Program: Giacomo Puccini: “Mi chiamano Mimì” from La Bohème / Ludwig van Beethoven Piano Trio in D major, Op. 70/1 “Ghost” – Allegro vivace e con brio /
Maurice Ravel: Piano Trio in A minor – Pantoum. Assez vif / Wolfgang Amadeus Mozart: “Rivolgete a lui lo squardo” from Così fan tutte / Dmitri Shostakovich: Romance from The Gadfly / Niccolò Paganini:Caprices Nos. 24 & 5 / Richard Strauss “Morgen” / Antonín Dvorák Slavonic Dance in E minor, Op. 72 No. 2 / Franz Schubert “Erstarrung” from Die Winterreise / Qongqothwane (Traditional)
Together with the Wiener Symphoniker and cellist Gautier Capuçon, Petr Popelka proves to be “a conductor who knows how to unleash storms” (Kurier). First, Capuçon shines with a repertoire favourite – Antonin Dvorák’s cello concerto in B minor. “In the midst of the marvellously accompanying symphony orchestra, he was able to showcase all his skills and, above all, his stunningly full-bodied instrument” (Die Presse). What followed in the second half was equally brilliant with Strauss’ tone poems Don Juan and Till Eulenspiegels lustige Streiche: The Dream Team captivated the audience with their exuberant joy of playing and a cornucopia of sound…enchanting changes of mood and tempo, magical moments of calm, poetry and light-footed mischief: it was all there” (Der Standard). PROGRAM: Dvorak – Concerto for Cello and Orchestra, Op. 104; Strauss – Don Juan, Op. 20; Till Eulenspiegel’s Merry Pranks, Op. 28
In this subscription concert, Franz Welser-Möst and the Wiener Philharmoniker whisk the audience away to the early 20th century and its variety of styles, from preserving tradition to embracing modernity. Starting with Hindemith’s Konzertmusik for wind orchestra, the superb wind section shows what they are made of: “From the very first fanfare sounds of the opening movement you could feel the fun they had” (Die Presse). With the rarely performed Strauss fantasy on Die Frau ohne Schatten, Ravel’s La Valse and Schönberg’s Variations for orchestra, Welser-Möst shows top form at the podium: “It’s impressive how Welser-Möst gives each piece its own aura. How he leads the perfectly studied musicians to snappy steps and artfully stylised dance forms, or how he revels in the splendour of sound in Strauss and Ravel” (Kronenzeitung).
Boys have been singing at Vienna’s “Hofburgkapelle” since 1296. In 1498, the future Emperor Maximilian I moved his court and court music from various residences to Vienna. In doing so, he had laid the foundation for the Wiener Hofmusikkapelle and eventually also for the Wiener Sängerknaben (The Vienna Boys Choir). In this festive jubilee concert at Vienna’s Musikverein celebrating the 525th anniversary of the choir, the Wiener Sängerknaben and all choirs associated to it, the Chorus Primus, the Wiener Chormädchen, the Chorus Juventus and the “alumni” forming the Chorus Viennensis, are singing works that are all especially related to the choir – by Ludwig Senfl and Josquin Desprez, the Strauss dynasty or also by Mozart, Haydn and Bruckner, some of them recorded for the very first time.
