„Nijinsky“ is the title of this „choreographic approach“ to a dance phenomenon that has been part of Neumeier‘s life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more aweinspiring and sensational quality. All three aspects – the dancer, the choreographer and the person Nijinsky – form the starting point for John Neumeier‘s latest creation. Neumeier, who as early as 1979 presented a short ballet „Vaslav“, is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: „In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made…“ and sensational quality.
Horowitz in Moscow
In 1986, the legendary pianist Vladimir Horowitz, who left his homeland 61 years ago, announced that he would return to the Soviet Union for the first time since 1925 to give recitals in Moscow and Leningrad. This sensational historic recital from Moscow includes works by Sergei Rachmaninoff and Alexander Scriabin, whom Horowitz knew both, Domenico Scarlatti, W.A. Mozart, Franz Liszt, Frédéric Chopin, Robert Schumann and Moritz Moszkowski. The disc too contains additional documentary footage with Horowitz. “Horowitz, playing with a clarity and dynamic range that friends said he had not matched in many years“ (New York Times) made an outstanding performance of musical, as well as political, significance.
Nijinsky – A Ballet by John Neumeier
„Nijinsky“ is the title of this „choreographic approach“ to a dance phenomenon that has been part of Neumeier‘s life ever since the beginning of his career. During his approximately ten years as a dancer, Vaslav Nijinsky set a new standard both technically and expressively, while in his choreographic work he pointed the way towards modern dance. His personal fate and mental illness that forced him to spend the last 30 years of his life in various asylums and in the keeping of his wife gave his short artistic career an even more aweinspiring and sensational quality. All three aspects – the dancer, the choreographer and the person Nijinsky – form the starting point for John Neumeier‘s latest creation. Neumeier, who as early as 1979 presented a short ballet „Vaslav“, is regarded as one of the leading Nijinsky experts worldwide. Nevertheless, it was not without reluctance that he took up the task of honouring through dance a dance legend: „In creating a work about a historical person, what aspect should we concentrate on? Who was he truly: The man? The artist? Which witness, what information can we trust, which theories should one follow? What point of view can we take towards the complex puzzle Nijinsky? An instinctive choice must be made…“ and sensational quality.
At home with Martha Argerich
In Geneva, the city where she spent most of her life, Martha Argerich invites her lifelong music partner, the cellist Mischa Maisky, to play chamber music works by Beethoven, Schumann, Brahms and Chopin. Between each piece, the pianist opens up to her daughter Annie Dutoit, in an intimate conversation that reveals personal insights as well as musical ones
Murray Perahia – Live in Warsaw
The Warsaw recital of legendary pianist Murray Perahia, recorded on February 24th 2010. Available in three versions: Version 1: Johann Sebastian Bach: Partita No. 6 in E minor, BWV 830; Ludwig van Beethoven: Piano Sonata No. 30 in E major, Op. 109; Frédéric Chopin: Étude Op. 10, No. 4 (Length: 56 min) // Version 2: Johann Sebastian Bach: Partita No. 6 in E minor, BWV 830; Frédéric Chopin: Ballade No. 3 in A-flat major, Op. 47 / Étude Op. 25, No. 5 / Étude Op. 25, No. 1 / Étude Op. 10, No. 4 / Mazurka Op. 50, No. 3 / Mazurka Op. 59, No. 3 (Length: 56’) // Version 3: Bach, Beethoven, Chopin (Length: 76’)