Premiered in Bordeaux two weeks before the storming of the Bastille, “La fille mal gardée” is the only classic 18th-century ballet still in the repertoire today. Critics found that the naturalness, sensitivity and humor of Heinz Spoerli’s 1981 staging make it superior to the benchmark staging by Sir Frederick Ashton, who brought the work back to life and worldwide fame in 1960.
Pulcinella
Following the success of Massine’s choreography in “Les femmes de bonne humeur”, Diaghilev wanted to present a work based on the music of Pergolesi. He collected the composer’s unfinished manuscripts and was able to persuade Igor Stravinsky to compose the music for a new ballet. Picasso was engaged to design the sets and the costumes, while Massine was responsible for the choreography. The effort was worthwhile. “Pulcinella” is one of those rare ballets in which the individual elements – plot, music, choreography, set design and costumes – form a harmonious and homogeneous whole. Heinz Spoerli presents his Pulcinella using the language of modern ballet. One of the most important choreographers of our time, Spoerli was born in Basel, Switzerland, in 1941 and became director of the Basler Ballet in 1973. Under his direction, the Basler Ballet has become a highly esteemed international ensemble.