It is a special place: it was here that the Nazi regime had the rockets developed that were used to bombard London during World War II. Today, the former turbine hall is a place of remembrance and reconciliation. Anne-Sophie Mutter, the four-time Grammy Award winner and formative soloist, mentor and visionary, connects Germany and the USA like no other violinist. Her husband, the American-Jewish pianist, composer and conductor André Previn, who died in 2019, dedicated the violin concerto ‘Anne-Sophie‘ to her. It is one of his most successful works and a profound love letter full of virtuosity for a master of her instrument. Joan Tower is also dedicated to strong women. With “1920/2019” from the New York Philharmonic‘s Project 19, the young composer pays tribute to the 19th Amendment to the US Constitution, which guaranteed women the right to vote and which celebrated its centenary in 2020. The New York Philharmonic also finds diversity in equality in Béla Bartók’s most successful work. His concerto for orchestra, premiered in Boston in 1944, demands brilliant solo and virtuoso performances from the orchestra. PROGRAM Previn: Violin Concerto ‘Anne Sophie‘; Bartók: Concerto for Orchestra; Tower: 1920/2019 (European premiere)
LSO: Kirill Karabits conducts Bartok & Rozsa
Kirill Karabits conducts Bartók’s Concerto for Orchestra – plus a rare performance of the Violin Concerto by Bartók’s fellow-Hungarian (and Hollywood legend) Miklós Rózsa. New worlds for old: from exile in America, Béla Bartók and Miklós Rózsa both longed for their native Hungary. Bartók imagined the nocturnal sounds of the Great Hungarian Plain, and transformed them into a defiant shout of hope and joy for a virtuoso orchestra. Rozsa, meanwhile, took time out from Hollywood to write a violin concerto that sings, dances and positively smoulders. It all adds up to a fabulously red-blooded evening of music from Kirill Karabits and LSO leader Roman Simovic: expect dark secrets, untamed melodies, and folk-rhythms in the raw. But it’s also a portrait of two composers grappling with the 20th century on their own, undaunted, terms. Today, Rózsa is still probably best known for classic film scores like Ben-Hur and Lust for Life: this rare performance of his Violin Concerto shows that even without the pictures, he can hold an audience spellbound.
LSO: Simon Rattle & Leonidas Kavakos at Barbican
The 2020s meet the 1920s, as Sir Simon Rattle conducts Sibelius, Bartók, and the world premiere of Unsuk Chin’s new Violin Concerto. A new year, and a brand-new masterpiece from Unsuk Chin, the poetic, dazzlingly original musical mind behind the opera Alice in Wonderland. She’s called it Shards of Silence, and it prepares the way for a musical journey back to the 1920s – when Sibelius and Bartók found equally astonishing, equally uncompromising new ways of listening to the world. This is Chin’s second violin concerto. Her first is already a modern classic, and she hadn’t planned to write another – but when she heard the playing of Leonidas Kavakos, she broke her own rule. Naturally, he’s the soloist for tonight’s world-premiere performance, and since history demands context (even while you’re making it) Sir Simon Rattle completes the programme with Sibelius’ Seventh Symphony and Bartók’s brutal, brilliant Miraculous Mandarin Suite. PROGRAM: Chin: Violin Concerto No 2 (workd premiere); Sibelius: Symphony No 7; Bartók: The Miraculous Mandarin – Suite