Since his time as chief conductor of the Leipzig Gewandhausorchester between 1998 and 2005, Herbert Blomstedt – now its honorary conductor – has returned to Leipzig every year to conduct one or more always celebrated concerts. In 2015, he conducted Carl Nielsen’s Symphony No. 3 and Ludwig van Beethoven’s Symphony No.7 in three sold-out concerts at the Gewandhaus. The combination of these two symphonies was also one of the first concerts Blomstedt conducted during his time in Leipzig, even then bringing the people in the audience to their feet and making them discover the music of Danish composer Carl Nielsen, whose works – until then – had only been rarely played in German concert halls. In 2015, 150 years after Nielsen’s birth, the combination and juxtaposition of his Third with Beethoven’s Seventh was again a big success.
Herbert Blomstedt – Wiener Philharmoniker at Salzburg Festival
Now in his nineties, Herbert Blomstedt, former conductor of the Leipzig Gewandhaus Orchestra and the San Francisco Symphony Orchestra, is still a powerful interpreter of the symphonic repertoire. His programme with the Wiener Philharmoniker is straightforward: it begins with Honegger’s brilliant Third Symphony and ends with Brahms’ Fourth. The eminent maestro, one of the orchestra’s favourites since his debut at the 2011 Salzburg Mozart Week, continues to enchant audiences with his enormous presence, verve and artistic drive. “A stirring, long-lasting listening experience. At the end, standing ovations and boundless cheers.” (br-klassik.de) “Fortunately, they still exist, the magical moments when time stands still, when music reaches and touches people.” (Die Presse) PROGRAM Honegger: Symphony No. 3 “Liturgique”; Brahms: Symphony No. 4
The Exclusive Subscription Concert Series – Leonidas Kavakos & Herbert Blomstedt
The Subscription Concert Series of the Wiener Philharmoniker from the Golden Hall of the famous Musikverein are special concerts reserved for subscribers. Due to the exceptional quality of the concerts and the limited offer, the average waiting time for subscribers is more than 10 years. With this series, these very special concerts are made available for the first time audiovisually to a wider audience worldwide. Conductor Herbert Blomstedt, honorary member of the orchestra, is a regular guest at the subscription concerts. For this one he chose Carl Nielsen’s Fifth Symphony: “It is full of Danish humour: very serious and at the same time very comic and yet sublime.” As a counterpoint to Nielsen’s exciting experimentation, Greek star violinist Leonidas Kavakos interprets Johannes Brahms’ Violin Concerto, one of the most beloved and frequently performed works in the violin concerto repertoire. “Leonidas Kavakos, together with the Philharmoniker, makes this beautiful work a true celebration.” (klassik-begeistert.de)
Blomstedt conducts Bruckner and Beethoven
The Staatskapelle Dresden reunites with its former Principal Conductor Herbert Blomstedt for a memorable performance at the Semperoper Dresden, thanking him for 50 years of highly productive collaboration. The grand seigneur amongst today’s conductors leads the orchestra in an impressive rendition of Beethoven’s First Piano Concerto, which features Sir András Schiff as acclaimed soloist “with an exquisite touch and finest nuances in his play” (Sächsische Zeitung). With the following performance of Anton Bruckner’s 4th Symphony, Herbert Blomstedt “leaves a monument” (Dresdner Neueste Nachrichten). PROGRAM Bruckner: Symphony No. 4; Beethoven: Piano Concert No. 1
Blomstedt conducts Brahms, Bach & Nielsen
“Leonidas Kavakos, together with the Philharmoniker, makes this beautiful work a true celebration.” (klassik-begeistert.de) Herbert Blomstedt made his debut with the Vienna Philharmonic late in life, only in 2011, at the age of 83. But since then he has been a regular guest and, since 2019, even an honorary member of the orchestra. In this concert he presents a work from his Scandinavian homeland: Carl Nielsen’s Fifth Symphony. “Carl Nielsen’s music breathes a special, unfathomable mood”, says Blomstedt. “It is full of Danish humour: very serious and at the same time very comic and yet sublime.” As a counterpoint to Nielsen’s exciting experimentation, Greek star violinist Leonidas Kavakos interprets Johannes Brahms’ Violin Concerto, one of the most beloved and frequently performed works in the violin concerto repertoire.
