The Festive Advent Concert has become a much loved tradition in Dresden and one of German TV’s biggest classical music success stories. In 2018, conductor Lorenzo Viotti, the Staatskapelle Dresden and the Staatsopernchor join forces with soprano Hanna-Elisabeth Müller and violinist Daniel Hope to present a programme ranging from Mozart’s Violin Concerto in G Major to excerpts from Rossini’s “Petite messe solennelle” and sacral works by Mendelssohn and Reger.
Lorin Maazel and Alice Sara Ott: Fauré, Ravel, Stravinsky
Music of the late 19th and early 20th centuries is on the program of this concert given by the Münchner Philharmoniker under its principal conductor Lorin Maazel and with pianist Alice Sara Ott. The young German-Japanese soloist dazzles in the main work of the program, Maurice RAVEL’s Piano Concerto in G major, a sparkling work in the spirit of Mozart and Saint-Saëns. Also on the program is Gabriel FAURÉ’s “Pelléas et Mélisande”, a poetic orchestral suite. Closing the concert is Igor STRAVINSKY’s exuberant “Pétrouchka” for solo piano and orchestra, and, as an encore, RAVEL’s vibrant “La Valse”. —– Program: Gabriel FAURÈ: Pelléas et Mélisande, Op. 80; Maurice RAVEL: Piano Concerto in G major; Igor STRAVINSKY: Petrushka – Burlesque in four scenes (Original Version of 1911), Maurice RAVEL,La Valse
The Vienna Christmas Concert from the Stephansdom
The festive concert from St Stephen’s Cathedral in Vienna spreads pre-Christmas mood with four well-known vocal soloists, the Vienna Boys’ Choir and the Vienna Symphony
Orchestra. The program under the musical direction of David Afkham includes sacred and solemn music from all over Europe, from J.S. Bach’s Christmas Oratorio and Charles Gounod’s “Sanctus” to the grand finale with Engelbert Humperdinck’s Evening Blessing from “Hänsel und Gretel”. At the end of the concert, the Christmas carol “Adeste fideles” is sung together.
Barbara Hannigan – A Late Night Concert
There are pianists who also conduct, and concertmasters who lead their orchestra from the violin chair. But a star soprano who coordinates a large instrumental ensemble while at the same time negotiating the trickiest coloratura singing is something entirely new. That is, until Barbara Hannigan came along to reveal this remarkable skill. “It’s like walking on virgin snow,” says the Canadian “artiste étoile” who teamed up at Lucerne Festival in Summer with the Mahler Chamber Orchestra. Next to conducting works by Fauré, Mozart and Rossini she performed onstage, decked out in a daring S&M-style leather bodice, Ligeti’s “Mysteries of the Macabre.”
Lang Lang in Paris
“Hats off, gentlemen, a genius!” Schumann’s famous words heralding Frédéric Chopin have gone down in history, and the two composers jointly launched a revolution in piano music in the early Romantic era. And works by both men are at the centre of Lang Lang’s recital from the Philharmonie de Paris: Schumann’s fantastical Kreisleriana, and mazurkas and a polonaise by Chopin, in which he distilled the spirit of Poland into music at once haunting, deeply moving and – in the case of the Polonaise – thrillingly rousing. Opening with the original piano version of Fauré’s beautiful Pavane, this programme promises to be a superb showcase of Lang Lang’s passion, virtuosity and sensitivity. PROGRAM Fauré: Pavane; Schumann: Kreisleriana; Chopin: Mazurkas; Polonaise in F-sharp minor