Heinrich Schiff is one of today’s top ranking cellists. In an interview recorded at his home in Austria, he talks about his musicianship, his celebrated career as a performer, to his move towards conducting in becoming the director of England’s Northern Sinfonia, with whom he is seen rehearsing Beethoven and Bartók. Performance extracts include Schiff playing Bach sonatas and Shostakovich’s Cello Concerto No. 2 in G Op. 126.
Andris Nelsons at the Lucerne Festival
Dmitri Shostakovich’s Eighth Symphony, which was written in the pivotal months after the Battle of Stalingrad, follows the principle of triumph through adversity – ‘per aspera ad astra’ – not just musically, but also conceptually: Everything that is dark and shameful will perish; everything that is beautiful will triumph.’ This ‘triumph,’ though, is restrained. The Eighth is a large-scale work that ends in something like a pastoral mood, played pianissimo; poses of jubilation were not in Shostakovich’s nature. The concert opens with the delightful, lively Overture to ‘Rienzi.’ And the ‘Dance of the Seven Veils’ from ‘Salome’ shows the fin-de-siècle’s enigmatic penchant for decadence.
Pierre-Dominique Ponnelle about Shostakovich’s Symphony No.8
Pierre-Dominique Ponnelle was born in Munich and studied there as well as in Weimar with Otmar Suitner and in Berlin and Salzburg with Herbert von Karajan. From the start of his career, he has been active in the fields of symphony and opera alike, conducting at the theaters in Kassel, Marseille, Bratislava, Zurich and elsewhere. The spectrum of his symphonic repertoire ranges from the classical period to contemporary music. He has guest conducted numerous orchestras, including the Radio Symphony Orchestras of Baden-Baden, Frankfurt, Stuttgart, Leipzig, Luxembourg…, the State Orchestras of Armenia, Greece, Slovenia, Lithuania, Ukraine…, the Philharmonic Orchestras of Strasbourg, Zagreb, Monte Carlo, Dresden, Munich and St. Petersburg. In addition, he has appeared at the Festival dei due Mondi in Spoleto and Charleston, as well as at other festivals. From 1992 to 1996 he was associated with the Minsk State Philharmonic Orchestra, first as Principal Guest Conductor and later as Principal Conductor. The main focus of his work there was on Brahms, Mahler, Bruckner and Shostakovich, as well as on large choral works. His successful activity there has been documented by CDs and television recordings. Ponnelle ended his collaboration with this orchestra in late 1996 and is presently active once again as a guest conductor.
Leonard Bernstein in Salzau 1988 – Part I: Introduction and Rehearsal of Dmitri Shostakovich Symphony No. 1 in F minor, op.10
Dmitry Shostakovich (* St. Petersburg, 1906 – + Moscow, 1975) immediately made a name for himself with his First Symphony. In spite of political pressure from the Soviet authorities on account of his alleged “Western formalism”, and in spite of certain critiques from Western commentators, Shostakovich is considered as the Soviet Union’s major symphonist and one of Russia’s greatest composers. The influence of Tchaikovsky, Rimsky- Korsakov, Mahler, Stravinsky and Hindemith is evident in his early works.
Leonard Bernstein in Salzau 1988 – Part II: Introduction and Performance of Dmitri Shostakovich Symphony No. 1 in F minor, op.10
Dmitry Shostakovich (* St. Petersburg, 1906 – + Moscow, 1975) immediately made a name for himself with his First Symphony. In spite of political pressure from the Soviet authorities on account of his alleged “Western formalism”, and in spite of certain critiques from Western commentators, Shostakovich is considered as the Soviet Union’s major symphonist and one of Russia’s greatest composers. The influence of Tchaikovsky, Rimsky- Korsakov, Mahler, Stravinsky and Hindemith is evident in his early works.
Shostakovich, Symphony No.6 in B minor, op.54
In early October 1986, Leonard Bernstein conducted a benefit concert for the restoration of Vienna’s Musikvereinssaal. In this program he led the Vienna Philharmonic in Shostakovich’s Sixth Symphony and Sibelius’s Second Symphony.
Shostakovich, Symphony No.1 in F minor, op.10
Dmitry Shostakovich (* St. Petersburg, 1906 – + Moscow, 1975) immediately made a name for himself with his First Symphony. In spite of political pressure from the Soviet authorities on account of his alleged “Western formalism”, and in spite of certain critiques from Western commentators, Shostakovich is considered as the Soviet Union’s major symphonist and one of Russia’s greatest composers. The influence of Tchaikovsky, Rimsky- Korsakov, Mahler, Stravinsky and Hindemith is evident in his early works. This concert featuring the Chicago Symphony Orchestra under its longtime principal conductor Sir Georg Solti was recorded live in 1977. At its first telecast in the United States in 1979, the Chicago Sun-Times wrote that “these are remarkable hours, firstly because of the quality of the music and secondly because of the outstanding technical competence that went into this production. What’s more, these productions convey much of the impact Solti makes on his audiences in his concerts.”
Shostakovich, Symphony No.9 in E flat major, op.70 with an introductory essay by Leonard Bernstein
Recorded live at the Musikverein in Vienna in 1985, this concert features not only Shostakovich’s Ninth Symphony performed by the Vienna Philharmonic, but also an introductory essay by Leonard Bernstein. With respect to Shostakovich’s position as one of the few composers after Beethoven to reach a “ninth” symphony, Bernstein says: “The mystique of the number nine exerted itself in an odd way, so typical of Shostakovich: he didn’t avoid writing one out of either humility or superstition; he simply wrote the least predictable and most surprising Ninth there is – short, hilarious, circusy – an all-out fiesta, gleefully proclaiming ‘Hurray: the war is over!’ In short, Shostakovich thumbed his nose at the great tradition of Ninths – although he was perfectly capable of writing colossal symphonies, as we know from the 7th and 8th that had preceded them. But he was a great nose-thumber; it has even been suggested that he was thumbing it at Stalin himself.”
Shostakovich, Symphony No.8 in C minor, op.65
Young People’s Concerts: Birthday Tribute to Shostakovich
Awarded four Emmys and hailed by Variety as “a rare moment in the symbiosis of the arts and broadcasting,” Leonard Bernstein’s Young People’s Concerts left their mark on television history. Aired on CBS from 1958 to 1972, these 53 one-hour programs were written and hosted by Leonard Bernstein. With the New York Philharmonic and guest artists providing the live music, these programs brought musical concepts and music history to life for generations of viewers. “Lectures accompanying music might not sound like the formula of a hit kids’ TV program, but Bernstein was the secret ingredient who made it work” (Variety). Balancing scholarship and showmanship, Maestro Bernstein brings the full range of his magnetic personality to play in these programs. And he succeeds in infecting viewers young and old, connoisseurs and the uninitiated, with his overwhelming love of music. Bernstein celebrates Dmitry Shostakovich’s 50th birthday by discussing his work and conducting an excerpt from his Symphony No. 7, as well as Symphony No. 9 in its entirety.