C Major is proud to present the young and brilliant world famous American violinist Joshua Bell, performing Tchaikovsky’s Violin Concerto in D major at the Nobel Prize Concert 2010, produced by Accentus Music. As part of the official Nobel Week, the world’s most renowned artists are gathering each year to pay tribute to the Nobel Laureates. The concert is a special highlight in the series. On the rostrum: Sakari Oramo the Chief Conductor and Artistic Advisor of the Royal Stockholm Philharmonic Orchestra. The evening starts with Beethoven’s Leonore Ouverture and ends with Sibelius’ Symphony No. 5 in E flat major.
Mariss Jansons conducts Bruckner 9
As part of a fully fledged Bruckner festival, Mariss Jansons is conducting a series of Bruckner symphonies, each paired with a classical solo concerto – great music by great composers. The series gets under way with Beethoven’s Piano Concerto No. 1, composed in 1795. The work is, in actual fact, Beethoven’s second contribution to the genre, in which he pushes the boundaries of the instrument. The featured soloist is Lars Vogt. One hundred years after Beethoven had written his Piano Concerto, Bruckner concluded his monumental symphonic œuvre with the unfinished Ninth Symphony, leaving behind three completed movements and sketches for a finale in 1896, the year in which he died. In his swansong – the starkly dissonant Adagio –, Bruckner explores the very boundaries of tonality. —— Program: Ludwig van Beethoven – Piano Concerto No. 1, Anton Bruckner – Symphony No. 9.
Beethoven: Symphony No. 9 (Kerstmatinee 2006)
The Royal Concertgebouw Orchestra and Mariss Jansons joined by a cast of great soloists and the famous Netherlands Radio Choir (Groot Omroepkoor) performing Beethoven’s 9th Symphony at the main hall of the Concertgebouw in Amsterdam.
RCO: Beethoven 7
On occation of his 80th birthday, legendary conductor Bernard Haitink leads ‘his’ Royal Concertgebouw Orchestra in this great production of Beethoven’s 7th Symphony.
Berlin Philharmonic: New Year’s Eve Concert 1991 – Beethoven Gala
Programme: “Egmont”, “Leonore III”, Chorfantasie.
Bryn Terfel – Celtic Beethoven
In this concert from the Festival Saint Denis, bass-baritone Bryn Terfel joins forces with gaïta-player and flautist Carlos Núñez and the Orchestre National de Bretagne under Grant Llewellyn for a special exploration of Beethoven’s arrangements of Scottish, Irish and Welsh folk songs. The composer made his arrangements of the folk songs for voice and piano trio, dressing them up for 19th-century salon, but here – in new arrangements by Benoît Menut and Pierre Chépélov – they come full circle to be reconnected with their Celtic origins.
RCO: Christmas Matinee with Klaus Mäkelä
Klaus Mäkelä conducts the Concertgebouw Orchestra’s Christmas Matinee. This festive tradition has been a landmark of the Concertgebouw Orchestra’s season for almost fifty years. The Concertgebouw Orchestra’s future chief conductor conducts Beethoven’s magnificent ‘Eroica’ and works by no less than two Mendelssohns, Felix Mendelssohn and Fanny Hensel-Mendelssohn: PROGRAM Beethoven: Symphony No. 3; Felix Mendelssohn: The Hebrides, Infelice, Scherzo from ‘A Midsummer Night’s Dream’; Fanny Hensel-Mendelssohn: Hero und Leander
LSO: Roth conducts Saint-Saens & Beethoven
Every revolution has its roots. The two explosive chords that open Beethoven’s Eroica symphony shook classical music to its foundations. For François-Xavier Roth, though, no artist operates in a vacuum, and tonight he places Beethoven’s era-defining masterpiece alongside the strikingly original music of one of his contemporaries from revolutionary France: François-Joseph Gossec. It’s a fascinating rediscovery – exactly what we’ve come to expect from a conductor as adventurous as Roth. Saint-Saëns’s Second Piano Concerto, on the other hand, needs no introduction: In the hands of the ‘simply formidable’ (The Guardian) Bertrand Chamayou, it’ll fizz like champagne. PROGRAM Gossec: Symphonie à 17 parties; Saint-Saëns: Piano Concerto No 2; Beethoven Symphony No 3 “Eroica”
LSO: Nathalie Stutzmann conducts Brahms & Beethoven
Nathalie Stutzmann dives deep into the dark heart of 19th century music, with storm-swept thrillers by Beethoven, Brahms and Franck. The stars shine most brightly when the night is at its darkest. Brahms stares tragedy in the face in his final symphony: music that wrestles beauty and hope from a lifetime of sorrow. Beethoven finds poetry among the shadows, in his moody Third Piano Concerto. And César Franck gallops through the night in a wild, supernatural sonic thriller. We’re going to hell and back – hold on tight! Nathalie Stutzmann’s concerts with the LSO always bring out the drama and emotion of romantic music, repertoire that she lives and breathes. In her own words, to inspire people, “you have to be the incarnation of the music you have in your heart.” PROGRAM Franck: Le chasseur maudit; Beethoven: Piano Concerto No. 3; Brahms: Symphony No. 4
Karajan conducts Famous Overtures
The collaboration between Karajan and the Berliner Philharmoniker was one of the most productive and influential in the history of music recording. Famous during his life for having re-recorded his emblematic repertoire (Beethoven, Brahms, and Bruckner) as a sort of definitive final artistic testament, the Austrian conductor also dedicated certain programs and recordings to fragments of works, all the while preserving pieces’ integrity and the rigor of his musical direction. This concert from 1985 is an example of his subtle and intelligent approach, combining overtures by Beethoven and Brahms into a single, illuminating program.