Barbara Hannigan – A Late Night Concert

There are pianists who also conduct, and concertmasters who lead their orchestra from the violin chair. But a star soprano who coordinates a large instrumental ensemble while at the same time negotiating the trickiest coloratura singing is something entirely new. That is, until Barbara Hannigan came along to reveal this remarkable skill. “It’s like walking on virgin snow,” says the Canadian “artiste étoile” who teamed up at Lucerne Festival in Summer with the Mahler Chamber Orchestra. Next to conducting works by Fauré, Mozart and Rossini she performed onstage, decked out in a daring S&M-style leather bodice, Ligeti’s “Mysteries of the Macabre.”

Kathleen Battle at the Metropolitan Museum

This recital of Kathleen Battle, taped in the Temple of Dendur at the Met Museum in New York. Kathleen Battle presents a selections of famous songs and arias by Gershwin, Handel, Mozart, Strauss and Obradors as well as some spirituals.

Sehnsucht – Jonas Kaufmann sings German Arias

From the Gasteig in Munich: Germany’s most popular Tenor Jonas Kaufmann presents an evening with the most famous German operatic arias. Amongst them ‘Dies Bildnis ist bezaubernd schön’ from W.A. Mozart’s The Magic Flute, ‘In fernem Land’ from Wagner’s Lohengrin and ‘Winterstürme’ from Walküre, as well as works by Carl Maria von

Weber (‘Freischütz’). With this repertoire Kaufmann goes back to his roots: ‘I grew up with this music. It is embedded in my genes.’

La Casa Dei Suoni – The House of Magical Sounds

This film is both a memoir of the Berliner Philharmoniker director Claudio Abbado´s early years, and a personal introduction to the orchestra. It culminates in a deeply felt introduction to the sections of the orchestra with Abbado leading the Youth Orchestra of a United Europe.

Horowitz: A Reminiscence

After Horowitz’s death Wanda was interviewed for this production. Also included are segments of the 1974 footage including excerpts from Clementi’s Sonata in F-sharp minor and complete performances of Scriabin’s Vers la Flamme, op. 72 and Chopin’s Introduction and Rondo, op. 16) and segments from “The Last Romantic.”

Horowitz: The Last Romantic

After a few years rest and some at-home unofficial rehabilitation Horowitz was ready to begin performing again. Horowitz recorded the material on this production in his own living room. We see a rejuvinated, different Horowitz, somone in much more control than in the 1982 and 1983 recitals. The only thing lacking in Horowitz’s performance from this point on was preparation, Horowitz admittedly did not practice very much and it shows. The film was awarded with two Emmy Awards in the category “Outstanding Classical Program in the Performing Arts”: Peter Gelb (executive producer), Susan Frömke (producer), Vladimir Horowitz (star) and in the category “Outstanding Individual Achievement – Classical Music/Dance Programming Directing”: Albert Maysles, David Maysles. It was nominated for Emmy Award in the category: “Outstanding Sound Mixing for a Variety or Music Series or a Special”: Lee Dichter (sound mixer), Lawrence Loewinger (sound mixer).Programme: J.S. Bach: Nun komm, der Heiden Heiland, BWV 659 – Transcribed for piano Ferruccio Busoni – Mozart: Piano Sonata No.10 in C major, K.330 – Chopin: Mazurka No.13 in A minor Op.17 No.4, Scherzo No.1 in B minor, Op.20 – Schubert: 4 Impromptus, Op.90, D.899: No.4 in A flat – Liszt: 6 Consolations: No. 3 in D flat major (Lento, placido) – Schumann: Noveletten, Op.21: No.1 in F (Markiert und kräftig) – Rachmaninoff: Prélude in G sharp minor, Op.32, No.12 – Scriabin: Etude

Horowitz in Vienna

One of Horowitz’s final performances, recorded at the Golden Hall of the Musikverein, Vienna/Austria in May 1987 including: Mozart, Rondo K.485, Piano Sonata No.13 K.333; Schubert, Impromptu D899-3; Liszt/Schubert, Soirees de Vienne: Valse-Caprice No.6; Schumann, Kinderszenen Op.15; Chopin, Mazurka Op.33, Polonaise Heroique Op.53; Liszt, Consolation No.3; Schubert, Moment musical D780; Moszkowski, Etincelles Op.36-6

Horowitz in Moscow

A recording of Horowitz’s historic recital in Moscow, the program also includes highlights of his return to his native Soviet Union-his first visit in 61 years.On the programme works by Scarlatti, Mozart, Rachmaninoff, Scriabin, Liszt, Chopin, Schumann, Moszowski.

Claudio Abbado and the Lucerne Festival Orchestra – A special feature in celebration of the maestro’s 80th birthday!

On the occasion of Claudio Abbado’s 80th birthday in June 2013, this special feature throws a glance at Abbado’s work with the Lucerne Festival Orchestra. The close connection between the orchestra and its conductor is documented by excerpts from rehearsals and concert recordings as well as personal interviews with the maestro talking about composers, his approach to their works and the collaboration with the orchestra. —– With excerpts from: Wolfgang Amadeus MOZART “Haffner Symphony” and Requiem (featuring René Pape), Anton BRUCKNER Symphony No. 1, Gustav MAHLER Symphony No. 9 and Adagio from Symphony No. 10, Ludwig van BEETHOVEN Incidental Music to Goethe’s Tragedy “Egmont” featuring Juliane Banse and Bruno Ganz.