In many ways, Haydn and Bruckner are polar opposites. Haydn was a natural talent, while Bruckner was a late bloomer; Haydn was a self-assured professional who wrote music for weddings and parties just as easily as he did for great noblemen, while Bruckner plodded along laboriously, often plagued by feelings of insecurity. Both produced outstanding music, however, as evidenced by Haydn’s energetic, sunny Cello Concerto, performed here by the leading Norwegian cellist Truls Mørk, and by Bruckner’s most well-balanced symphony, the ‘Romantic’. —— Program: Joseph HAYDN – Cello Concerto, Anton BRUCKNER – Symphony No.4 (‘Romantic’)
Lucerne Festival 2017: Rattle conducts Haydn’s Schöpfung
It was a farewell and the end of an era: Sir Simon Rattle was in Lucerne as principal conductor of the Berliner Philharmoniker one final time this summer. Together, they evoked the original state of the world with a performance of Haydn’s Schöpfung. It was a finale that touched upon life through music – thereby proving once again the distinctiveness and the outstanding standard of the artistic cosmos of Rattle and his orchestra. Earlier in the program, they played “ein kleines symphonisches Gedicht” by Georg Friedrich Haas, who was “composer-in-residence” of the Lucerne Festival in 2011. “Rattle highlights the story of the creation with a great sense of detail” NZZ
Giovanni Antonini conducts Haydn’s Daytime Symphonies
More than 250 years after their premiere, conductor Giovanni Antonini and his ensemble Il Giardino Armonico are bringing Joseph Haydn’s three symphonies based on the times of day back to their place of origin, the magnificent Haydn Hall at Esterházy Palace in Austria. A musical journey through the day, in which the location, the work, and the musicians form a magical connection. Historical and very contemporary.
“The Morning.” “The Noon.” “The Evening.” Not just three times of day, but also three symphonies composed by Joseph Haydn, with which he probably celebrated his debut at the magnificent court of Prince Esterházy in 1761. More than 250 years later, Il Giardino Armonico, conducted by Giovanni Antonini, once again perform the cycle in the historic setting of its premiere: in the magnificent Haydn Hall of Esterházy Palace in Eisenstadt in Burgenland, Austria. Long Version includes additionally Haydn: Arianna a Naxos with Kate Lindsey