Commanding the podium with his slender figure, theatrical shock of hair and penetrating blue eyes, Herbert von Karajan projected the hieratic image of the conductor as officiant of some quasi-mystic rite. And anyone who ever saw him conduct live or on his many audiovisual recordings will agree that in his performances, music did indeed become a religion and Karajan its high-priest. Karajan (1908-1989) embodied classical music in the general consciousness as an epoch-making conductor, media star, opera producer, festival director and festival founder. But in spite of his Promethean and widely varied activities, he remained a superb conductor, with a grasp of the standard orchestral and operatic repertory from Mozart to Schoenberg that was unsurpassed among his peers.
Debussy, The Matyrdom of Saint Sebastian (Workshop)
Debussy, The Martyrdom of Saint Sebastian
Salzburg Festival 2022: Lang Lang & Daniel Barenboim
“Lang Lang makes the garlands of sound sparkle with crystal clarity” (Wiener Zeitung) Ever since its first performances in 2007, the concerts of Daniel Barenboim’s West- Eastern Divan Orchestra have been among the first to be sold out at the Salzburg Festival. In 2022, the orchestra presents a Spanish night with Lang Lang as soloist. PROGRAM Ravel: Rapsodie espagnole for Orchestra, Boléro; de Falla: Noches en los jardines de España for piano and orchestra; Debussy: “Ibéria“ from Images pour orchestre
Salzburg Festival 2018: Barenboim conducts Tchaikovsky and Debussy
Special experiences await you at this concert: “It was like a bath of ice, cocaine, and rainbows,” remarked the American writer Henry Miller of the effect made on him by Alexander Scriabin’s orgiastic orchestral fantasy Le Poème de l’extase. No wonder, when it comes to a composer regarded as a visionary who touched on the very limits of madness. Scriabin even saw himself as a kind of Prometheus and declared: “The world lives in my consciousness, as my act of creation.” Claude Debussy also experienced a mystical moment when he conceived his impressionist tone poem La Mer. With this music, he wished not to create a musical depiction of the roaring waves and sparkling water but rather to reflect the impression that the play of the waves awakened within him. Impressive in any case is how Lisa Batiashvili performs the Tchaikovsky Violin Concerto. According to the Guardian, she is a gifted storyteller, while the Wiener Standard praised her bright violin sound, comparing it to “a ray of light.” PROGRAM Tchaikovsky: Polonaise from Eugene Onegin; Violin Concerto in D major op. 35; Debussy: La Mer; Skrjabin: Le Poème de l’extase op. 54
A Prelude to Debussy
Claude Debussy died one hundred years ago. His writings reveal him to have been profoundly non-conformist and extreme. Whether they find it mysterious and impenetrable or fascinating and brilliant, no one is indifferent to his music. Through correspondences, interviews with contemporary artists, archival materials and lots of music, this film brings to life the man and his work. In this film, contemporary artists – among them conductor Philippe Jordan, singer Barbara Hannigan and pianist Alexandre Tharaud – recount ‘their Debussy’, providing keys to a better understanding of the composer’s works and the radical rupture they constituted at his time. The portrait is completed by up to now unpublished archival interviews and excerpts of performances by great ‘Debussians’ like Samson François, Leonard Bernstein and Pierre Boulez.
Pelléas et Mélisande
Paris’ Opéra de la Bastille celebrated the 150th birthday of Claude Debussy with avant-garde director Robert Wilson’s “wondrous” (Le Figaro) production of “Pelléas et Mélisande” featuring a stellar cast headed by Stéphane Degout, Elena Tsallagova and Vincent Le Texier in the lead roles, and supported by high-caliber performers such as Anne-Sofie von Otter and Franz Joseph Selig in smaller roles. “The singers have integrated Wilson’s language of gestures and lighting to a degree never attained by previous casts” (Le Figaro). Philippe Jordan gives a transparent reading of Debussy’ haunting score.
Hélène Grimaud – Memory Recital
Hélène Grimaud presents the first part of a special two-part recital from the beautiful natural surroundings of south west Bavaria, a place which the pianist sees as one of her spiritual homes. “Memory” features music from her Deutsche Grammophon album of the same name: Grimaud brings her trademark sensitivity and poetic touch to a personal selection of reflective and atmospheric works by Satie, Debussy, Chopin and Valentin Silvestrov, the Ukrainian composer whose music has fascinated her for decades.
RCO: Mäkelä conducts Beethoven & Debussy
The concert is being led by the young Finnish conductor Klaus Mäkelä. He is conducting two undisputed highlights of the history of orchestral music, taking us on a journey over land and sea with Beethoven’s Symphony No. 6, the ‘Pastoral’, and Debussy’s “La mer”.
LSO: Jonathan Stockhammer conducts Adams, Debussy & Ravel
Sunrises, seascapes and blue Californian skies: it’s all about colour as the LSO presents 20th-century favourites by Ravel, Debussy and John Adams. Dawn breaks in paradise, and in Ravel’s Daphnis et Chloé you can hear every flurry of birdsong and glint of dew. Debussy gazes at the English Channel, and hears new worlds of sonic colour. And in 1980s San Francisco, John Adams imagines a supertanker rising from the sea and rocketing into the shining Pacific sky. PROGRAM Adams: Harmonielehre; Debussy: La mer; Ravel: Daphnis and Chloé – Suite No 2