Svadebka (Les Noces)

In his composition Les Noces (Svadebka), Stravinsky pictures the ceremony of a traditional Russian country wedding. The music, with its fast pace and intricate rhythmic structures, presents the composer’s greatest choreographic challenge and Jiri Kylián finds the theme an intriguing one: “Marriage is very strange, but also beautiful. In Russia, especially, it used to be rather mysterious as well, above all for the bride.” This performance was recorded in studio.

Symphony of Psalms

Jiri Kylián’s ballet, set to Igor Stravinsky’s Symphony of Psalms, captures the archaic power of the music. The restrained gestures of a group of dancers contrast with the forceful and passionate movements of individuals and pairs who are set apart from them. The setting, designed by William Katz, enhances the suggestion of a ritual dance. This performance was recorded in studio.

RCO: Gatti conducts a French Night

Daniele Gatti is conducting three works all connected by the theme of nature and embodying the great musical changes taking place around 1900: Claude Debussy’s Prélude à l’après-midi d’un faune and La mer and Igor Stravinsky’s Le sacre du printemps. In 1914, Debussy himself led the Concertgebouw Orchestra in his Prélude à l’après-midi d’un faune and was met at the stage door by an applauding crowd after the performance. Stravinsky made his first guest appearance with the orchestra in 1924, after which he returned regularly. He conducted his Sacre twice in a single day in 1926 to long and loud ovations – a striking contrast to the premiere which caused a scandal. Under the baton of Maestro Gatti, the orchestra is performing these three groundbreaking classics on the same programme for the very first time. “What a mesmerizing playing level! The RCO was again incredibly good, with a level of detail and refinement that no other conductor achieves.” (Het Paarol)

Gatti conducts Shostakovich, Tschaikovsky & Stravinsky

This remarkable concert led by designated Chief Conductor Daniele Gatti marks the return of master cellist Yo-Yo Ma’s (after twenty years) to the Concertgebouw Orchestra. In this season opening night they perform Shostakovich’s intense First Cello Concerto, which bears witness to the strained relationship between the composer and the Soviet authorities. Maestro Gatti juxtaposes the concerto with two successful works from the great Russian dance tradition: The three-part suite from Tchaikovsky’s ballet “The Nutcracker” being enormously popular, partly as a result of the Disney film “Fantasia” and Stravinsky’s “Firebird”, which, with his phenomenal orchestration, is evoking an exotic and often brooding atmosphere. “After twenty years, this is a unique opportunity to work together with the wonderful RCO again – very special indeed!” (Yo-Yo Ma)

MSO: Perséphone & The Rite of Spring

The MSO reveals the power of spring with Stravinsky’s Le Sacre du printemps and Perséphone: one wild, rebellious and revolutionary, the other a lyrical, little-known masterpiece. In his final year at the helm, parting Chief Conductor Sir Andrew Davis conducts this extraordinary Stravinsky double bill, in which Perséphone is performed for the first time in Australia since more than 50 years. Tenor Paul Groves, as Priest Eumophalus, is accompanied on stage by another 180 voices: the MSO Choir, the Australian Girls Choir and the National Boys Choir. The mezzo-soprano Lotte Betts-Dean is a convincing narrator.

Jurowski conducts Stravinsky

This production illustrates Stravinsky’s opulent diversity of forms. Three of the works performed are longer, have larger casts – and yet could not be more different: With “The Flood”, “Renard” and “Les Noces”, Stravinsky presents himself as the chameleon he is often apostrophised as. The RSB (Rundfunk-Sinfonieorchester Berlin) under its principal conductor Vladimir Jurowski welcomes seven soloists and the RIAS Kammerchor Berlin. The renowned German actor Stefan Kaminski hosts the evening. PROGRAM: “The Flood”; “Fanfare for a new theatre”, “Tilim Bom“, “Renard” Burleske in one act; Lullaby from “The Rake’s Progress”, “Four cat songs“; “Musick To Heare“ from Three Songs by William Shakespeare, “The Owl and the Pussy-cat”, “Les Noces“, 1919 version

Daniele Gatti conducts Stravinsky & Shostakovich

Featuring two contrasting pieces that could not be more different, Daniele Gatti leads the Wiener Philharmoniker in one of their exclusive subscription concerts. Stravinsky’s rarely performed ballet suite Apollon Musagète starts off the concert, in which Gatti “carefully and objectively brings out Stravinsky’s neoclassical style as in a copperplate engraving” (Kurier). After, the Wiener Philharmoniker take on the masterpiece that is Shostakovich’s Symphony No. 10 in E minor, “bringing the dystopian crescendos of the first movement to bear just as grippingly as the steamhammer scherzo and the happy ending. The wind solos are inspired across the board, from the clarinet lament to a warm Mahler horn to the final bassoon jubilation: cheers at the Musikverein” (Der Standard). PROGRAM: Stravinsky – Apollon Musagète, ballet suite; Shostakovich – Symphonie Nr. 10, Op. 93

Salzburg Festival 2025: L’Histoire du Soldat

“A stroke of genius” (FAZ): The Salzburg Festival has pulled off a sensational coup with The Soldier’s Tale at the Salzburg Marionette Theatre, founded in 1913 and a World Heritage Site. World-renowned painter and sculptor Georg Baselitz designed the puppets for Stravinsky’s fairy tale about a poor soldier who makes a pact with the devil. Dominique Horwitz as narrator, the magnificent chamber ensemble led by violin luminary Isabelle Faust, and the expressiveness of the marionettes make this a “musical and theatrical masterpiece” (Süddeutsche Zeitung).

BBC Proms 2017: Mirga Gražinyte-Tyla conducts Beethoven, Stravinsky, Barry

Rising star conductor Mirga Gražinyte-Tyla returns with the City of Birmingham Symphony Orchestra to the Royal Albert Hall, setting Beethoven’s Fifth Symphony against a world premiere by Gerald Barry. Leila Josefowicz excels as the soloist in Stravinsky’s Violin Concerto. Mirga Gražinyte-Tyla is the youngest female conductor to take over one of the world’s leading orchestras: Together with the CBSO, the Music Director from Lithuania – “on the podium a combination of flamboyance and steely poise” (Financial Times) – explores the theme of political and artistic freedom in their concert: Beethoven’s Overture “Leonore” No. 3 celebrates the triumph of truth over tyranny in music of radiant beauty while his Fifth rewrites the rules for the Classical symphony. Allan Clayton’s rendition of Canada, composed by Gerald Barry, completes the programme. “Irresistible!” (The Guardian) PROGRAM Beethoven: Overture ‘Leonore’ No. 3, Symphony No. 5; Stravinsky: Violin Concerto; Barry: Canada