The Promise of Music is a full-length feature film about the story of Gustavo Dudamel and the Simón Bolívar Youth Orchestra of Venezuela. The film documents Dudamel preparing his orchestra in Caracas for their upcoming concert at the Beethovenfest in Bonn, 2007. Following different young musicians in their day-to-day lives, the film shows how classical music has the capability of changing both the individual and their environment. A unique and deeply moving look behind the scenes of one of the most talked about phenomena in the musical world of today!
A Quiet Place
In 1986 Bernstein conducted a refined version of his own opera A Quiet Place in Vienna. It contains singable late romantic melodies as well as Broadway musical sounds, syncopated jazz rhythms and well-tempered modernity and, of course, a masterful instrumentation. Estranged family members recall the history of their relationships with each other and with their dead mother. The next morning, after breakfast and games in the garden – the “quiet place” –, they find that their hostility has given way to reconciliation.
John Wilson at the BBC Proms – Tribute to Leonard Bernstein
John Wilson and his orchestra are an annual Proms highlight, bringing the glitz and glamour of old-time stage and screen to the Royal Albert Hall. The performance this year is all about Leonard Bernstein – America’s multitalented conductor, pianist and composer. He reinvented the musical with the anger, energy and feral beauty of West Side Story, his updated take on Romeo and Juliet. A starry cast of soloists including Proms favourite Julian Ovenden and the West End’s Louise Dearman join the John Wilson Orchestra and Maida Vale Singers for a tribute to the composer that includes Bernstein’s biggest hits as well as a selection of rarities. And with vivid colour, foot-tapping energy, and evident enjoyment on the part of conductor, orchestra and chorus America’s multitalented conductor, pianist and composer could not have been better remembered: “An evening of highlight after highlight – John Wilson together with his handpicked forces brought the house down. 5 out of 5 stars!” (Evening Standard)
Bryn Terfel – Bad Boys
Bass-baritone Bryn Terfel is a towering figure in today’s musical world – both physically and artistically. Whether in the opera house or on the recital stage, he blends his powerful, versatile voice with commanding stage presence. Since bass-baritones are usually the “bad boys” in opera, the Welsh singer has put together a program that portrays a gallery of rogues and villains, the “demonic misfits and malcontents of this wonderful music” (Bryn Terfel). The concert features Terfel in a number of demonic roles, including two Satans (one by Gounod and one by Boito), a murderous barber (Sondheim’s Sweeney Todd), a swaggering drug dealer (Gershwin’s Sporting Life) and much more. He is accompanied in this program – recorded at Cardiff’s St. David’s Hall in his native Wales – by the Sinfonia Cymru under Gareth Jones.
Leonard Bernstein: Mass
Monumental, delirious, transgressive – Mass by Leonard Bernstein is doubtlessly one of the most abundant scores in musical history. On the occasion of the composer’s 100th birthday, Bernstein expert Wayne Marshall, the Orchestre de Paris, its Chorus and Children’s Chorus and the Ensemble Aedes take on this “extravagant, exuberant and endlessly inventive creation” (The New York Times). Oscillating between playful experimentation and musical comedy, between brass band and gospel, the Theatre Piece for Singers, Players, and Dancers creates whirlwinds of grandeur in a post-1968 atmosphere. Bernstein mixes jazz, rock and classical music, combines traditional liturgical elements with Broadway style compositions, and brings on stage electric guitars alongside three choirs and 24 soloists. Commissioned by Jacqueline Kennedy, Bernstein’s Mass premiered in September 1971 at the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. Bernstein composed the exceptional score at the time of sexual revolution, of the women’s and the environmental movement and the peak of the Vietnam War. In this very tense political situation, Mass caused fierce controversy, because it contained messages of peace and fraternity which were supposed to indirectly proclaim Bernstein’s rejection of the Vietnam War and his antiestablishment attitude. “Arguably the best thing Bernstein ever wrote!” (The Washington Post)
Lang Lang – New York Rhapsody
Lang Lang‘s „New York Rhapsody“ is a love letter to the city he considers his adoptive home, set to the music that helped make this city so famous and performed at one of New York‘s most iconic venues, Lincoln Center. The one-night-only show embraces a wide range of musical styles and voices capturing New York‘s magic, from Leonard Bernstein, Aaron Copland, and Danny Elfman to Lou Reed, Alicia Keys, and Don Henley, including a rare performance of the original 1924 jazz band arrangement of George Gershwin‘s “Rhapsody in Blue”. Joining Lang Lang are celebrated artists such as Rufus Wainwright, Suzanne Vega, Kurt Elling, Regina Spector, Jerry Douglas, and rising stars including Grammy-nominated singer Andra Day, genre-bending violinist Lindsey Stirling, and Grammy-winning trumpeter Sean Jones, in addition to a 30-piece orchestra with musical direction by David Lai.
