From the Royal Opera House, Covent Garden 1990: This effervescent operetta is a perennial favourite and John Cox’s production was a glittering setting for Dame Joan Sutherland’s farewell to The Royal Opera House, Covent Garden. She received a standing ovation when she appeared as one of the guests in the party scene, together with Luciano Pavarotti and Marilyn Horne. “The gala was surrounded by a really first-rate performance of Fledermaus” (London Evening Standard), with Richard Bonynge conducting a fine cast, including Nancy Gustafson, Louis Otey and Jochen Kowalski.
Giselle
The acclaimed Swedish choreographer and dancer, Mats Ek, made dance history in the early eighties with his bizarrely unromantic and radically drastic new interpretation of the ballet classic. He interpreted the content and the style of the second act in a contemporary way for the Swedish Cullberg Ballet – one of the most famous modern dance formations in the world. Mats Ek keeps the music of Adolphe Adam: he uses a 1969 recording of the Monte Carlo Opera Orchestra conducted by Richard Bonynge that we also hear in this studio recording. The premiere cast of characters, Ana Laguna (Giselle), Luc Bouy (Albrecht), Yvan Auzely (Hilarion), Vanessa McIntosh (Bathilde) and Lena Wennergren (Myrtha), turn the accompanying recording into a first class ballet documentation.
“My version of Giselle is an attempt at retelling the story. For me Giselle – and this applies to the old ballet as well – is about love. Love, which in the old version conquers death. That differs in mine. But love remains the main thing.” Mats Ek”
The Aida File
This film chronicles the life and times of Verdi and the history of one of his best-loved operas. It includes extensive extracts from the triumphant La Scala production starring Pavarotti, archive film of notable Aida productions from the past, and contributions from some of the great singers who have a special affection for this work – Pavarotti, Carlo Bergonzi, Grace Bumbry and Eva Turner among them.
Mats Ek’s Sleeping Beauty
Tchaikovsky’s greatest ballet score meets Swedish dance royalty in Mats Ek’s staging of The Sleeping Beauty – performed here in 1999 by Cullberg Ballet, the company (founded by Ek’s mother) for which this production was created. The tradition that Ek inherited was one of innovation, and his Sleeping Beauty – updated, pared back and stripped of its traditional Romantic opulence – caused controversy when it was first seen in 1996. Today, it’s regarded as a classic, driving straight to the poetic, sometimes troubled heart of the original fairy tale: a near-perfect modern visualisation of Tchaikovsky’s impassioned music.