“An insane program … A fascinating and crazy border crossing, never in danger of falling. And the audience is cheering” Die Welt. PROGRAM Ligeti: Concerto for Violin and Orchestra, Ligatura-Message to Frances-Marie (The Answered Unanswered Question), Op. 31b, “Ruhelos” from Kafka-Fragmente, Op. 24; Nörmiger: Toden Tanz from Tabulaturbuch auff dem Instrumente; Anonym: Byzantine Chant on Psalm 140; Schubert: String Quartet No. 14, D. 810 “Der Tod und das Mädchen”; Dowland: Pavane “Lachrimæ Antiquæ Novæ” for String Quintet from Lachrimæ, or Seaven Teares
Salzburg Festival 2020: Sonya Yoncheva sings baroque arias
Contemplative, dramatic, spirited, lively – and all these facets united by absolute beauty and perfection: This describes the Baroque Evening in Salzburg’s Haus für Mozart. Sonya Yoncheva dedicated her recital to 17th- and 18th-Century music, together with Argentinian conductor Leonardo García Alarcón and his Cappella Mediterranea, all renowned specialists in baroque music. Vocal and instrumental music by Monteverdi, Purcell, Cavalli, Dowland and many others enchants the public – and a surprise, when Sonya Yoncheva proves with an encore how much Folk & Pop and Baroque music have in common… “Bulgarian Sonya Yoncheva currently has one of the most sensual soprano voices in the world of opera. Yoncheva stirs and soothes, with delicately sparkling melodic jewels of Stradella, Monteverdi, Cavalli and Caldara, but also with Spanish, Gibbons, Dowland and Purcell” Die Welt
The Book of Madrigals
In their new Book of Madrigals, the a capella ensemble amarcord presents outstanding compositions from the European Renaissance by Dowland, Banchieri, Monteverdi, Palestrina, Josquin and Willaert. Along with Michael Metzler (percussion), Hille Perl (viol) and the American lutenist Lee Santana, the ensemble met in the fall of 2013 in the Venetia region of northern Italy. In the unique setting of the Villa Caldogno, built by the Italian Renaissance architect Andrea Palladio, the madrigals were recorded under studio conditions with several cameras. The program is available in three different formats: 78 or 44 minutes with interviews about the Renaissance period, the repertoire and the location. 58 minutes without interviews (music only).