Il Volo – Notte Magica “A Tribute To The Three Tenors”
“Notte Magica – A Tribute To The Three Tenors” – on July 7, 1990, a magical night took place in Rome: José Carreras, Plácido Domingo and Luciano Pavarotti sang together for the very first time in one of the most evocative temples of opera, the ancient Baths of Caracalla in Rome giving life to the biggest classical music project of the century, The Three Tenors. Twenty-six years later, worldwide platinum selling artists, Il Volo, pay tribute to the event and to the Three Tenors with a live concert event, “Notte Magica – A Tribute to The Three Tenors”. The concert took place at the Piazza Santa Croce, one of the most beautiful plazas in Florence with the famous Teatro Massimo di Palermo Orchestra. Il Volo performed some of the most famous Neapolitan songs and arias from the Italian and international operatic repertoire all of which were sung by the original Three Tenors. As a special guest, Maestro Plácido Domingo conducted almost half of the program and joined Il Volo singing the classic “Non ti scordar di me”. Although Il Volo were not yet born when The Three Tenors first performed, they grew up listening to them, being fascinated and inspired by their voices and legendary achievements. Now, Il Volo deliver this music to a younger audience so they can experience the same emotions from that long ago magical night.
The Bernstein Centennial Celebration at Tanglewood
The Bernstein Centennial Celebration at Tanglewood spotlights Bernstein’s wide-ranging talents as a composer, his many gifts as a great interpreter and champion of other composers, and his role as an inspirer of a new generation of musicians and music lovers across the country and around the globe. The gala concert features a kaleidoscopic array of artists from the worlds of classical music, film, and Broadway. The entire first half of the program is dedicated to selections from such brilliant Bernstein works as Candide, West Side Story, Mass, and Serenade. Music from the classical canon very dear to Bernstein’s heart-selections from Mahler’s Des Knaben Wunderhorn and music by Copland – plus a new work by John Williams, makes up a good portion of the program’s second half; the finale of Mahler’s Resurrection Symphony No. 2 brings the program to a dramatic close. 141 mins (including Bernstein at Tanglewood film + Video Greetings) /
127 mins (concert version only)
Marin Alsop conducts Bernstein’s Kaddish
The Chicago Symphony Orchestra with Marin Alsop and the Chicago Symphony Chorus are to perform Leonard Bernstein’s ‘Kaddish’ Symphony, where women’s voices are the tether to the highest powers, examining the essential, eternal questions of humanity and faith. PROGRAM Golijov: Rose of the Winds; Bernstein: Symphony No. 3 (Kaddish)
Joshua Bell – West Side Story: Live from Central Park
Violinist Joshua Bell pays tribute to Leonard Bernstein‘s West Side Story in New York City‘s Central Park. Under the baton of conductor William Eddins, the New York Philharmonic accompanies Bell in a new suite based on some of the musical theater‘s most enduring melodies. Broadway‘s Kristin Chenoweth duets with Bell on Bernstein‘s „Lonely Town“ from On the Town.