Anne-Sophie Mutter, Yo-Yo Ma, Daniel Barenboim

The West-Eastern Divan Orchestra celebrates its 20th anniversary by giving a concert at the Berlin Philharmonie with world-renowned artists: Anne-Sophie Mutter and Yo-Yo Ma perform Beethoven’s Triple Concerto together with Maestro Barenboim and the young musicians. Yo-Yo Ma, who played with the West-Eastern Divan Orchestra at their first

concert 20 years ago, and Anne-Sophie Mutter, who made her debut with the orchestra only this year, were named as honorary members of the orchestra on the occasion of this event. “It is fascinating to experience how brilliant, concentrated and at the same time relaxed these three world stars make music together and listen to each other. A masterpiece of harmony“ (RBB24). The second part of the concert features Bruckner’s 9th Symphony, transcendental music which the composer himself dedicated to “the dear God“. The symphony is unfinished not only because Bruckner died during the process of composition, but especially because it seems to perish in nothingness. The musicians of the West-Eastern Divan Orchestra are excellently prepared and play technically and tonal flawlessly. A magic moment.

Fidelio

None other than Oscar-winner Christoph Waltz has been engaged for the stage direction of the new production of Fidelio from the Theater an der Wien. There, at one of the oldest opera houses in Vienna, L.v. Beethoven was what one would call today a composer-in-residence. And he was this in two respects: here he lived for two years in an apartment in the wing of the building. And it was here that he premiered many of his most famous orchestral works, symphonies and his only opera: Fidelio. In his third opera production Waltz brilliantly stages the second version of the opera in the breathtaking set designed by the German-American architectural practice Barkow Leibinger. The abstract staircase landscape in the form of a double helix, symbolizing prison, extends space into the back theatre and is infinitely changeable in the cinematic lighting concept of Hollywood regular Henry Braham. Manfred Honeck at the rostrum of the dynamic Wiener Symphoniker leads a superb and versatile cast of “vocally oustanding“ (Der Standard) singers: Nicole Chevalier bewitches vocally and dramatically on her stage debut as Leonore, Eric Cutler gives Florestan a powerful voice. Christof Fischesser, Gábor Bretz, Mélissa Petit complete the strong ensemble. But the production, which was sold out months before, never saw its stage premiere, as the Theater an der Wien sadly had to shut down due to the Covid 19 pandemic a few days before. Thanks to an incredible effort by all participants, the opera house was converted into a film studio at short notice so that Christoph Waltz’s “convincing production” (Die Zeit) of Beethoven‘s flaming musical plea for freedom and humanity could be preserved for posterity. “An ingenious, enigmatic direction” (Münchner Merkur)

Bernard Haitink – Farewell Concert at Salzburg Festival

“No more Bruckner under Haitink, that’s a cut in the history of interpretation” Wiener Zeitung. To end his active conducting career after 65 years, maestro Bernard Haitink together with the Wiener Philharmoniker gives a farewell concert at the Großes Festspielhaus at Salzburg Festival, leaving no doubt of being one of the best Bruckner interpreters ever. The Dutch conductor, who was appointed honorary member of the Wiener Philharmoniker shortly before the concert, is joined by star pianist Emanuel Ax in Beethoven’s Piano Concerto No. 4: a musical interaction “of a depth of sentiment and an agreement in making music together that sounds wonderfully natural” (Salzburger Nachrichten). The concert ends with Bruckner’s monumental Symphony No. 7 with its famous second movement, which marked the composer’s breakthrough and remains one of his most popular symphonies. The Wiener Philharmoniker play under Haitink’s masterful baton completely focused, but dynamic and with deepest sensation. The atmosphere of this last performance is without doubt exceptional and a visibly emotional Haitink was celebrated by the audience with long standing ovations. “You shouldn’t throw terms like ‘magic moments’ around easily. But what could be heard in Salzburg was certainly one” (Klassikinfo.de)

Anne-Sophie Mutter, Herbert von Karajan, Berliner Philharmoniker

For the first time available on Blu-ray is this extraordinary artistic collaboration of three super stars: Herbert von Karajan, Anne-Sophie Mutter and the Berlin Philharmonic perform three popular violin concertos, filmed in 1984 and 1987 at the legendary Philharmonie Berlin. The very famous Beethoven Violin Concerto, the cardinal work in the violin repertoire, was filmed with 21-year old Anne-Sophie Mutter in 1984. In 1987 Karajan, together with Anne-Sophie Mutter and the Berlin Philharmonic, inaugurated the Chamber Music Hall at Berlin Philharmonie with this festive performance of Vivaldi’s The Four Seasons. And New Year´s Eve concert in 1984 celebrated the 300th birthday of Johann Sebastian Bach. These concerts show that Karajan, throughout his career, championed the use of visual media and new audio technology to enhance musical expression.

