Weinberg’s final opera, based on Dostoevsky’s novel, condenses the plot without losing its psychological depth. Prince Myshkin, mentally ill yet believing in goodness, meets merchant Rogózhin on a train, sparking a tale of dependence, madness, and murder. The opera, rediscovered in the last decade, presents the composer Weinberg as Shostakovich’s equal. The Idiot, composed in 1986-1989, now staged in Salzburg, directed by Krzysztof Warlikowski and conducted by Mirga Gražinyte-Tyla, brings the world of literature to the opera stage. The excellent cast of singers contributes to make the production a great success. Bogdan Volkov “expressive lyrical tenor touches intimately in the piano and yet remains able to cope with all orchestral storms” (BR Klassik) “(…) absolutely deserves a place in the repertoire” (New York Times) An absolute masterpiece” Gidon Kremer; “So good it hurts” (Financial Times) “This Idiot has the whole of Salzburg on the edge of its seat.” (Die Presse)
Salzburg Festival 2024: The Idiot
Weinberg’s final opera, based on Dostoevsky’s novel, condenses the plot without losing its psychological depth. Prince Myshkin, mentally ill yet believing in goodness, meets merchant Rogózhin on a train, sparking a tale of dependence, madness, and murder. The opera, rediscovered in the last decade, presents the composer Weinberg as Shostakovich’s equal. The Idiot, composed in 1986-1989, now staged in Salzburg, directed by Krzysztof Warlikowski and conducted by Mirga Gražinyte-Tyla, brings the world of literature to the opera stage. The excellent cast of singers contributes to make the production a great success. Bogdan Volkov “expressive lyrical tenor touches intimately in the piano and yet remains able to cope with all orchestral storms” (BR Klassik).
BBC Proms 2019: Mirga Gražinyte-Tyla conducts Elgar and Weinberg
The CBSO and Music Director Mirga Gražinyte-Tyla celebrate the centenary of Mieczyslaw Weinberg the man Shostakovich hailed as ‘one of the most outstanding composers’ of his day – with a rare performance of his Symphony No. 3, a work that combines folk melodies and dances with confessional urgency. That intensity is shared by Elgar’s passionate Cello Concerto, performed here by 2016 BBC Young Musician winner Sheku Kanneh-Mason. The concert opens with Dorothy Howell’s radiant tone-poem Lamia (first performed, like Elgar’s concerto, 100 years ago) and also includes The Way to Castle Yonder, a suite from the much-missed Oliver Knussen’s opera Higglety Pigglety Pop! “A performance of surpassing delicacy and refinement” (The Telegraph) PROGRAM Weinberg: Symphony No. 3; Elgar: Cello Concerto; Dorothy Howell: Lamia; Knussen: The Way to Castle Yonde
BBC Proms 2021: Mirga Gražinyte-Tyla conducts the CBSO
The works that the CBSO commissioned to celebrate its centenary last year are finally getting performed. Thomas Adès’s The Exterminating Angel Symphony, based on material from his 2016 opera, was one of them; its London premiere is framed here by two more symphonies, Ruth Gipps’s Second and Brahms’s Third. The City of Birmingham Symphony Orchestra and Music Director Mirga Gražinyte-Tyla champion the music of a too-long neglected composer. PROGRAM: Gipps: Symphony No. 2; Adès: The Exterminating Angel Symphony; Brahms: Symphony No. 3
BBC Proms 2017: Mirga Gražinyte-Tyla conducts Beethoven, Stravinsky, Barry
Rising star conductor Mirga Gražinyte-Tyla returns with the City of Birmingham Symphony Orchestra to the Royal Albert Hall, setting Beethoven’s Fifth Symphony against a world premiere by Gerald Barry. Leila Josefowicz excels as the soloist in Stravinsky’s Violin Concerto. Mirga Gražinyte-Tyla is the youngest female conductor to take over one of the world’s leading orchestras: Together with the CBSO, the Music Director from Lithuania – “on the podium a combination of flamboyance and steely poise” (Financial Times) – explores the theme of political and artistic freedom in their concert: Beethoven’s Overture “Leonore” No. 3 celebrates the triumph of truth over tyranny in music of radiant beauty while his Fifth rewrites the rules for the Classical symphony. Allan Clayton’s rendition of Canada, composed by Gerald Barry, completes the programme. “Irresistible!” (The Guardian) PROGRAM Beethoven: Overture ‘Leonore’ No. 3, Symphony No. 5; Stravinsky: Violin Concerto; Barry: Canada
BBC Proms 2016: Mirga Gražinyte-Tyla conducts Mozart & Tchaikovsky
The City of Birmingham Symphony Orchestra presents its new Music Director Mirga Gražinyte-Tyla at the BBC Proms. Gražinyte-Tyla is not only the successor of Sir Simon Rattle and Andris Nelsons at the CBSO, but also the first female conductor to take over one of the world’s leading orchestras. Her talent and musicality shine bright in the concert’s centre piece, the “spellbinding and bewitching” (The Guardian) song cycle Let me tell you by Hans Abrahamsen, performed by no less than Barbara Hannigan, for whom the piece was written in the first place. In the second half of the concert, Gražinyte-Tyla and the CBSO explore Tchaikovsky’s dramatic Fourth Symphony – “technically impeccable and just that bit more vivid than usual” (The Guardian). PROGRAM: Mozart: Overture Die Zauberflöte; Abrahamsen: Let me tell you; Tchaikovsky: Symphony No. 4
The Passenger
Though composed as early as 1968, Mieczylaw Weinberg’s opera The Passenger received its first full staging only in 2010. The work – based on an 1962 novel by concentration-camp survivor Zofia Posmysz – was quickly recognised as one of the most important operas of the second half of the 20th century, and one whose themes are now as important as they’ve ever been. That first staging, by David Pountney, has gone on to receive classic status, and is here seen for the first time at Madrid’s Teatro Real, conducted by an artist who has been instrumental in the recent Weinberg revival, Mirga Gražinytè-Tyla.
RCO: Mirga Gražinyte-Tyla conducts Tchaikovsky and Weinberg
Mirga Gražinyte-Tyla conducts two works packed with folk tunes: Tchaikovsky’s First Piano Concerto, with Gabriela Montero, and Weinberg’s Third Symphony. The concert starts with music by Raminta Šerkšnyte. PRGRAM Raminta Šerkšnyte: De Profundis; Tchaikovsky: Piano Concerto No. 1; Weinberg: Symphony No. 3