Ravel, Handel, Elgar, Stravinsky, a snippet of Puccini’s ‘Turandot,’ a bassclarinet homage to George Gershwin, glissandi, hints of musicals, film music and Gilbert & Sullivan – Unsuk Chin is a master of stylistic parody, but also much more than that: she is clearly at home on every highway and byway of music history. Yet the musical house she constructs with the building blocks of the past and the present is definitely her own house, which she has designed and which self-assuredly proclaims her unmistakable individuality and style. Director Achim Freyer, whose productions have been setting standards for decades, sees Chin’s opera as a collection of ‘dream sequences,’ for which he has created imaginary spaces: with the help of pulleys, acrobats depict the magical characters of Alice’s world and suggest the action through pantomime, and with the help of colorful masks and props.
Ensemble Intercontemporain – Grand Soir Stravinsky
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. The Grand Soir Stravinsky is dedicated to the legendary 20th century composer Igor Stravinsky, featuring his burlesque pocket-size opéra-ballet Renard, written in 1916.
RCO: Mäkelä conducts Strauss and Wagner
The chief conductor has traditionally led the orchestra in the Christmas Matinee – and now its future chief conductor, Klaus Mäkelä, assumes that role, leading the Concertgebouw Orchestra in a programme based on the theme of love. Wagner surprised his wife Cosima with the ‘Siegfried-Idyll’ on Christmas Day, 1870. Marital love also inspired Richard Strauss’s Ein Heldenleben, which he dedicated to the Concertgebouw Orchestra. Unsuk Chin’s subito con forza is a declaration of love for the music of Beethoven. It was with this same work that Klaus Mäkelä opened the programme he conducted on his Concertgebouw Orchestra debut in September 2020, when sparks between maestro and orchestra first flew. PROGRAM Unsuk Chin: subito con forza; Wagner: Siegfried-Idyll; Strauss: Ein Heldenleben
LSO: Simon Rattle & Leonidas Kavakos at Barbican
The 2020s meet the 1920s, as Sir Simon Rattle conducts Sibelius, Bartók, and the world premiere of Unsuk Chin’s new Violin Concerto. A new year, and a brand-new masterpiece from Unsuk Chin, the poetic, dazzlingly original musical mind behind the opera Alice in Wonderland. She’s called it Shards of Silence, and it prepares the way for a musical journey back to the 1920s – when Sibelius and Bartók found equally astonishing, equally uncompromising new ways of listening to the world. This is Chin’s second violin concerto. Her first is already a modern classic, and she hadn’t planned to write another – but when she heard the playing of Leonidas Kavakos, she broke her own rule. Naturally, he’s the soloist for tonight’s world-premiere performance, and since history demands context (even while you’re making it) Sir Simon Rattle completes the programme with Sibelius’ Seventh Symphony and Bartók’s brutal, brilliant Miraculous Mandarin Suite. PROGRAM: Chin: Violin Concerto No 2 (workd premiere); Sibelius: Symphony No 7; Bartók: The Miraculous Mandarin – Suite