Continuing its tradition of unearthing little-known 20th-century operas, the Bregenz Festival presented the first staged production of Polish- Russian composer Mieczyslaw Weinberg’s “The Passenger” in 2010. Written in 1967/68, the opera relates the chance meeting of a former concentration camp guard and one of her former inmates on an ocean liner years after the war. Bringing the work to vibrant life are the Wiener Symphoniker under Teodor Currentzis; topping the cast are Michelle Breedt and Elena Kelessidi. The work is well served by David Pountney’s stage direction and Johan Engels’ two-level set, with the ocean liner above and the concentration camp below.
The Idiot
Weinberg’s final opera, based on Dostoevsky’s novel, condenses the plot without losing its psychological depth. Prince Myshkin, mentally ill yet believing in goodness, meets merchant Rogózhin on a train, sparking a tale of dependence, madness, and murder. The opera, rediscovered in the last decade, presents the composer Weinberg as Shostakovich’s equal. The Idiot, composed in 1986-1989, now staged in Salzburg, directed by Krzysztof Warlikowski and conducted by Mirga Gražinyte-Tyla, brings the world of literature to the opera stage. The excellent cast of singers contributes to make the production a great success. Bogdan Volkov “expressive lyrical tenor touches intimately in the piano and yet remains able to cope with all orchestral storms” (BR Klassik) “(…) absolutely deserves a place in the repertoire” (New York Times) An absolute masterpiece” Gidon Kremer; “So good it hurts” (Financial Times) “This Idiot has the whole of Salzburg on the edge of its seat.” (Die Presse)
In exile – Miecyslaw Weinberg at the Bregenz Festival
Salzburg Festival 2024: The Idiot
Weinberg’s final opera, based on Dostoevsky’s novel, condenses the plot without losing its psychological depth. Prince Myshkin, mentally ill yet believing in goodness, meets merchant Rogózhin on a train, sparking a tale of dependence, madness, and murder. The opera, rediscovered in the last decade, presents the composer Weinberg as Shostakovich’s equal. The Idiot, composed in 1986-1989, now staged in Salzburg, directed by Krzysztof Warlikowski and conducted by Mirga Gražinyte-Tyla, brings the world of literature to the opera stage. The excellent cast of singers contributes to make the production a great success. Bogdan Volkov “expressive lyrical tenor touches intimately in the piano and yet remains able to cope with all orchestral storms” (BR Klassik).
BBC Proms 2019: Mirga Gražinyte-Tyla conducts Elgar and Weinberg
The CBSO and Music Director Mirga Gražinyte-Tyla celebrate the centenary of Mieczyslaw Weinberg the man Shostakovich hailed as ‘one of the most outstanding composers’ of his day – with a rare performance of his Symphony No. 3, a work that combines folk melodies and dances with confessional urgency. That intensity is shared by Elgar’s passionate Cello Concerto, performed here by 2016 BBC Young Musician winner Sheku Kanneh-Mason. The concert opens with Dorothy Howell’s radiant tone-poem Lamia (first performed, like Elgar’s concerto, 100 years ago) and also includes The Way to Castle Yonder, a suite from the much-missed Oliver Knussen’s opera Higglety Pigglety Pop! “A performance of surpassing delicacy and refinement” (The Telegraph) PROGRAM Weinberg: Symphony No. 3; Elgar: Cello Concerto; Dorothy Howell: Lamia; Knussen: The Way to Castle Yonde
RCO: Mirga Gražinyte-Tyla conducts Tchaikovsky and Weinberg
Mirga Gražinyte-Tyla conducts two works packed with folk tunes: Tchaikovsky’s First Piano Concerto, with Gabriela Montero, and Weinberg’s Third Symphony. The concert starts with music by Raminta Šerkšnyte. PRGRAM Raminta Šerkšnyte: De Profundis; Tchaikovsky: Piano Concerto No. 1; Weinberg: Symphony No. 3
Nelsons conducts Tchaikovsky and Weinberg
With this concert, Andris Nelsons and the Gewandhausorchester continue their Tchaikovsky cycle. They are joined by star trumpeter Håkan Hardenberger who plays Mieczyslaw Weinberg‘s Trumpet Concerto, which Shostakovich described as a symphony for trumpet and orchestra. PROGRAM Tchaikovsky: Symphony No. 4; Weinberg: Concerto for Trumpet and Orchestra