Presented alongside his Tragic Overture, Johannes Brahms’ relaxed Symphony No. 2, improvisatory in nature with a fuller orchestral sonority, is paired with Karol Szymanowski’s own second symphony. PROGRAM Brahms: Tragic Overture, Symphony No 2; Szymanowski Symphony No 2
LSO: Gergiev conducts Brahms 1 & Szymanowski 1
Johannes Brahms’ Symphony No. 1 is presented alongside Karol Szymanowski’s own first symphony and Violin Concerto No. 1, featuring the acclaimed soloist Janine Jansen.PROGRAM Brahms: Symphony No 1; Szymanowski: Symphony No 1, Violin Concerto No 1
Happy Birthday, Lucerne! Anniversary Season Opening Concert conducted by Claudio Abbado
2013 marked the 75th birthday of Lucerne Festival. Additionally, the Lucerne Festival Orchestra celebrates its 10th anniversary, and its founder, Claudio Abbado, celebrates his 80th birthday! For the anniversary season opening concert in 2013 Abbado gathers world-famous soloists, who are willing to ‘do the craziest things I ask of them in the interest of the compositions: to fly or to go through the fire.’ The maestro spans a wide and quite contrasting range, from the romantic sounds of BRAHMS’ Tragic Overture to the orchestral interlude and the Song of the Wood-Dove from SCHOENBERG’s Gurrelieder, back to BEETHOVEN’s Eroica. —– PROGRAM: Johannes Brahms: Tragic Overture, Op. 81 / Arnold Schoenberg: Orchestral Interlude and Song of the Wood-Dove from ‘Gurrelieder’ (with Mihoko Fujimura, Mezzo-soprano) / Ludwig van Beethoven: Symphony No. 3 in E-flat major, Op. 55 ‘EROICA’
Elina Garanca Recital
The new season of the Opernhaus Zürich opened with an extraordinary recital. The celebrated mezzo-soprano Elina Garanca and the new artistic director Matthias Schulz transported the audience into a world of songs and arias with works by Saint-Saëns, Berlioz, Brahms, Schumann, and other romantic and late romantic composers. The centerpiece of the evening was the aria “Mon cœur s’ouvre à ta voix” from Saint-Saëns’ opera “Samson et Dalila,” which Garanca, as “Dalila,” knows to masterfully and emotionally interpret on the world’s greatest operatic stages and with full orchestras. Matthias Schulz’s sensitive piano accompaniment left nothing to be desired in terms of this emotionality and artistry. The two musicians have a longstanding musical collaboration, and their recitals delight European audiences.