In this concert, the Wiener Philharmoniker under the baton of Andris Nelsons are focusing on a “heavenly” pairing of works: Alban Berg’s Violin Concerto, entitled “To the Memory of an Angel” is combined with Mahler’s Fourth Symphony, in the last movement of which the poem “Das himmlische Leben” (Heavenly Life) is set to music. With this performance, young German-American violinist August Hadelich gave his debut at the Salzburg Festival and thrilled the press: “The fabulous Augustin Hadelich filled the difficult solo part with emotion and fragility, his performance was sensitive and yet glowing.” (Die Presse) With Mahler’s Fourth Symphony, Andris Nelsons performs “a Mahler miracle of quiet tones” (Volksblatt) – together with German soprano Christiane Karg (“subtle and with beautifully coloured soprano”, Kurier) as the soloist of the finale of the symphony. The concert is part of the Mahler cycle of the Wiener Philharmoniker and Andris Nelsons.
Salzburg Festival 2022: Andris Nelsons & Yefim Bronfman
Praised as an “exuberant, intoxicating conductor” (Boston Globe), Grammy Awardwinning Andris Nelsons is one of the most renowned and innovative conductors on the international scene today and his connection with the Wiener Philharmoniker is something special: Nelsons has developed a physical language with the players whose musical partner he has been since 2010. At the 2022 Salzburg Festival edition, Andris Nelsons and the Wiener Philharmoniker continue their acclaimed Mahler cycle with the Fifth Symphony, pairing it with Bartók’s second piano concerto. “Bronfman shows everything: impeccable technique, expressive art, power, but also a relaxed attitude when he delicately weaves in Bartók’s folklore quotations. […] The “Viennese”, with Andris Nelsons of one heart and soul. […] Great jubilation.” (Der Standard) PROGRAM: Bartók: Piano Concerto No. 2; Schumann: Arabesque op. 18; Mahler: Symphony No. 5.
Salzburg Festival 2018: Nelsons conducts Mahler and Zimmermann
The notion of passion, in music, initially referred to accounts of the suffering and death of Jesus. But would any form of art be conceivable without ardent passion and that kind of suffering which mobilizes creative forces as starting point for new artistic endeavours? Andris Nelsons presents a concert night which concentrates every conceivable passion: Bernd Alois Zimmermann’s Trumpet Concerto, entitled “Nobody knows the trouble I see” – a protest against racism – and Mahler’s Second, ‘Resurrection’ Symphony. PROGRAM Zimmermann: Nobody knows de trouble I see – Concerto for trumpet and orchestra; Mahler: Symphony No.2 (Resurrection). A passionate rendition of Mahler’s Resurrection Symphony, “oscillating between dream and grotesque, between idyll and Hellmouth” (Wiener Zeitung).
Salzburg Festival 2024: Nelsons conducts Mahler 9
Andris Nelsons returns to the Salzburg Festival with the Vienna Philharmonic, conducting Mahler’s epic Symphony No. 9. This giant on the podium animates the Vienna Philharmonic to the highest level of sound culture. His interpretation of Mahler is of passionate intensity, without ever falling into hollow pathos or sentimental attitude. The Vienna Philharmonic playes to all its strengths, and they are audibly at home in Mahler’s world.
Andris Nelsons conducts Mahler
Mahler’s unusually extended five-movement Symphony No. 7 is one of his most ambiguous and enigmatic and is therefore considered by many performers to be the most difficult. This recording is part of a Mahler cycle that Andris Nelsons, “one of the most celebrated conductors of our time” (Salzburger Nachrichten), and the Wiener Philharmoniker, the orchestra that Gustav Mahler himself conducted many times, have already been working on for a few years now and that will be continued for the next few years. Under Nelsons’ direction, the orchestra “performed magic in the Golden Hall. […] Magnificent strings, fabulous winds, accomplished melodic dialogues were heard in all five movements of the symphony. […] Rarely has one heard this work so finely chiselled, so dynamically balanced. An event.” (Kurier)
Salzburg Festival 2021: Nelsons conducts Mahler No. 3
Praised as an “exuberant, intoxicating conductor” (Boston Globe), Grammy Award-winning Andris Nelsons is one of the most renowned and innovative conductors on the international scene today and his connection with the Vienna Philharmonic is something special: he has developed a physical language with the players whose musical partner he has been since 2010. At the 2021 Salzburg Festival edition, Andris Nelsons and the Vienna Philharmonic Orchestra continue their acclaimed Mahler cycle with the Third Symphony. PROGRAM Mahler: Symphony No. 3
Salzburg Festival 2020: Nelsons conducts Mahler No. 6
“Mahler’s ?tragedy’ as a cathartic experience in Salzburg. Standing ovations for the Wiener Philharmoniker under Andris Nelsons with Mahler’s devastating 6th Symphony” Die Presse
Andris Nelsons – Boston Symphony: Inaugural Concert
This event celebrates the start of Andris Nelsons’ tenure as the 15th music director of the Boston Symphony Orchestra and features two of the conductor’s close colleagues, the acclaimed Latvian soprano Kristine Opolais and the outstanding German tenor Jonas Kaufmann. Singing’s selections from the Wagnerian and the Italian verismo repertoires, they join forces for a powerful duet from Puccini’s Manon Lescaut. The concert opens with Wagner’s Tannhäuser Overture – the work that first inspired a five year old Nelsons to a life in music – and closes with Respighi’s spectacular orchestral showcases “Pines of Rome”.
Britten: War Requiem
Fifty years to the day after its premiere, Andris Nelsons celebrated with his orchestra, the City of Birmingham Symphony Orchestra (which also gave that first performance), Benjamin Britten’s War Requiem through a special anniversary performance given at Coventry Cathedral, the site of its first performance, starring Erin Wall, Mark Padmore and Hanno Müller-Brachmann.
Nelsons conducts Gewandhausorchester Leipzig: Webern, Wagner and Stravinsky
When Andris Nelsons made his debut with the Gewandhausorchester Leipzig in 2011, the conductor and the orchestra are said to have felt a magical connection, which only a few years later resulted in his appointment as the 21st principal conductor of the world-renowned orchestra, beginning in 2018. In 2016, one of his concerts with the Gewandhausorchester featured three works by three composers, each of whom revolutionized the musical traditions of their times. Anton Webern, Richard Wagner and Igor Stravinsky. PROGRAM: Webern: Six Pieces for Orchestra; Wagner: Wesendonck Lieder; Stravinsky: Le Sacre du Printemps