven.

Also available:

Overture ‘Coriolan’, Op. 62 (11’ – A045005410010),

Overture ‘Egmont’, Op. 84 (11’ – A045005410011)

Simon Bolivar Youth Orchestra of Venezuela – Concert

Under the heading “Party in the Felsenreitschule,” the Munich daily Münchner Merkur boldly proclaimed: “Venezuela’s Simón Bolívar Youth Orchestra guests at the Salzburg Festival – and delivers the biggest audience hit of the summer.” Two days after the concert reviewed by the Merkur, the ensemble united its massive forces once again for a spectacular concert in the Grosses Festspielhaus – another unqualified success! Rarely has an orchestra reached out and grabbed its audience in such a visceral manner; and even more rarely has such a feat been accomplished by an orchestra of youngsters between the ages of 12 and 26! The Simón Bolívar Youth Orchestra, the Salzburg Festival’s resident orchestra of 2008, is a product of the “Sistema de Orquestas” set up to allow children of all social levels to learn a musical instrument and play in an ensemble.