The Christmas concert of the Wiener Symphoniker in St. Stephen’s Cathedral is a wonderful way to get in the mood for Christmas. It opens the heart and makes one ready to welcome Christ in every person. For this concert French conductor Fabien Gabel presents timeless oratorio classics by Johann Sebastian Bach and George Frideric Handel, as well as romantic church music by Gioachino Rossini, Giacomo Puccini and Hector Berlioz. The soloists are soprano Elsa Benoît, tenor Stanislas de Barbeyrac, Diana Tishchenko on violin and ARD Music Prize winner Selina Ott on trumpet. In addition, the Wiener Sängerknaben and the Chorus Viennensis created a Christmas atmosphere in the festively decorated cathedral. Programme: Bach: Magnificat, Jauchzet Gott in allen Landen; Handel: Overture to Samson, Thus when the sun, Awake the trumpet lovely sound, Let the Bright Seraphim; Puccini: Preludio sinfonico; Rossini: Domine Deus from Petite messe solenelle; Berlioz: L’Adieu des bergers à la Sainte Famille from L’Enfance du Christ; Massenet: Méditation from Thaïs; Glasunov: Album leaf; Schreker: Valse lente; Strauss: Wiegenlied (Lullaby); Anonymus: Adeste fideles
“A nonchalant Erwin Schrott (baritone), a stormy Marlies Petersen (soprano) and a stunning Selina Ott, who does somersaults with her trumpet. Conclusion: A summer night dance over the rainbow! ” (Niederösterreichische Nachrichten) A splendid start to the open air season, full of pathos and tender whispers: every year the Midsummer Night’s Gala in Grafenegg strikes the most beautiful notes of the opera and concert repertoire. As the sun slowly descends behind the castle, the colourful sound of the Tonkunstler Orchestra ascends from the Wolkenturm, captivating listeners with its commitment and the best soloists from all over the world. In 2022, two important voices will be heard with the German soprano Marlis Peterson, who has gained international attention with her creative power, and the Uruguayan-Spanish bassbaritone Erwin Schrott, who will enchant listeners with his rich tone. These two international stars are joined by the young trumpet virtuoso Selina Ott, who is on the verge of conquering the world’s great concert halls.
“You have to start with the encore. Then you can understand why there were standing ovations and thunderous applause for Juan Diego Flórez, why the words ?great moment of the festival’ were heard among the audience. For the encore Juan Diego Flórez comes on stage with his guitar…a tango, then ?Cielito Lindo’, he lets the audience sing along, ?Ay ay ay ay’. A born entertainer” BR Klassik. Works by Beethoven, Mendelssohn Bartholdy, Strauss, Bellini, Verdi, Lalo, Massenet and Puccini
The Vienna State Opera celebrates its 150th birthday with a glamorous open-air gala, gathering an extraordinary summit of operatic superstars like Bulgarian soprano Sonya Yoncheva, Swedish soprano Nina Stemme, French tenor Roberto Alagna, Uruguayan baritone Erwin Schrott or Italian bass Feruccio Furlanetto to name only a few. Together with soloists of the new generation of the house like sopranos Valentina Nafornita or Olga Bezsmertna – “a triumph for the ensemble” (Die Presse) – they present a firework of famous opera arias, accompanied by the Orchestra and Choir of the Wiener Staatsoper under the rousing baton of Maestro Marco Armiliato, a regular and appreciated guest at the Vienna State Opera. Nestled in the beautiful city centre, the State Opera is one of the most prestigous opera houses in the world with a long and significant history, a Mecca for international opera fans. Praised by critics as “mega event”, about 10,000 spectators came to witness this jubilee concert and celebrate musical passion in a fantastic atmosphere,
a feast for the ears and for the eyes.
Superstar pianist Yuja Wang takes centrestage in the first Proms appearance of the Oslo Philharmonic under its new Chief Conductor Klaus Makëlä. Richard Strauss’s Ein Heldenleben ends the concert in roof-raising style. “Boundless imagination matched to phenomenal technique made something far more fascinating than usual of Liszt’s First Piano Concerto.” (The Arts Desk) / “It was all something of a revelation […] Stunning, all of it.” (The Guardian) PROGRAM: Sibelius: Tapiola; Liszt: Piano Concerto No. 1; Vladimir Horowitz: Variations on a Theme from Bizet’s Carmen; Gluck: Dance of the Blessed Spirits from Orfeo ed Euridice; R. Strauss: Ein Heldenleben; J. Strauss II: Csárdás from Ritter Pásmán.
ROXANNA PANUFNIK Three Paths to Peace / RICHARD STRAUSS Die Frau ohne Schatten – symphonic fantasia / GUSTAV MAHLER Symphony No. 6 in A minor
