The trumpets’ carolling sound and the festive baroque repertoire associated with it are the key ingredients for this most atmospheric of Christmas concerts. Award-winning British musician Alison Balsom explores dazzling original compositions by Bach, Bendinelli, Biber, Zamboni, and Handel. The trumpet’s lyrical voice is also present in her transcriptions and arrangements of songs by Dowland and Arcangelo Corelli’s Concerto grosso in G minor, known commonly as the “Christmas Concerto”. The Balsom Ensemble, accompanying the “Queen of trumpet” (Hamburger Abendblatt), consists of “splendid musicians of historical performance practice” (Die Welt), all hand-picked by Balsom.
Festive Advent Concert at the Frauenkirche Dresden 2012
Program: J.S.BACH: Orchestra Suite No. 4: Réjouissance / G. F. HANDEL: Messiah: “Alle Tale macht hoch erhaben”, “Denn die Herrlichkeit Gottes des Herrn”, “Halleluja” / W. KIENZL: Weihnacht (Kulman) / W. A. MOZART: Great Mass in C minor: Gloria in excelsis Deo, Laudamus te / A. BRUCKNER: Locus iste (Chor a cappella) / J. MASSENET, Méditation aus „Thais“ / MENDELSSOHN BARTHOLDY: Weihnachtskantate „Vom Himmel hoch“ / E. HUMPERDINCK: Christmas Cantata: “Vom Himmel hoch”, Hänsel und Gretel: Abendsegen und Traumpantomime, CH. GOUNOD: Saint Cecilia Mass: Sanctus
Albrecht Mayer and Christian Thielemann: Bruckner, Strauss
Christian Thielemann’s international fame rests to a large extent on his interpretations of BRUCKNER. In this concert with the Berliner Philharmoniker he conducts the composer’s most popular work, the Fourth Symphony. As the epithet “Romantic” implies, Bruckner here creates a vision of a better past. The Oboe Concerto by RICHARD STRAUSS which opens the concert has a similarly nostalgic flavour. The soloist is Albrecht Mayer, principal oboist with the Berliner Philharmoniker since 1992.—– Program: Richard STRAUSS, Oboe Concerto in D major; Johann Sebastian BACH, Sinfonia from Cantata BWV 156, Anton BRUCKNER, Symphony No. 4 in E flat major “Romantic”
Stars of Tomorrow presented by Rolando Villazón – Episode 22
With unparalleled charm and whirlwind exuberance, world-renowned tenor Rolando Villazón hosts a unique television special in which young musical “stars of tomorrow” are introduced to millions of music lovers as soloists in performances with the Junge Sinfonie Berlin under the baton of Giedre Slekyte und Elias Grandy – a highly successful, casual, briskly paced concert series that appeals to young audiences!
Fazil Say at Mozartwoche
The singular pianist Fazil Say centers this recital during Salzburg’s Mozart Week around Bach’s monumental Goldberg Variations. Although the late Bach is cornerstone of piano music and a milestone for many pianists, Say’s unique performance manages to make even this well-known and often played work a journey of discovery for the audience: “Time and again, the listener has the sudden impression that Fazil Say has just joyfully discovered something completely new in the piece and is letting everyone share in it
with his smiling gaze” (Opera Online). Say follows up the Goldberg Variations wit Mozart’s Fantasy No. 3 and his own piano sonata “Yeni hayat” (New Life), which he composed in 2021 during the pandemic. PROGRAM Bach: Goldberg Variations; Mozart: Fantasy No. 3, K. 397, Piano Sonata No. 11; Say: Piano Sonata “Yeni hayat”
Evgeny Kissin plays Bach, Mozart, Chopin & Rachmaninoff
In this piano recital, master pianist Evgeny Kissin spans the programme from Bach to Mozart to Chopin and Rachmaninoff. For the latter, Kissin makes a passionate commitment in the year of the composer’s 150th birthday: “Rachmaninoff’s music”, he says, “has a quality that speaks directly to people. There are no language barriers”. With the selection of one piece, Kissin consciously positions himself against Russia’s war of aggression on Ukraine. Chopin’s Polonaise in F-sharp minor, Op. 44, became part of the recital at short notice. Composed in 1841, it was written at a time when Poland was in a similar situation as Ukraine is now: Warsaw was occupied by Russian troops. “Goosebumps, new insights, unanimous cheers” (Frankfurter Neue Presse)
