Mozart Week 2021: Mozartiade

This Mozartiade combines a selection of the most beautiful and touching songs composed by Mozart, including “Abendempfindung an Laura” or “Komm, lieber Mai, und mache” in the intimate atmosphere of the Mozarteum’s Great Hall, led by mezzo-soprano Magdalena Kožena who is always a welcome guest in Salzburg. Among the highlights of the concert is her interpretation of “Die Alte” K. 517, in whose composition all of Mozart’s musical wit becomes obvious. In addition, soprano Sylvia Schwartz and tenor Mauro Peter present their favorite Mozart songs, while Elena Bashkirova enhances the concert with her subtle, transparent accompaniment on the piano.

Mozart Week 2021: Quatuor Van Kuijk

The Quatuor Van Kuijk was founded only 6 years ago and already they have won all the prizes that can be won: the Wigmore Hall International Chamber Music Competition, the Aix-en-Provence Festival Academy, they are BBC New Generation Artists… just to name a few. The young Viennese pianist, Maximilian Kromer, joins this exciting ensemble – what emerges is a ravishingly youthful Mozart sound. “accomplished Mozart interpreters on stage” (APA) PROGRAMM Mozart: Divertimento K. 136; Divertimento, K. 137; Piano Quartet, K. 478

Mozart Week 2021: Giedre Šlekyte conducts Mozart

Bright as a bell is the attribute that one must associate with the voice of Regula Mühlemann. Her “Exsultate jubilate” scales the shimmering heights without any trace of effort, with a natural elegance that is second to none. After her stunning performance, the concert continues with Renaud Capuçon and Gérard Caussé performing Mozart’s Sinfonia concertante K. 364 under the intense baton of Lithuanian conductor Giedre Šlekyte on the podium of the Camerata Salzburg. PROGRAM Symphony No. 31, “Exsultate, jubilate” K. 165, “Nehmt meinen Dank, ihr holden Gönner” K. 383, Sinfonia concertante for Violin, Viola and Orchestra K. 364

Salzburg Festival 2020: Mozarteum Orchestra & Fischer

“One of the most important Mozart interpreters of our days provided great excitement at the final matinee on Sunday: Ádám Fischer at the podium inspired the musicians to remarkable performances” Die Presse. PROGRAM Mozart: Symphony No. 1, K. 16; Serenade, K. 203 – “Colloredo”; Symphony No. 41, K. 551 – “Jupiter”

Salzburg Festival 2020: Mozarteum Orchestra & Bolton

“An unearthly melody characterized the Mozart Matinee on Sunday” Salzburger Nachrichten. PROGRAM Mozart: Mass in C minor, K. 139 – “Waisenhaus”; Adagio and Fugue for Strings, K. 546; Vesperae solennes de Confessore, K. 339

Salzburg Festival 2020: Mozarteum Orchestra & Manze

“Perhaps the most delightful surprise was the all-Mozart matinee conducted by British conductor Andrew Manze, who established an easy rapport with the Mozarteumorchester”

The Times. PROGRAM Mozart: Symphony, K. 385 – “Haffner”; Concerto for Horn and Orchestra, K. 417; Serenade, K. 525 – “Eine kleine Nachtmusik”; Concerto for Piano and Orchestra, K. 537 – “Coronation Concerto”; Sonata for Piano No. 18, K. 576 – II. Adagio

Salzburg Festival 2020: Mozarteum Orchestra & Capuano

“Julia Lezhneva shone….she is cut like a precious diamond with inclusions of ruby red brilliance” Salzburger Nachrichten. PROGRAM Mozart: Symphonies K. 201 & K. 183; “Quel nocchier che in gran procella” from La Betulia liberata, K. 118; “Voi avete un cor fedele” Aria for soprano and orchestra, K. 217; “Ch’io mi scordi di te?” Recitative and rondo for

soprano with piano and orchestra, K. 505; “Exsultate, jubilate” Motet for soprano and orchestra, K. 165

Bartabas in Salzburg 2017 – Mozart: Requiem

An absolute highlight of Salzburg’s Mozart Week with “highest art of sound and riding“ (Kronenzeitung): the French equine artist and theatrical genius Bartabas presents Mozart’s Requiem. Horses and riders from the formidable Académie Équestre de Versailles join forces with the Musiciens du Louvre, conducted by Marc Minkowski, the Salzburger Bachchor and “an excellent quartet of soloists“ (Kurier), namely Genia Kühmeier, Elisabeth Kulman, Julien Behr and Charles Dekeyser, to place the Requiem into a new theatrical context. Restoring the Felsenreitschule’s original purpose – a riding school – and at the same time including ist impressive architecture of arcades into the musical dramaturgy, the production is a breath-taking synthesis of the arts. By meticulously refining the skillfully regulated interactions between humans, animals and music, Bartabas and his horsemen have created a production which is much more than a great show riding choreography: it’s a moving exploration of the interconnectedness of existence. A piece of art with an “exceptional power of attraction” (Schwäbische Zeitung), “a requiem for all senses“ (Kronenzeitung).

Harnoncourt conducts Mozart – The Last Three Symphonies

“Representing no occasion, no immediate purpose, but an appeal to eternity” is how his biographer Alfred Einstein characterised the creation of Mozart’s last three symphonies, in this production performed by Nikolaus Harnoncourt and his “original-sound orchestra” Concentus Musicus.

Salzburg Festival 2025: Zaide or The Path of Light

Raphaël Pichon, Pygmalion and an “outstanding” (Kurier) cast of singers pull off “a Mozart miracle” (Kronenzeitung) with their new project at the Salzburg Festival. The unfinished singspiel Zaide, excerpts from Davide penitente and Thamos, and concert arias merge into a semi-staged evening that highlights the themes of humanity and freedom in Mozart’s work: “What Raphaël Pichon conjured up from his two excellent ensembles is almost impossible to describe; you simply have to experience it for yourself” (Die Presse). “One of the most powerful experiences of the past decades” (Kurier) “A magnificent quintet of soloists led by the divine Sabine Devieilhe” (Süddeutsche Zeitung)