Il Barbiere di Siviglia (The Barber of Seville)

Based on Jean-Pierre Ponnelle’s highly acclaimed Salzburg production, the action was filmed in a Munich studio, while the voices and music were taped in Milan, using the Scala orchestra and chorus. The brilliant cast includes Teresa Berganza, Hermann Prey, Luigi Alva and Enzo Dara, all great names in the international operatic world.

La Cenerentola

The popularity of Rossini’s delightful fairy-tale opera is, to a great extent, due to Jean-Pierre Ponnelle’s now legendary production, first seen at La Scala of Milan in 1971. Claudio Abbado, who was then the artistic director of La Scala, has put together for this production a cast – including Frederica von Stade, Francisco Araiza and Paolo Montarsolo – that boasts an outstanding affinity for Rossini’s humor in addition to peerless musicality.

Salzburg Festival 2012: Ouverture Spirituelle – Claudio Abbado

After a gap of ten years, Claudio Abbado takes to the rostrum again to conduct a new special facet of the Salzburg Festival of Sacred Music, the Ouverture Spirituelle. The Italian maestro conducts the Orchestra Mozart of Bologna, an ensemble specially dedicated to performing the work of Mozart.

Vivaldi, Concerto per la Solennità di San Lorenzo in C major, RV 556 (Carinthian Summer 1979)

Recorded live at the Carinthian Summer Festival on 27 August 1979, this concert features soloists from the orchestra of Milan’s Teatro alla Scala under the direction of Claudio Abbado. One of the leading conductors of our time, Abbado was music director and artistic director of the Scala until 1986 before shifting his focus to Vienna (music director of the Vienna State Opera from 1986-1991) and, later, Berlin. Since 1969, the Carinthian Summer in Ossiach, Austria, has been presenting internationally acclaimed soloists and ensembles in splendid Alpine settings. A particularly opulent venue is the Baroque monastery church of Ossiach, where this concert was filmed.

Pergolesi, Stabat Mater (Carinthian Summer 1979)

Recorded live at the Carinthian Summer Festival on 27 August 1979, this concert features soloists from the orchestra of Milan’s Teatro alla Scala under the direction of Claudio Abbado. One of the leading conductors of our time, Abbado was music director and artistic director of the Scala until 1986 before shifting his focus to Vienna (music director of the Vienna State Opera from 1986-1991) and, later, Berlin. Since 1969, the Carinthian Summer in Ossiach, Austria, has been presenting internationally acclaimed soloists and ensembles in splendid Alpine settings. A particularly opulent venue is the Baroque monastery church of Ossiach, where this concert was filmed.

Vivaldi, Concerto per l’Orchestra di Dresda in G minor, RV 577 (Carinthian Summer 1979)

Recorded live at the Carinthian Summer Festival on 27 August 1979, this concert features soloists from the orchestra of Milan’s Teatro alla Scala under the direction of Claudio Abbado. One of the leading conductors of our time, Abbado was music director and artistic director of the Scala until 1986 before shifting his focus to Vienna (music director of the Vienna State Opera from 1986-1991) and, later, Berlin. Since 1969, the Carinthian Summer in Ossiach, Austria, has been presenting internationally acclaimed soloists and ensembles in splendid Alpine settings. A particularly opulent venue is the Baroque monastery church of Ossiach, where this concert was filmed.

Claudio Abbado’s inaugural concert from 1989

It was only logical that Claudio Abbado should start his tenure with the Berliner Philharmoniker in December 1989 conducting Mahler’s First Symphony. Firstly, because Abbado was even then considered one of the great Mahler conductors of his time, and secondly because this symphony by the still young composer is infused with an irresistible expression of freshness and new beginnings. Even today we can feel the special magic of this new beginning in this video document. The election of Claudio Abbado came as a surprise to the music world – not least to the conductor himself. In many ways he embodied a contrast to Herbert von Karajan who, particularly in his later years, had became ever more remote from his musicians. Claudio Abbado, however, made it clear from the outset that he was simply “Claudio” to everyone. Furthermore, he followed new musical directions; he aimed at a more transparent sound, and put an emphasis on new music – and also on Mahler who had only occasionally appeared in Philharmoniker concerts under Karajan.

Claudio Abbado conducts Beethoven’s Music to Egmont and Mozart’s Requiem at Lucerne Festival

The opening of the Lucerne Festival 2012, Claudio Abbado and the Lucerne Festival Orchestra in the first part present a most powerful composition dedicated to Goethe’s hero Egmont, the Incidental Music to ‘Egmont’ by Beethoven. The second part of the program includes Mozart’s last composition, the Requiem in D Minor, which was left unfinished due to the early death of the composer.

Lucerne Festival: Abbado conducts Mozart

For many music lovers, Christine Schäfer’s Mozart interpretations are a revelation. She has little in common with the routine conventions of her field and her artistry is enourmously powerful as this program featuring concert arias by Mozart, with Abbado conducting the LUCERNE FESTIVAL ORCHESTRA, shows. This TV program is coupled with Mozart’s ‘Haffner’ Symphony, which was originally performed in Salzburg as a serenade to be played by torchlight. Program: Wolfgang Amadeus Mozart

‘Misera, dove son!’ – ‘Ah, non son io che parlo,’ K. 369; ‘Ah, lo previdi’ – ‘Ah, t’invola,’ K. 272; ‘Vorrei spiegarvi, oh Dio!,’ K. 418; Symphony in D major, K. 385 ‘Haffner’.

Lucerne Festival: Abbado conducts Bruckner 5

‘Abbado’s approach to the music of Bruckner is soft and songlike, at times tense and urgent, but constantly filles with warmth of feeling (…)’ wrot critic Peter Hagmann in the ‘Neue Züricher Zeitung’. On 19 August 2011 Claudio Abbado and the Lucerne Festival Orchestra presented Anton Bruckner’s Symphony No. 5 and did credit to this review. The handpicked players of the orchestra filled the famous concert hall in the Culture and Convention Centre Lucerne with impressive and unforgettable sounds.