Golden Times – Thomas Hampson & The Philharmonics
“Golden Times” in Vienna: “When Hampson and the fabulous Philharmonics make music together, it’s a joy to behold” (Kurier). “Absolute virtuosity. Consummate vocalism” (Kronen Zeitung). “Breathtaking. The audience went wild” (Österreich). Star baritone Thomas Hampson is partnered by a “sensational ensemble” (Kronen Zeitung) – four virtuosos from the Vienna Philharmonic, one from the Berlin Philharmonic plus two gifted brothers – in brilliantly arranged favourites from Viennese operetta, Broadway and Hollywood musicals and much more – a deliciously entertaining evening at the Vienna Konzerthaus.
Bregenz Festival 2017: Carmen
Georges Bizet‘s captivating music with its Spanish sounds took the world by storm: Carmen‘s Habanera and Seguidilla, like Escamillo‘s Toreador‘s Song, are known to one and all. The French composer‘s most successful opera is staged on the world’s largest, spectacular floating stage of Lake Constance in Bregenz, with a set designed by British artist Es Devlin. She has designed sets for pop stars like Adele, U2, Take That, the Pet Shop Boys and Kanye West. In collaboration with the stage director Kasper Holten, Director of Opera at the Royal Opera House in London, she has also worked at opera houses in Helsinki and Copenhagen, at the Theater an der Wien and the Royal Opera House Covent Garden. For the Danish stage director, this “opera about destiny and obsession” centres on “two people who are treated as outsiders, whose paths cross and who cling to each other in a passionate but unhealthy relationship”.
Paris Concert March 2007 – Anna Netrebko and Rolando Villazón
The tension is palpable at Paris’ Théâtre des Champs-Elysées this 28th of March 2007. Anna Netrebko is not only making her debut in France, but she is making it with Rolando Villazón. The ‘dream couple’ of the opera world is about to bring its incomparable charm and magnetism to France’s ‘mélomanes.’ And the result is nothing less than phenomenal: ‘An unforgettable evening, rich in emotions, which many spectators will look back on with nostalgia one day and say: ‘I was there!’. No matter where they appear, Netrebko and Villazón inevitably work their magic on the audience, whether it consists of hundreds or, when broadcast on TV, of millions. For their Paris concert, the duo chose a broad selection of chiefly late-romantic works – the style for which their voices seem to be tailor-made..
Carmen
The ancient Roman Théâtre antique d’Orange is offering its breath-taking ambience to George Bizet’s world-renowned love drama, Carmen. The principle roles are portrayed by the spectacular Kate Aldrich in her signature roll as the seductive temptress Carmen, and star tenor Jonas Kaufmann as the troubled and jealous army officer, Don José. “Aldrich makes Carmen a magic presence by sheer vivacity of personality”, writes Opera Today on her exceptional festival debut. The rest of the cast, too, are nothing less than outstanding – most notably Inva Mula as Micaëla and Kyle Ketelsen as Escamillo, whose wit and playfulness delight his audience. In the pit are the Orchestre Philharmonique de Radio France, and their new principal conductor, Mikko Franck. The directing of Louis Désiré, who also designed the set and costumes, fits ideally into this picturesque setting and paints a naturalistic image of society in keeping with Bizet’s intentions.
Arena di Verona Festival 2022: Carmen
After many worldwide successes as Carmen, Elina Garanca now makes her long-awaited debut on the world’s largest opera stage, the nearly 2,000-year-old Arena di Verona. “With perfect diction, [Elina Garanca’s] bohemian is a true stage beast who makes a mockery of life with panache, taunting her lover just out of prison with sarcastic ‘taratata’ and then daring to face an adverse fate with implausible aplomb.” (Crescendo-Magazine.be). Italian film and stage director Franco Zeffirelli also made his debut at the Arena back then with Carmen. On the occasion of his 100th birthday, his three versions were put together for the first time in a “best of” version. The side set painted for the first edition and the large number of people and wide movements that characterized the original production are set back on stage. Highlights of the 2003 and 2009 stagings are skillfully combined with this. The 2022 production is hence something never seen before, which even proposes scenography’s elements that haven’t been realized in the previous stagings, but were originally planned by Zeffirelli.
CARMEN.maquia and Club Havana
Ballet Hispánico, a “strong ambassador of not just Latino culture but of dance itself” (Broadway World), brings its bold and eclectic brand of contemporary dance to the screen with two audience favorites: CARMEN.maquia, an electrifying modern take on Bizet’s passionate opera choreographed by Spaniard Gustavo Ramírez Sansano, and Cuban-born Pedro Ruiz’s Club Havana, a virtuosic re-imagining of a sizzling nightclub filled with the exhilarating rhythms and colors of Havana’s golden era.