Salzburg Festival 2021: Blomstedt conducts Honegger & Brahms
Now in his nineties, Herbert Blomstedt, former conductor of the Leipzig Gewandhaus Orchestra and the San Francisco Symphony Orchestra, is still a powerful interpreter of the symphonic repertoire. His programme with the Vienna Philharmonic is straightforward: it begins with Honegger’s brilliant Third Symphony and ends with Brahms’ Fourth. The eminent maestro, one of the orchestra’s favourites since his debut at the 2011 Salzburg Mozart Week, continues to enchant audiences with his enormous presence, verve and artistic drive. “At the end, standing ovations and boundless cheers.” (br-klassik.de) PROGRAM Honegger: Symphony No. 3 “Liturgique”; Brahms: Symphony No. 4
Blomstedt conducts Reger and Beethoven
Max Reger’s Piano Concerto was created in the summer of 1910 in Leipzig and was there brought into the world by pianist Frieda Kwast-Hodapp and the Gewandhausorchester under Arthur Nikisch. To date, few other artists have dared to undertake this pianistic challenge: The American Peter Serkin, however, is one of those few whose repertoire includes this rare piece. In the second part of the concert, Herbert Blomstedt approached Beethoven’s evocative impressions of nature in the Symphony No 6, the “Pastoral”. PROGRAM: Reger: Piano Concerto in F minor; Beethoven: Symphony No. 6
Blomstedt conducts Beethoven and Nielsen
The Swedish conductor Herbert Blomstedt is a phenomenon – as he approaches his 88th birthday, he is one of the oldest conductors in the world. And yet: on the rostrum he embodies such a vitality and energy, that he at once enthralls his musicians as well as his audiences. Blomstedt directs the orchestra in two symphonies that could scarcely be less alike: The musicians play Ludwig van Beethoven’s Fourth Symphony and Symphony No. 5 by the Danish composer Carl Nielsen with concentrated intensity, honouring Nielsen in his 150th anniversary year.
Blomstedt conducts Bach’s Mass in B Minor
Just a few weeks before his 90th birthday, Herbert Blomstedt gifted himself a special birthday present: conducting Bach’s Mass in B Minor, in the Leipzig Thomaskirche – the composer’s former workplace. According to Blomstedt, Bach’s last complete vocal work is the climax of his creativity and is one of the most important works in his life: “It is like a reflection of doubt. It is enormously powerful music in the same way that a wedge is enormously powerful.” For Peter Wollny, director of the Bach-Archiv Leipzig, Bach’s magnum opus is “without doubt the most intellectually and musically varied and challenging of Bach’s compositions” and “one of the greatest achievements of Western culture.” The concert closed the Bachfest Leipzig 2017 and was performed by the Gewandhausorchester, the Dresdner Kammerchor, and the soloists Christina Landshamer, Elisabeth Kulman, Wolfram Lattke and Luca Pisaroni.
Blomstedt conducts Beethoven
More than 200 years after its premiere at the Gewandhaus in Leipzig, the famous trio Isabelle Faust, Jean-Guihen Queyras and Martin Helmchen have congenially mastered the artistic challenge of Beethoven’s gemstone. Under Herbert Blomstedt’s sensitive direction, the soloists unite chamber music intimacy together with virtuoso sophistication – and prove once again that the Triple Concerto is an unduly underestimated, much too rarely programmed masterpiece. The composer’s fifth symphony – indeed, the hit of classical music – is better known. In Leipzig, however, Blomstedt succeeds in achieving an entirely new perspective of this work. In the culmination of his three-year, intensive reenactment of Beethoven’s cosmos, the impressive sound that characterizes the Swedish grand seigneur’s conducting is heralded by transparency rather than showmanship, relevance instead of pathos, and tenderness in place of sentimentality.