Carmina Burana

They are one of the most famous and most frequently performed works of classical music: Carl Orff’s “Carmina Burana”. The Latin title refers to a collection of songs from Benediktbeuern dating from the 11th and 12th centuries with texts written in Middle Latin, Old French and Middle High German. Orff chose 24 of these songs, their topics ranging widely from the volatility of happiness and prosperity to the fleeting nature of life, from the joy of the return of spring to the pleasures and dangers of drunkenness, gluttony, gambling, and lust. At the Palau de la Música in València, the Orquestra de València, one of the great Spanish symphony orchestras, together with one of Spain’s oldest choirs, Orféon Pamplones, perform this epic work under the musical direction of Alexander Liebreich. They are joined by the excellent soloists Sara Blanch, Joaquín Asiáin and André Baleiro, creating a memorable musical evening.

Concierto de Aranjuez

A perfect summer evening in the spectacular Palau de la Música València where the Orquesta de Valencia performs Joaquín Rodrigo’s “Concierto de Aranjuez”, under the direction of chief conductor Alexander Liebreich. The soloist on the classical guitar is the internationally acclaimed and multi-award-winning Croatian guitarist Ana Vidovic – one of the most impressive classical guitarists of our time. The Spanish composer Joaquín Rodrigo was always closely associated with València – it is the city where he grew up, studied, and later married. Since its foundation 80 years ago, the Orquesta de València has also identified with the heritage of Valencian culture, its composers, and the music of its homeland. The half-hour concert is a synthesis of the most diverse elements of Spanish music. It was quickly regarded abroad as the flagship of Spanish culture – and Joaquín Rodrigo as its ambassador. Interwoven with the concert recording, the documentary part of the program takes us to the Royal Gardens in Aranjuez, where Rodrigo was inspired to write his “Concierto de Aranjuez”. In interviews with conductor Alexander Liebreich, soloist Ana Vidovic and Cecilia Rodrigo, the composer’s daughter, we learn about the genesis of the work, how it was received and what the musicians associate with it.