W.A. Mozart’s timeless masterpiece at the Salzburg Festival is always an event! Especially when Die Zauberflöte (The Magic Flute) receives such a “spectacular and virtuosic staging” (Le Figaro) by director Lydia Steier. Steier introduces the role of the grandfather, a narrator reading the opera like a fairy tale to his three grandchildren, performed by the famous actor Klaus Maria Brandauer (Out of Africa, James Bond). This ‘trick’ in combination with the gigantic moveable sets by stage designer Katharina Schlipf, allows new views on Mozart’s magical opera, with its different worlds. Thanks to conductor Constantinos Carydis, who “seems to breath with the music” (Tagesspiegel), there is a new Mozart to be heard too: Carydis draws “precise phrasing and plenty and of crisp articulation” (Financial Times) from “the musicians of the great Vienna Philharmonic” (New York Times).
Xerxes (Serse)
Serse is one of Handel’s latest and most frequently performed operas, famous for its marvellous opening aria “Ombra mai fu”. At the centre of the confusing tragicomedy, very loosely based upon the life of Xerxes I of Persia, is a powerful and lovesick royal eccentric, King Serse. Rising opera star Gaëlle Arquez in the title role of Serse “scintillates with her nimble, luminous mezzo-soprano”, singing “irresistibly beautiful, impassioned, furious – but never mean” (Frankfurter Rundschau). Conducted by Constantinos Carydis, the performance is also musically excellent. “Over and over again, the orchestra, in an intelligent, often witty way, comments with improvised gestures on the stage proceedings, the fine dynamic differentiation, and the many eloquent timbres” (Stuttgarter Nachrichten). Frankfurt’s excellent Opern- and Museumsorchester contributes “all sorts of refinements” to this “musical smash hit” (Deutschlandfunk) and „In Frankfurt Tilman Köhler ensures a three-hour short abundant and furious banquett… a great evening of opera.“ (Deutschlandfunk).
Xerxes/Serse
Serse is one of Handel’s latest and most frequently performed operas, famous for its marvellous opening aria “Ombra mai fu”. At the centre of the confusing tragicomedy, very loosely based upon the life of Xerxes I of Persia, is a powerful and lovesick royal eccentric, King Serse. Rising opera star Gaëlle Arquez in the title role of Serse “scintillates with her nimble, luminous mezzo-soprano”, singing “irresistibly beautiful, impassioned, furious – but never mean” (Frankfurter Rundschau). Conducted by Constantinos Carydis, the performance is also musically excellent. “Over and over again, the orchestra, in an intelligent, often witty way, comments with improvised gestures on the stage proceedings, the fine dynamic differentiation, and the many eloquent timbres” (Stuttgarter Nachrichten). Frankfurt’s excellent Opern- and Museumsorchester contributes “all sorts of refinements” to this “musical smash hit” (Deutschlandfunk) and „In Frankfurt Tilman Köhler ensures a three-hour short abundant and furious banquett… a great evening of opera.“ (Deutschlandfunk).
Salzburg Festival 2018: Die Zauberflöte
Mozart’s timeless masterpiece at the Salzburg Festival – it doesn’t get much better than this! Especially when “The Magic Flute” receives such a “spectacular and virtuosic staging” (Le Figaro) by American director Lydia Steier. Her colourful, fairy-tale production conjures up magical scenes and revolves around Hollywood star Klaus Maria Brandauer as grandfather, who reads the fantastical story of Tamino’s quest to his three grandchildren. The Three Boys are sung “technically flawlessly and expressively by three members of the Wiener Sängerknaben, a pure joy” (Spiegel Online). Constantinos Carydis leads a young ensemble of world class singers and draws “precise phrasing and plenty of crisp articulation from the Wiener Philharmoniker” (Financial Times). A delight already enjoyed by over one million TV viewers in Germany alone!