Vienna Advent Concert at St. Stephen’s Cathedral
The Christmas concert of the Wiener Symphoniker in St. Stephen’s Cathedral is a wonderful way to get in the mood for Christmas. It opens the heart and makes one ready to welcome Christ in every person. For this concert French conductor Fabien Gabel presents timeless oratorio classics by Johann Sebastian Bach and George Frideric Handel, as well as romantic church music by Gioachino Rossini, Giacomo Puccini and Hector Berlioz. The soloists are soprano Elsa Benoît, tenor Stanislas de Barbeyrac, Diana Tishchenko on violin and ARD Music Prize winner Selina Ott on trumpet. In addition, the Wiener Sängerknaben and the Chorus Viennensis created a Christmas atmosphere in the festively decorated cathedral. Programme: Bach: Magnificat, Jauchzet Gott in allen Landen; Handel: Overture to Samson, Thus when the sun, Awake the trumpet lovely sound, Let the Bright Seraphim; Puccini: Preludio sinfonico; Rossini: Domine Deus from Petite messe solenelle; Berlioz: L’Adieu des bergers à la Sainte Famille from L’Enfance du Christ; Massenet: Méditation from Thaïs; Glasunov: Album leaf; Schreker: Valse lente; Strauss: Wiegenlied (Lullaby); Anonymus: Adeste fideles
The Vienna Christmas Concert from the Stephansdom
The festive concert from St Stephen’s Cathedral in Vienna spreads pre-Christmas mood with four well-known vocal soloists, the Vienna Boys’ Choir and the Vienna Symphony
Orchestra. The program under the musical direction of David Afkham includes sacred and solemn music from all over Europe, from J.S. Bach’s Christmas Oratorio and Charles Gounod’s “Sanctus” to the grand finale with Engelbert Humperdinck’s Evening Blessing from “Hänsel und Gretel”. At the end of the concert, the Christmas carol “Adeste fideles” is sung together.
BBC Proms 2021: Vikingur Olafsson plays Bach and Mozart
Award-winning Icelandic pianist Víkingur Ólafsson makes his much-anticipated Proms debut, as soloist in both Bach’s Keyboard Concerto in F minor, whose energised outer movements frame a ravishing central Adagio, and Mozart’s pioneering Piano Concerto K491, a rare minor-key work whose stormy, richly orchestrated music climaxes in a relentless dance. The Philharmonia Orchestra under the baton of Paavo Järvi frame the concert with two symphonies: Prokofiev’s playful ‘Classical’ Symphony, with its clever juxtaposition of traditional forms and contemporary colours, and the more loaded irony of Shostakovich’s compact Symphony No. 9. PROGRAM Prokofiev: Symphony No.1; Bach: Keyboard Concerto; Mozart: Piano Concerto No. 24; Shostakovich: Symphony No. 9
BBC Proms 2018: Canellakis conducts Russian Classics
Conductor Karina Canellakis returned with the BBC Symphony Orchestra after her triumphant 2017 Proms debut. Two 20th-century Russian masterpieces led the bill – the exhilarating Symphonic Dances by Rachmaninov and Shostakovich’s much-loved First Cello Concerto, where Canellakis was joined by another young American star, soloist Alisa Weilerstein. The programme kicked off with Beethoven’s forceful Overture Coriolan, which Canellakis describes as a ‘punch in the face’, and a third young American, composer Andrew Norman, completed the programme with the UK premiere of his new work Spiral – “It could spice up any programme!” (The Guardian) PROGRAM Beethoven: Overture ‘Coriolan’; Shostakovich: Cello Concerto No 1; Norman: Spiral; Rachmaninov: Symphonic Dances