“During creation, every new ballet seems a possible film. When developing the idea of filming “A Midsummer Night’s Dream“, I insisted on planning a true ballet film which, for me, is completely different than a documentary. I intended to put the audience into the ballet, to bring it closer. Within the three days of recording, we did not schedule a single complete run-through of the work. Instead, we recorded the film in sequences and with exciting camera positions which can be compared to the way one would film a drama. What we really love when watching films, is the immediacy, the vibrancy of the moment. The camera being so close, means that we don’t want the dancers representing something, we don’t want them presenting something, we want them simply being – “now”. We want that spark of truth that springs towards us and that touches us.” John Neumeier In 1977 John Neumeier created one of his most popular ballets for the Hamburg Ballet: A Midsummer Night’s Dream based on William Shakespeare. This production has been invited regularly for guest performances in Europe, Asia, North and South America. The Hamburg Ballet’s archives document more than 300 performances. In addition, the ballet has been produced by prestigious companies such as the Paris Opera Ballet and the Ballet of the Bolshoi.
Le Grand Macabre
Ligeti’s absurd-tragicomical masterpiece of the highest order ‘Le Grand Macabre’ blends popular theatre, comic, pop art, cabaret, apocalypse and caricature with a fascinating imaginativeness. The production by ‘La Fura dels Baus’ under the direction of Àlex Ollé already thrilled press and public alike in Brussels, London and Rome, and is considered as ‘one of the best staging’s’ (La Vanguardia) of the world-famous Catalan theatre group.
Introduction to Contemporary Music – A series by Michel Fano and Dominique Jameux with Pierre Boulez
The Belcea Quartet performs Haydn, Ligeti & Dvorák
The Belcea Quartet, one of the world’s leading chamber music ensembles, lights up the Pierre Boulez Saal in Berlin with their exciting programme consisting of three string quartets from three different centuries. The hall with its perfect acoustics specifically caters to the needs of performers of chamber music and provides an intimate setting for the multinational quartet, here beautifully captured on film. Haydn’s 18th century masterpiece is followed by Ligeti’s String Quartet No. 1 and an atmospheric rendition of Dvorák’s so-called “American Quartet”. The musicians’ journey through the history of string quartets is rounded off by the encore “O Albion”, the sixth movement of contemporary English composer Thomas Adès’s String Quartet Op. 12 “Arcadiana”. “The Belcea Quartet searches and finds the essence of this music” (Der Tagesspiegel).