As part of a fully fledged Bruckner festival, Mariss Jansons is conducting a series of Bruckner symphonies, each paired with a classical solo concerto – great music by great composers. The series gets under way with Beethoven’s Piano Concerto No. 1, composed in 1795. The work is, in actual fact, Beethoven’s second contribution to the genre, in which he pushes the boundaries of the instrument. The featured soloist is Lars Vogt. One hundred years after Beethoven had written his Piano Concerto, Bruckner concluded his monumental symphonic œuvre with the unfinished Ninth Symphony, leaving behind three completed movements and sketches for a finale in 1896, the year in which he died. In his swansong – the starkly dissonant Adagio –, Bruckner explores the very boundaries of tonality. —— Program: Ludwig van Beethoven – Piano Concerto No. 1, Anton Bruckner – Symphony No. 9.
Mariss Jansons conducts Bruckner 4
In many ways, Haydn and Bruckner are polar opposites. Haydn was a natural talent, while Bruckner was a late bloomer; Haydn was a self-assured professional who wrote music for weddings and parties just as easily as he did for great noblemen, while Bruckner plodded along laboriously, often plagued by feelings of insecurity. Both produced outstanding music, however, as evidenced by Haydn’s energetic, sunny Cello Concerto, performed here by the leading Norwegian cellist Truls Mørk, and by Bruckner’s most well-balanced symphony, the ‘Romantic’. —— Program: Joseph HAYDN – Cello Concerto, Anton BRUCKNER – Symphony No.4 (‘Romantic’)
Lucerne Festival: Simon Rattle conducts Britten and Bruckner
Another late summer highlight at Lucerne Festival: Simon Rattle and the Berliner Philharmoniker presenting works by Benjamin Britten and Anton Bruckner. Britten gethered eight musical-poetic night pieces together under the title ‘Nocturne’: Musical settings of English poets throughout the centuries perfomed by tenor Ian Bostridge. This cycle of orchestral songs is coupled with Bruckner’s ‘Swan Song,’ his last symphony, which was unfinished and which he dedicated to ‘Dear God’ – Symphony No. 9 in D minor.
Lucerne Festival: Abbado conducts Bruckner 5
‘Abbado’s approach to the music of Bruckner is soft and songlike, at times tense and urgent, but constantly filles with warmth of feeling (…)’ wrot critic Peter Hagmann in the ‘Neue Züricher Zeitung’. On 19 August 2011 Claudio Abbado and the Lucerne Festival Orchestra presented Anton Bruckner’s Symphony No. 5 and did credit to this review. The handpicked players of the orchestra filled the famous concert hall in the Culture and Convention Centre Lucerne with impressive and unforgettable sounds.
Nelsons conducts Bruckner and Widman
The Gewandhaus season 2017/18 celebrates two momentous occasions: the investiture of Andris Nelsons to the position of the 21st Gewandhauskapellmeister and the 275th anniversary of the Gewandhausorchester’s founding. This festive concert with Bruckner’s Symphony No. 7 and a World Premiere of Jörg Widmann’s Partita promises to become one of the emotional highlights of the festival. PROGRAM Bruckner: Symphony No. 7; Widman: Partita
Blomstedt conducts Bruckner 9
To mark the bicentenary of Anton Bruckner’s birth, Herbert Blomstedt and the Bamberg Symphony Orchestra are bringing his Symphony No. 9 in D minor to the sumptuous Austrian abbey of St Florian, with which the composer had a strong bond.
RCO: Honeck conducts Bruckner 8
Discover Anton Bruckner, architect of mighty symphonic buildings, in the monumental Eighth Symphony under the baton of Manfred Honeck. Bruckner’s Eighth is a mighty fortress and a thrilling ride from darkness into light. Its world is, by turns, complex, gracious, peaceful, and turbulent – Bruckner invites you in, takes you along, and never lets you go.
RCO: Mäkelä conducts Bruckner 5
In the field of Bruckner’s symphonies, the Concertgebouw Orchestra has built up an enviable reputation. For this reason, a performance of the Fifth Symphony together with conductor and artistic partner Klaus Mäkelä, is a not-to-be-missed opportunity. “It is in my opinion the greatest achievement as far as the symphonic form goes.” (Klaus Mäkelä)
Fabio Luisi’s Farewell Concert from Zurich: Bruckner No. 7
In his nine years as the General Music Director of the Opernhaus Zürich, Fabio Luisi decisively shaped the musical tone of the house. His Verdi interpretations, his cycle of operas by Vincenzo Bellini and his forays into the symphonic-romantic repertoire are unforgettable. In June 2021, Luisi gave his farewell concert on the rostrum of the Philharmonia Zürich with an intense and memorable performance of Anton Bruckner’s Symphony No. 7. Conducting without a baton, Fabio Luisi led the orchestra in his signature style combining precision with emotion, moulding out every heraldic and delicate passage from an orchestra in top form.
LSO: Nathalie Stutzmann conducts Bruckner’s Symphony No. 9 and Te Deum
The obsessive Anton Bruckner worked on his Ninth Symphony for the last ten years of his life, but the concluding Adagio remained unfinished at his death in 1896. He is said to have suggested that his Te Deum be used in its place – and leaving aside the tonal shift from the D-minor symphony to a C-major hymn, it feels a fitting grand finale for the famously devout composer, who dedicated his last symphony to God. In a concert billed as A Blaze of Glory, the acclaimed Nathalie Stutzmann – who counts Bruckner among her three favorite composers to conduct – leads the London Symphony Orchestra and London Symphony Chorus, joined by soloists Lucy Crowe, Anna Stéphany, Robin Tritschler, and Alexander Tsymbalyuk, in a program that represents no less than the culmination of Bruckner’s life’s work, a mighty and magnificent call to heaven itself.