Beethoven Project – A Ballet by John Neumeier

Beethoven Project is John Neumeier’s choreographic tribute to Ludwig van Beethoven, blending elements of Narrative and Symphonic Ballet. Based on the “Eroica Variations”, piano and chamber music, the “Prometheus” Ballet and the “Eroica” Symphony, John Neumeier describes his idea of the Beethoven Project: “My ballet is an attempt to give physical shape to the form and emotion of Beethoven’s music. The music continues to offer me the most direct biographical material. My choreography, however, does not illustrate historical facts. What interests me, are the contradictory aspects of our image of Beethoven in relation to the music itself. As a choreographer, I look for the emotional essence of characters and situations, communicated by movements alone.”

The Unesco Beethoven Symphony No.9 for Peace

In 2018, marking the exact 100th anniversary of the Armistice ending World War 1, the all-star World Orchestra for Peace gave two UNESCO designated performances of Beethoven’s 9th Symphony. Symbolically one in each of the UK and Germany – for the BBC Proms in London and for the Würth Music Foundation in Künzelsau. Founded in 1995 by Sir Georg Solti to reaffirm, in his words, “the unique strength of music as an ambassador for peace”, leading players from the world’s finest orchestras gave this performance at ‘the 11th hour of the 11th day of the 11th month’, 100 years after the guns fell silent in 1918. The performance is preceded by moving words of welcome and introduction from Prof. Würth and Lady Solti, both highlighting the need for brotherhood and joy amongst all nations, as reflected in the words of Schiller’s Ode in the choral finale.

Festive Concert at Grafenegg Festival 2016

Freedom, fraternity and humanity – this is what Beethoven’s 9th Symphony stands for. It opens the 10th Grafenegg Festival, performed by the Tonkunstler Orchestra, joined by 24 alumni of the European Union Youth Orchestra (EUYO) and “a soloist quartet which no one could possibly imagine to be more prestigious” (Die Presse). “Vogt’s tenor and the Wiener Singverein were especially moving” (Wiener Zeitung) and “the vocal performance by excellent bass René Pape, the fabulous soprano Camilla Nylund and the brilliant mezzosoprano Elena Zhidkova … in Beethoven’s Ninth was just sensational. Bravo!” (Kurier). Composer in Residence Christian Jost’s new work also centres around Beethoven, featuring the song “An die Hoffnung” (“To Hope”), and “convincingly used an impressive orchestra” (Der Standard), with “tenor Klaus Florian Vogt as a well-cast soloist” (Salzburger Nachrichten).

Thielemann and Znajder in Prague

One of the world’s oldest orchestras, the Sächsische Staatskapelle Dresden, and their distinguished Chief Conductor Christian Thielemann are joined by star-violinist Nikolaj Znaider in a concert at the Czech capital’s legendary Rudolfinum concert hall. “The first thing one became aware of in Beethoven’s Violin Concerto was the rhythmic heat of Thielemann’s conducting. The second was the sheer sumptuousness of the Dresden orchestra’s sound” (The Telegraph), while Znaider proved to be an “impeccable soloist”. In the Reger, Thielemann offered a “wonderfully buoyant, lucid performance”. As for the Strauss: “The Dresden Staatskapelle is the Strauss orchestra par excellence and it still plays that music with a unique understanding” (The Guardian).

Beethoven – The 5 Cello Sonatas

Performing Beethoven’s entire work for cello and piano in a single concert is a special experience: It is a journey through a lifetime, a journey into the depths of the German composer’s soul. The sonatas represent all three of Beethoven’s major creative periods. Cellist Gary Hoffman, Master in Residence at the Queen Elisabeth Music Chapel, Waterloo, together with pianist David Selig dedicate an evening to the complete sonatas for cello and piano by Ludwig van Beethoven. The audience discovers the composer’s development in his desire to master the writing for the cello, but also, more generally, the evolution of his musical aesthetics. Beethoven’s cello sonatas have more strength, intensity and variety of expression than any previously written sonatas. He has succeeded in elevating instrumental music to the highest level of art, which the two artists of this special evening impressively demonstrate.

The Beethoven Marathon

It was the sensation in the run-up to the Beethoven Year 2020: The complete Beethoven Symphony Cycle with the Danish Chamber Orchestra and its chief conductor Ádám Fischer. Renowned awards followed quickly: The CD set was named International Classical Music Award’s Recording of the Year 2020 and won the Opus Klassik as the best Symphonic recording / music 19th century. With their witty and volatile performances, Fischer and the DCO amaze the audience and set new standards for the critics – and are now available, recorded in Jean Nouvel’s stunning Koncerthuset in Copenhagen.