A century to the day after the orchestra’s first concert on 24th October 1919, the centennial season culminates in a “splashy gala night” (San Francisco Classical Voice) at the Walt Disney Concert Hall with the current and former chief conductors Dudamel, Mehta and Salonen sharing the podium. The repertoire is a true reflection of the DNA that makes the LA Phil the LA Phil and “the defining factor of this orchestra is its ability to blend genres and styles to create totally new takes on classical works.” (The Guardian) The New York Times recently called the LA Phil “America’s most important orchestra. Period”. Look no further than this concert´s program: Ravel’s La Valse – Zubin Mehta; Lutoslawski’s Symphony No. 4 – Esa-Pekka Salonen; Strawinsky’s Firebird Suite – Gustavo Dudamel and the World Premiere of Daníel Bjarnason’s New Work for Three Conductors! BONUS LA Phil – The Tradition of the New. The documentary portrays the LA Phil and its continual creative reinvention on the occasion of this jubilee. Including a historical part to trace the steps that played a part in where the orchestra stands today + interviews with the current and former chief conductors Dudamel, Mehta, Salonen + Frank Gehry, John Adams + music critics, and members of the Los Angeles Philharmonic staff.
The Makropoulos Affair (Vec Makropulos)
Premiered in 1926, Leoš Janác?ek’s absorbing masterpiece Ve?c Makropulos reflects all the dominant musical styles of the early 20th century, from Bohemian tunefulness to big Straussian phrases, Berg-like jaggedness and primeval rhythms. With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionally
powerful opera was given superior treatment at the hands of the Wiener Philharmoniker under Esa-Pekka Salonen. They and the entire cast joined forces to make this production one of the highlights of the 2011 Salzburg Festival. “Ms. Denoke is a compelling actress … Salonen ensures a brilliant reading of Janác?ek’s fascinating score.” – The New York Times
In Rehearsal: Esa-Pekka Salonen
Featuring some of today’s leading conductors in rehearsal, this series gives a unique insight into the process of creating great music. The conductors’ very different styles and methods; the dialogue between an orchestra and an inspired interpreter; the intensity of the preparations for a concert performance; and the struggle towards perfection are captured in these revealing audio-visual records. Most episodes include a full run-through of the work rehearsed. All include interviews with the conductor who is seen at work. Esa-Pekka Salonen rehearses and performs Debussy’s impressionistic orchestral piece, La Mer, with the Los Angeles Philharmonic Orchestra. Directed
by Peter Berggren 56′
Salonen conducts Sibelius and Grieg
This concert by the Symphonieorchester des Bayerischen Rundunks has an entirely Scandinavian theme. Under the aegis of Finnish-born Esa-Pekka Salonen the orchestra begins the recital with “Eleven Gates”, a work of soundpainting by the contemporary Swedish composer Anders Hillborg. Alice Sara Ott provides the focal point of the evening, with the Piano Concerto by the Norwegian Edvard Grieg. The orchestra rises to the challenge with the impressive final work, the great Fifth Symphony by Finnish composer Jean Sibelius, a performance marking his 150th birthday “that no one who was present will ever forget.” (Süddeutsche Zeitung)
Salzburg Festival 2025: Oedipus Rex
Under Esa-Pekka Salonen, the Wiener Philharmoniker perform Stravinsky’s Oedipus Rex with explosive power. The stellar cast includes Allan Clayton, Marina Viotti, Michael Volle and Academy Award winner Christoph Waltz, who “performs this speaking role with subtle restraint” (BR Klassik). The concert also features Berlioz’s Symphonie fantastique “in a performance where everything is just right” (Der Standard). PROGRAM Stravinsky: Oedipus Rex; Berlioz: Symphonie fantastique
Vec Makropulos
With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionally powerful opera is given a superior treatment at the hands of the Wiener Philharmoniker under Esa- Pekka Salonen and in an ingenious staging by Christoph Marthaler. Denoke gives a winning account of the sensual, tormented leading role. While Salonen lets the Wiener Philharmoniker alternate between powerful accents, filigree textures and mighty outbursts of raw emotion, Marthaler charms the viewer with his typical witty, naturalistic details.
Salonen conducts Bartók
Live from the awe-inspiring new Philharmonie de Paris, the French capital’s elite orchestra performs a programme devoted to the endlessly fascinating music of Béla Bartók. On the podium is Esa-Pekka Salonen, one of the composer’s truly authoritative interpreters. This concert was hailed as “revelatory” by the leading French journal Diapason, “a unique expressive and sensory voyage (…) with precise phrasing and incredible flexibility (…) an irresistible feeling for timbre, tightropewalking accents, acoustic spaces, instrumental breathing (…) rhythmic agility, range of sensitive colours, humour and irony, brilliance, luminosity, moments of astonishing sweetness. The Orchestre de Paris soared and surpassed itself. Salonen is clearly a unique artist.” PROGRAM Bartok: Dance Suite; Concerto for two Pianos, Percussion and Orchestra; Concerto for Orchestra
Salonen conducts Mahler No. 2
Mahler’s Resurrection Symphony is undoubtedly the most popular of all his symphonies. The composer stages a gradual victory over his doubts and asserts his creative vocation and his newfound faith in the cosmos. The audience is immediately struck by the opening chaos orchestrating a magniicent funeral. The sublime final chorus enraptures listeners as it celebrates the Last Judgement and the divine love that is spread everywhere. Resurrection takes up in a spectacular way the question of a hypothetical renewal: the Stadium de Vitrolles near Aix has been preserved in a state of beauty ravaged by twenty-five years of abandonment and clandestine occupations. Inside this iconic building Romeo Castellucci tackles the enigma of a mysterious rebirth. “It became big, very big, beyond huge, beyond gigantic.” (Opera Today)
LA Phil 100 – The Centennial Birthday Gala
A century to the day after the orchestra’s first concert on 24th October 1919, the centennial season culminate in a baton-waving conductor’s summit at the Walt Disney Concert Hall with Dudamel, Mehta and Salonen sharing the podium. The repertoire is a true reflection of the DNA that makes the LA Phil the LA Phil. If you’re wondering why the New York Times recently called the LA Phil “America’s most important orchestra. Period.”, look no further than this concert’s program: Ravel’s La Valse conducted by Zubin Mehta; Lutoslawski’s Symphony No. 4 conducted by Esa-Pekka Salonen; Strawinsky’s Firebird Suite conducted by Gustavo Dudamel and the World Premiere of Daníel Bjarnason’s
New Work for Three Conductors!
San Francisco Symphony – Season Opening Gala 2021
Feel the energy as the great San Francisco Symphony welcomes its new music director Esa-Pekka Salonen with its 110th season Reopening Night, filled with jazz and dance from special guests. To kick of the evening, Slonimsky’s Earbox is a virtuosic piece composed in 1995 by Bay Area composer John Adams, full of cascading phrases of minimalist patterns being played with remarkable precision and energy by the orchestra. Alonzo King’s choreography for the four movements of Alberto Ginastera’s Ballet Suite Estancia is a joyride. The dancers of the Alonzo King LINES Ballet excel themselves at athletic jumps and limber, airy movements within the explosive last dance of the suite, the ‘Malambo’. Gaia, a 27-minute opus by the jazz legend Wayne Shorter forms the centerpiece of the evening and features the extraordinary bassist and vocalist Esperanza Spalding. The evening evolves into a true night of enchantment with ‘Noche de incantamiento’ by Mexican composer Silvestre Revueltas who wrote a percussion extravaganza with his music to the film La noche de los Mayas in 1939.