This film tells the story of one of the most magic moments of music. The beginning of 1964 held a great surprise for the music world: Maria Callas returns to the opera stage as prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Not even the Beatles received more press coverage. All this, for an artist whose glorious career was said to be over, with the singer herself passing over to legend. It is no longer her performances, but her scandals that, are dominating the headlines. Unlucky in love with her billionaire boyfriend Aristotle Onassis, Maria Callas wants to show them all that the title of ”Primadonna assoluta” is still rightfully hers. On condition that famed stage director Franco Zeffirelli takes on the production, the exceptional vocalist is prepared to take on the role of Tosca. Her fans queue outside the Royal Opera House in London’s Covent Garden for four, even five nights. To get their hands on the sought after tickets, they spend the freezing winter nights in sleeping bags and on fold up chairs. The film tells the story of the event from today´s perspective and features interviews with Antonio Pappano, Rolando Villazón, Rufus Wainwright, Thomas Hampson, Anna Prohaska Wolfgang Joop, Jürgen Kesting, Brian McMaster, Kristine Opolais. As bonus the performance of Tosca´s second act is included. It is one of the most dramatic acts in opera history. The film recording is one of the few opportunities to see Maria Callas on stage and witness her emotional dramatics and vocal competence.
Magic Moments of Music – Harnoncourt conducts Monteverdi
L’Orfeo by Claudio Monteverdi is one of the earliest operas. It tells the story of Orpheus and Eurydice, a young couple separated by fate and put to the test once again. In 1975, it was to be performed as faithfully as possible to the original, as it had been when it premiered more than 350 years earlier. First on stage in Zurich and later as a film production in Vienna. A radical vision by Austrian conductor Nikolaus Harnoncourt, directed by star director Jean-Pierre Ponnelle. Harnoncourt brought back the historical sound experience. He meticulously sought out musicians who played period instruments and brought them together to form an ensemble. He succeeded in making the opera not only comprehensible but also captivating. Outstanding singers such as Anna-Lucia Richter, Rolando Villazón, Elsa Benoit, Äneas Humm and also Nikolaus Harnoncourt’s son Philipp comment on the legendary production from 50 years ago. The film is a testament to the artistry of the great musical innovator Harnoncourt.
In the Maze – Jörg Widmann
Clarinettist, conductor and composer Jörg Widmann is working on a composition. He has been commissioned to write a large-scale trumpet concerto (“Towards Paradise”) for the Gewandhaus Orchestra in Leipzig and the Boston Symphony Orchestra. The film accompanies Widmann on this journey, from the very first drafts of the piece to the premiere performance, taking the audience through diverse psychic and sonic realms. Music takes on a life of its own in the moment of writing, believes Jörg Widmann. It assumes its own form, becoming a living being that forges its own path. As such, it remains a fragment, because it is not what he, the writer, had intended. For Widmann, the image that best describes this progression is a maze. We follow Jörg Widmann into his maze, reaching for the thread that runs through his life and work. Together with him, we experience the ups and downs, the euphoric moments as well as the moments of crisis that are brought about by the process of writing.
BACK HOME in Georgia – Khatia Buniatishvili and Zubin Mehta
They have known each for a long time and performed many concerts together: the pianist Khatia Buniatishvili and the conductor Zubin Mehta. Perhaps that is why they can be so open with each other during rehearsals of Robert Schumann’s Piano Concerto in A-Minor. Back Home with the two musicians and the Israel Philharmonic Orchestra in Georgia under special conditions. The rehearsals in Tbilisi, capital of Georgia, take place in the great music hall. The concert two hours drive away under the open skies of Tsinandali – a brand new concert place, built up to the very last minute.
Magic Moments of Music – Maria Callas & Tosca
The beginning of 1964 held a great surprise for the music world: Maria Callas returns to the opera stage as prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Not even the Beatles received more press coverage. All this, for an artist whose glorious career was said to be over, with the singer herself passing over to legend. It is no longer her performances, but her scandals that, are dominating the headlines. Unlucky in love with her billionaire boyfriend Aristotle Onassis, Maria Callas wants to show them all that the title of ”Primadonna assoluta” is still rightfully hers. On condition that famed stage director Franco Zeffirelli takes on the production, the exceptional vocalist is prepared to take on the role of Tosca. Her fans queue outside the Royal Opera House in London’s Covent Garden for four, even five nights. To get their hands on the sought after tickets, they spend the freezing winter nights in sleeping bags and on fold up chairs. A British broadcaster has recorded the opera’s second act. It is one of the most dramatic acts in opera history – to save the artist Cavaradossi from his torturer; Tosca ends up murdering the chief of police Scarpia. The film recording is one of the few opportunities to see Maria Callas on stage and witness her emotional dramatics and vocal competence.
Magic Moments of Music – Lang Lang at Carnegie Hall
Lang Lang chose a wide-ranging program for his solo debut in 2003. After a more classical first half with works by Robert Schumann and Joseph Haydn, he interprets the Chinese composer Tan Dun after the intermission, finally culminating with Franz Liszt’s Don Juan Fantasy. Even as a small boy, Lang Lang is drilled to be a pianist by his father: He is to become the best piano player in the world. He is rarely allowed to see his mother so that she does not keep him from practicing. When he invites his father on stage at the end of his Carnegie Hall debut to improvise together on a Chinese folk song, one chapter of life ends – and a new one begins. This defining moment deals with the difficult relationship between freedom and the sacrifices we make for it. Lang Lang lives his father’s dream, which becomes his own dream. It is about musical perfection and personal relationships, about virtuosity and emotions – themes that are reflected in Lang Lang’s performance and in his life. Not only for Lang Lang himself, but also for his long-time companions such as conductor Christoph Eschenbach, composer Tan Dun and his teacher Gary Graffman, this concert was a magical moment. Pianist Claire Huangci has also known Lang Lang since a young age, and Bruce Liu is currently considered the new shooting star on the piano. Together with audio producer Christian Gansch and body language expert Stefan Verra, they retrospectively classify Lang Lang’s legendary recital evening.
Carnival of the Animals – A music piece tells the story
The “Carnival of the Animals” is his best known work. Camille Saint-Saëns never wanted to publish it during his lifetime. On the 100th anniversary of the composer’s death in December 2021, the music piece itself tells us how the dwindling act of birth occurred in the composer’s mind. It is the notes that tell us of its suffering and of its triumph on the great stages of the musical world. According to the will of its creator, “Carnival of the Animals” was to be performed only once, in March 1886, on Shrove Tuesday. And now this piece has stolen the show from Camille Saint-Saëns’ other works for a hundred years. Directors have brought Saint-Saëns’ music to Hollywood. At the Cannes International Film Festival, “The Aquarium” is the signature tune. The film shows that “Carnival” is more than the musical characterization and exaggeration of various species. The role of the narrator was taken over by German actor Sebastian Koch. An orchestra specially assembled for the film lets the music of the “Carnival of the Animals” resound.
Hans Werner Henze – composer, communist, dandy
Hans Werner Henze was Germany’s most political composer, at the same time, he was the epitome of a dandy and bon vivant. On the occasion of his 100th birthday in July 2026, the film is a tribute to the courageous artist and humanist, showing his colourful life in all its complexity and with all its contradictions.