In this intimate staging of Bellini’s masterpiece opera, Asmik Grigorian’s highly anticipated debut as Norma is “one of the best things to happen to Vienna’s opera stages in a long time” (FAZ). Set in a dictatorship of the 20th century, Grigorian’s Norma is the forewoman of a clay foundry. Vasily Barkhatov’s “convincingly concentrated, intimate staging” (Kronenzeitung) underscores the drama of the love triangle between the three central characters. Grigorian masters the notoriously difficult role with bravura: “Grigorian is a true Callas successor because every gesture and facial expression merges with her musical expression” (Kleine Zeitung). In Aigul Akhmetshina as Adalgisa, “she found a counterpart who has one of the richest mezzo voices of our time” (Die Presse). Freddie De Tommaso as Pollione completes the three-way conflict with his “clean and beautifully sounding” tenor (Oper News). Rounding out the evening musically are the “magnificent in every respect” Arnold Schoenberg Chor (Salzburger Nachrichten). “All in all, a breathtakingly thrilling evening with a perfect interlocking of stage and pit” (Van Magazin).
La Sonnambula
La Sonnambula at the Stuttgart Opera has proved a “great triumph. Not only for the directing duo but for the ensemble as a whole, for they have delivered a heart-warming miracle in their coordination of stage and orchestra, voice and roleplay” (Süddeutsche Zeitung): the production by Jossi Wieler and Sergio Morabito was honoured at the International Opera Awards as “new production of the year” and ensemble member Ana Durlovski won the coveted theatre prize “Der Faust” for her portrayal of the somnambulist. Opernwelt magazine made her “newcomer of the year”, while the Stuttgart Opera chorus was named “opera chorus of the year” for the ninth time in 13 years.
Norma
The reigning queen of bel canto, Edita Gruberova has laid the cornerstone for a new ‘Norma’ legend in her first stage performance of this virtuoso role. The premiere of Vincenzo Bellini’s opera at the Bavarian State Opera in Munich marked a resounding new triumph in the singer’s career. Sharing the stage with Gruberova were Zoran Todorovich, Roberto Scandiuzzi, Sonia Ganassi and other renowned soloists, along with the chorus of the Bavarian State Opera. Friedrich Haider conducted the production directed by Jürgen Rose.
Norma
“If we weep from emotion on hearing it, it’s nothing to be ashamed of” Richard Wagner on Bellini’s most famous opera Norma, the most successful work by the last and greatest composer of bel canto. This new production of Norma, directed by Grammy Award-nominated opera, theatre and film director Kevin Newbury and starring Sondra Radvanovsky as a “powerful, elegant” Norma (New York Times) and Gregory Kunde as Pollione, is “something very special. The word ‘historic’ is used perhaps a little too often but tonight there really is no other adjective to describe the sensational performances offered to us by Sondra Radvanovsky and Gregory unde.” (operatraveller.com)
Radvanovsky’s performance as Norma has been the fixed point of Newbury’s staging as it has travelled from San Francisco where it opened in September 2014, to Barcelona, and on to Chicago and Toronto, and was enthusiastically received from the off: British Opera magazine described her as “fearless in scaling the heights of this bel canto challenge. Her range of colours, from smoky to crystalline, and her authority […] were wondrous and energizing, starting with a consummately phrased ‘Casta Diva’”.
La Sonnambula
Premiered in Milan on 6 March 1831, La Sonnambula is regarded as Bellini’s first true masterpiece. The opera teils the story of Amina, who is to marry Elvino, but sleepwalks into the room of Count Rodolfo the night before her wedding. Upon hearing of this deplorable incident, Elvino calls off the wedding. Although Rodolfo confirms her innocence, Elvino remains steel-hearted, until Amina sleepwalks again… This new production of La Sonnambula dazzles with lovingly detailed and imaginative sets which repro duce a Swiss alpine resort in the 1930s (Bellini hirnself set the action in a Swiss village). Complete with a majestic mountain panorama, a cable car and a grand salon, not to mention the colorfully dressed resort guests, the settings deploy an enchanting picture book of visual surprises. Director Bepi Morassi interweaves subtle details that reflect the social realities of today, such as a marriage contract. ..
Opera Gala with Thomas Hampson and Luca Pisaroni
Two world-renowned baritones Thomas Hampson and Luca Pisaroni lead the audience through a gallery of opera characters which the “kings of high-Cs” cannot portray. They introduce themselves as devoted friends (Marquis Posa), rulers (Phillip II. and King Herod), devils (Mephistopheles) and the most famous operatic embodiment of evil (Iago) … . Most composers devoted the roles of lovers to tenors; yet, the most famous seducer of all times, Mozart’s Don Giovanni, is a baritone … . —— Works by Wolfgang Amadeus Mozart, Charles Gounod, Jules Massenet, Giuseppe Verdi, Vincenzo Bellini, Gioacchino Rossini, Richard Rodgers & Oscar Hammerstein II, Leonard Bernstein, Gaetano Donizetti
Opera Gala Baden-Baden
Four of the greatest singers of our time combine their talents and their artistry in an evening of beloved operatic numbers – rarely has a concert deserved the title ‘Opera Summit’ as much as this one, recorded live at the Festspielhaus in Baden-Baden on 3 August 2007. Heading the quartet is soprano Anna Netrebko with her inimitable blend of glamour and simplicity, her enticing appearance and seductive singing, a musical powerhouse who tops the pop charts and sells out operas houses within hours. Hardly less dazzling than her Russian colleague is Latvian mezzo Elina Garanc?a, whose crystal-clear voice and charismatic stage presence never fail to enthrall her audiences. Replacing the indisposed Rolando Villazón is his fellow Mexican tenor Ramón Vargas, who began his career in Europe after winning the first prize in the Enrico Caruso Competition in Milan. French baritone Ludovic Tézier is a frequent guest at La Scala, the Opéra Bastille and the Met.
Seagull
Norma
“Marta Torbidoni as Norma: triumphant” (L’Ape Musicale) To mark its 60th anniversary, the Macerata Opera Festival at the Sferisterio is celebrating with Bellini’s Norma in a new production by Milanese director and documentary filmmaker Maria Mauti. In the pit is Bellini specialist Fabrizio Maria Carminati, artistic director of the Teatro Bellini in Catania. Rising soprano Marta Torbidoni in the title role is flanked by an excellent, young cast including Roberta Mantegna (Adalgisa), Antonio Poli (Pollione) and Riccardo Fassi (Oroveso). Torbidoni’s “high notes soar and are always well controlled, her declamato is incisive in its power, and her timbre stands out for its luminosity and softness”. At her side, Mantegna is “always in perfect harmony” as the two sopranos demonstrated “beautiful and complementary voices” (Teatro). The festival orchestra under the masterful baton of Carminati is “magnificent, as was the sound of the festival choir under the direction of Martino Faggiani” (Klassik-begeistert.de).
La Sonnambula
This ‘spirited and witty’ – in the words of Germany’s prestigious daily Frankfurter Allgemeine Zeitung – new production of Vincenzo Bellini’s (1801-1835) ‘La sonnambula’ dazzles with its lovingly detailed and imaginative sets which reproduce a Swiss alpine resort in the 1930s (Bellini himself set the action in a Swiss village). Complete with a majestic mountain panorama, cable car, post-bus and grand salon, not to mention the colorfully dressed resort guests, set designer Massimo Checchetto deploys an enchanting picture book of visual surprises.